Lean arrangements that veer off nicely into stranger territory
author: Gajoob
This self-titled release was recorded over four months in the summer of 2002, and has all of the charm that makes home recordings so cool, if you ask me. While it's somewhat of a hodge podge of stuff, that's exactly why I like it. You might classify it with artists like Beck and others. Auty fills his cabinet with house beats while mixing in rock styles, keeping to lean arrangements; and veers off nicely into stranger territory that keeps you wondering what's next.
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Experimentalism and melody are the key elements
author: Leonard's Lair
It is not difficult to work out the influences which inform the first album from Dan Auty AKA Kanji School. The songs on display possess that familiar slacker attitude to songwriting that Beck employed at the beginning of his career. Experimentalism and melody are the key elements with character-based sketches ranging from the humour of 'Jesus Is Coming (Look Busy)' to the considerably darker undertones of 'A Nice Man'. Taken purely as songs though, the infectious grunge of 'Hairpie Slick' and the seductive groove of 'Camisole' impress the most.
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Good, if self-consciously 'current'
author: Splendid E-zine
"What's here is good, if too self-consciously 'current' – the guitar is dominant throughout, and Auty's playing is sprightly, rhythmic and capable. The drums are efficient, as are the scattered appearances of harmonica, piano, horn and synthesizer. It shows thoughtfulness and care, and given time, even if Auty lacks any real passion (and I'm not saying he does), he just might be able to conjure a reasonable facsimile."
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