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Joe Ross : The Spirit of St. Louis
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Original Bluegrass & Americana from Oregon multi-instrumentalist Joe Ross. With Bryan Bowers * Al Brinkerhoff * Tim Crouch * Mitsuki Dazai * Jason Heald * Randy Kohrs * Ron Stewart * Scott Vestal * Radim Zenkl * Cedar Hill * James King Band
Genre: Country: Bluegrass
Release Date: 2006
The Spirit of St. Louis
Joe Ross
Record Label: Zephyr
  • Download Album (MP3) - $9.99
  • Buy CD - $12.97
SPECIAL: 30% discount if you buy more than one copy of it today!
Preview Song Name Time Format Price Select
The Logger's Song - 3:47 3:47 $0.99
The Homefire - 4:09 4:09 $0.99
One Legged Turkey - 3:13 3:13 $0.99
The River in Oregon - 3:14 3:14 $0.99
Mother's Songs - 4:25 4:25 $0.99
The Church Bell No One Hears - 2:43 2:43 $0.99
The Spirit of St. Louis - 3:18 3:18 $0.99
My Heart Remembers Yesterday - 3:03 3:03 $0.99
St. Anne's Reel - 3:20 3:20 $0.99
Streamliner - 2:57 2:57 $0.99
Somewhere Down the Road - 3:07 3:07 $0.99
His Hand is Divine - 2:33 2:33 $0.99
preview all songs

Album Notes

Like his 2006 release of originals called “Festival Time Again,” Joe Ross’ "Spirit of St. Louis" is a work of art … carefully sculpted with a variety of musical styles, great attention to detail, and extraordinary craft. Joe is a great musician who I appreciate tremendously for not only this aforementioned craft, but also his utter and total sincerity in his musical presentation. Spirit of St. Louis is a passionate testament to the precious beauty and majesty of Joe’s native Oregon. It speaks sweetly of wonderful days gone by, family values, American history, and the love of God. Each song is a unique portrait painted on a canvas of skillful and gorgeous instrumentation. The lyrics are lovingly wrought, and every note is a triumph.

From the opening tale of “The Logger’s Song,” with its highly singable and poignant lyrics, to the tender and bitter-sweet “Mother’s Songs,” to the reverent closing track, “His Hand is Divine,” each piece tells a remarkable story in vivid detail that will tug at your heart strings and give you new appreciation for Joe’s subject matter. The title cut speaks of modern marvels and innovation, and the courage and fortitude of one man’s historic journey across the Atlantic. “The Church Bell No One Hears” is the heartbreaking account of the loss of spiritual heritage within our everyday lives. And “Somewhere Down The Road” is simply irresistible, with its uplifting message of hope and happiness to come.

As always, Joe has included some marvelous instrumental tracks… the delightful “One Legged Turkey” includes some fantastic chromatic elements, which add a wonderful element of surprise. And the achingly lovely “Saint Anne’s Reel,” takes me back to the Renaissance in all its magic.

I have so often heard it said that a musician’s music conveys his heart and soul. It’s something I always try to express in my own compositions, and something that many musicians do extremely well. Joe Ross, in this splendid album, not only gives us twelve exceptionally poignant story songs to cherish, but he provides us an accurate portrait of his own sincerity and passion. In listening to, and enjoying Spirit of St. Louis, we also get to enjoy the spirit of Joe himself, and the finished portrait is a truly beautiful piece of art to behold. --- Kim Loftis,
Burnsville, N.C.

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Joe has written songs for this project that are straight and true right from the soul. These songs are the "real deal!” Whether picturing a beautiful river in Oregon, re-living Lindy's solo flight across the Atlantic or being touched by his mother’s beautiful songs, Joe's pen has found the mark straight to the heart! Mark "Brink" Brinkman, Songwriter/Publisher - Brinksongs
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This album by Joe Ross is one that I liked from the start, but sort of grew on me even more. It's a fine piece of work and worthy of mention as one of the best bluegrass CDs of 2007. Joe writes good original material, has a knack for just good sounding arrangements and fitting song selection. I enjoy his music as much as I do his writing. This album is great. Johnny Pearce, The BABA Bulletin Vol. 21, No. 11, November 2007
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BIO INFO: Originally from Virginia, Joe Ross was raised a "military brat" overseas in Japan. Performing on electronic organ in pro rock, soul and blues bands during his school years, he eventually took up bluegrass music after hearing it on the Far East Network. His first bluegrass group, The High Mountain Ramblers, was formed during the 1970s at the University of Oregon.

Today, no one can resist the urge to tap their toes and sing along when multi-instrumentalist Joe Ross is "edu-taining" with his highly interactive and fast-paced solo Roots of Bluegrass musical show for all ages. The evolution of Celtic and Bluegrass music is traced from the British Isles to today as such instruments as banjo, mandolin, guitar, concertina, hammered dulcimer, and autoharp are demonstrated.

Joe and his classical harp playing wife, Kathleen, also perform at weddings and special events. Joe is a member of Northwest on Tour, a juried artist roster. The Joe Ross Band is a highly-charged and sought-after group that presents classic bluegrass, jazz, swing, gospel and original material. Their great diversity and innovation take them to many of the top music festivals and events throughout the west. Ross' seven albums cover many genres from bluegrass to Celtic, sea songs to children's music.

Besides music, Joe also offers a program called "Folk Tales of Old Japan," using a traditional Japanese storytelling technique with large illustrated cards. He is also a noted music journalist with hundreds of feature stories and reviews published by national periodicals and websites.

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REVIEWS

The Spirit of St. Louis
author: Kristina Lindbergh
Mr. Ross is one of those talented and versatile bluegrass musicians who lays down his own polished guitar and the mandolin tracks behind quite fetching melodies and lyrics...He's an earnest, God-fearing, tradition-hugging Oregonian and sings in what I think would be considered a tenor voice or possibly light baritone with a hint of the astringent edge that reminds me pleasantly of Burl Ives.. In the great folk song tradition Ross doesn’t mess with irony or controversy here, and doesn’t worry overmuch about sacrificing historical accuracy in his pursuit of a rhyming couplet. This is just a snapshot of Lucky Lindy, the grinning boy hero, untarnished by the tragedy or eccentricity or fame that would make him a real person later. We’d never chide a songwriter for imagining that the engineers at Ryan Aircraft “called upon” our grandfather to fly their plane (we know he was turned down by Travel Air and Wright-Bellanca when he asked them to build his special plane, and that he sought out Ryan as a last resort), or that once he got the plane he “boarded with a prayer” (we know he thought a great deal about religion; he just never felt he needed to use it), or “answered with a swear” (we never heard him swear although occasionally he did use ordinary words in what might be called an emphatic manner), or that he “would fly the mighty plane as if it were a game” (he took this stuff pretty seriously…in fact some of us thought he also took games of checkers or capture-the-flag a bit too seriously). For after all it’s just a song – it’s fun – and I’m honored that a fine musician thinks my grandfather a worthy subject for it, even this long after his New York-to-Paris Flight. I realize that if I had known the original John Henry or even the Frog in “A Froggy Went A-Courting” (who may have disliked being called “froggy” as much as my grandfather disliked being called “Lucky Lindy”), I might feel as persnickety about the songs written about them. Kristina Lindbergh
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Among \"The Best of 2007\"
author: Don Teplyske
Writer/musician/singer/songwriter Joe Ross is a man of many talents, and his fifth release taps them all. Ross\' sonorous voice is well-suited to his compositions. With guests like James King Band, Ron Stewart and Cedar Hill, Ross delivers a full-bore bluegrass effort equally dependent on words and instrumentation. Recommended as among \"The Best of 2007.\" (DT, Bluegrass Now, Nov. 2007)
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Joe Ross Puts The Sprit Into Bluegrass
author: Bob Cherry
Songwriter and musician Joe Ross has put together another fine collection of his original songs that span a nation and time as they reflect on life and living. From the logging of large timber in the Oregon range through the flight of the Spirit of St. Louis and just Somewhere Down the Road, The Spirit of St. Louis is a unique album that reflects the experiences and remembrances of the songwriter, Joe Ross. The album features outstanding instrumentation with an array of top-talent bluegrass musicians. The variety of supporting artists including Scott Vestal, James King, Susan Blanton, Randy Kohrs, Ronnie Stewart, Lisa Ray and many others contribute to the fullness of this album. Ross plays various instruments including the typical guitar, you will also find him on the mandolin, bass, hammered dulcimer and even the keys. With both vocals and instrumentation working to build the theme of this album, it is no wonder why The Spirit of St. Louis is an enjoyable album to listen to. The songs are generally up-beat, full of life and energy and thought provoking. They create dreams of yesterday and enlightenment for tomorrow. There is a bit here for everyone as Ross carries the listener from traditional and early-country sounds through a musical journey that encompass gospel and folk as well. This is a fine add on to the Joe Ross collection of songwriter albums providing fresh sounds and ideas in bluegrass and acoustic music today. Bob Cherry, Cybergrass - www.cybergrass.com
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This cd deserves a chapter!
author: John Sigmon
This is another of Joe Ross’s compelling contributions to the Bluegrass community. He sent it to me to review, and I have to say that doing so was the highlight of my day. There are two reasons. First, Joe has no peer in his writing. A resident of Oregon, in this offering he demonstrates his wonderful flexibility as a composer and arranger. Throughout he weaves a thread of faithfulness to our roots, and a tantalizing foray into other possibilities. The Loggers song hit me…being solidly in their camp, it would. Mother’s Songs will make you want to call home—something you may not have done in a while. Thank Joe for the nudge! He’s got a salute to a very brave man---Lindberg. The fellow deserves it. Crossing the Atlantic in a 1927 monoplane was no small achievement. And as for Saint Anne’s Reel—well, discover that one for yourself. It’s a wistful surprise. The second reason is this. Joe is an Oregonian. If some of these songs don’t make you want to pack up and come see our magnificent Northwest---our loggers, our people, our mountains and forests and streams---take up tennis. Plus his choice of supporting musicians is, as usual, right on. That’s enough. He told me this review didn’t have to be long, maybe a paragraph. Sorry, Joe. This cd deserves a chapter. GET IT! John Sigmon (onegoodgibson [at] comcast [dot] net)
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