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Jesse Sterling Harrison : What It Sounds Like
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Haunting, exhilarating story-songs with powerful rhythmic pulse and big splashes of melody that make you feel like falling in love, squeezing your heart and moving your feet to the sound of his voice & old flatpicked Gibson.
Genre: Rock: Folk Rock
Release Date: 2007
What It Sounds Like
Jesse Sterling Harrison
Record Label: Jesse Sterling Harrison
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Preview Song Name Time Buy
1. Feed the River 3:25 + MP3 $0.99
2. On a War 2:23 + MP3 $0.99
3. Greenfields 3:44 + MP3 $0.99
4. Pounding in My Brain 3:44 + MP3 $0.99
5. She Waits 2:50 + MP3 $0.99
6. September 4:05 + MP3 $0.99
7. Melt Away 3:23 + MP3 $0.99
8. They Won't Stop 3:34 + MP3 $0.99
9. Williamsburg Flood 4:11 + MP3 $0.99
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Album Notes

“Americana” does not do adequate justice to the musical or lyrical feel of this album, but it's a good start. Solo acoustic guitar work starkly highlights wide-ranging subject matter from the self-inflicted trials and tribulations of middle-American pseudo-poverty (Feed the River), to war and economics (On a War), to the anguish of missed opportunities (Pounding in My Brain), to the old-timey story of tragic loss due to natural disaster (Willamsburg Flood). Never your typical singer-songwriter with a guitar, Jesse's 9th full-length album is intimate, achingly personal, yet avoids the angsty melodrama of stories you've heard a thousand times. The melodies and guitar work is far from typical or traditional, with intense rhythms, haunting and sparse flatpicking, and inspired vocal lines. You will want to learn all these songs by heart, sing along, and recommend them to your friends.

Most songwriters write pretty good lyrics and have pretty pedestrian music. Most really good guitarists play too many notes. And a lot of really interesting music is accompanied by trite, silly words. Why is that?

Jesse Sterling Harrison, a singer and songwriter based in Western Massachusetts, has been playing out for almost 15 years, is comfortable, charming and witty on-stage, and demands attention. He is that ultra-rare performer who can really play the guitar, sing a top-shelf lead vocal, and write deep lyrics that get better the more you think about them. Drawing on a huge range of influences, Jesse utilizes a deftly-flatpicked Gibson acoustic, a lyric sheet that's spare, literary and unpretentious, and a versatile voice that draws comparison to heavies like Jeff Buckley and Radiohead's Thom Yorke.

Jesse writes story-songs with a powerful rhythmic pulse and big splashes of melody. He can sing all soft and personal and then switch to a bluesy roar, a poetry-slam spoken-word rap, or an intense wail. The overall effect is moody, surprising and instantly recognizable. His music can easily coexist in an mp3 shuffle with other brilliant writer-performers like Neil Young, Will Oldham, Richard Thompson, Josh Ritter, and Beck...in other words, artists who manage to create something timeless.

Jesse released some of his best work, the CD What it Sounds Like, in 2006. He is currently beginning a new full-band CD with the working title Lord Send More Trouble and booking solo acoustic performances in New York and New England. When not writing, recording and playing live, Jesse runs a small business and spends time with his two young daughters.

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REVIEWS

Graceful Ways to Sing Long Words
author: lincoln
                            
To experience Jesse's music is to encounter someone utterly unburdened by pretension of any sort. His music is raw, but not in a slipshod way. What comes through in his solo acoustic performances is an honesty, a thoroughly unconventional man that ponders, deconstructs and struggles to absorb the conventions around him. His vocals are soulful without affectation, his guitar work is most often understated, but rarely stock. His ideas are poetic, but never trite- he manages to be intensely personal without the usual singer-songwriter trappings (here's what's wrong with me). With a mind like a magnet for empathy and experience he can write a ballad that can melt butter or rock song about a prehistoric school bus with a chorus that you can tap your foot to. Beat that, losers.
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