Kellye Gray | Blue and Pink, The Pink Songs

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Jazz: Jazz Vocals Jazz: Bebop Moods: Type: Vocal
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Blue and Pink, The Pink Songs

by Kellye Gray

"A musically most imaginative, tour de force" says SF Examiner. "Simply the most excting jazz singer" says USA Today. The Pink Songs are the be-bops, swings and out tunes from the live concert recording, Blue and Pink.
Genre: Jazz: Jazz Vocals
Release Date: 

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  Song Share Time Download
1. Honeysuckle Rose
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7:49 $0.99
2. Well You Needn't
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11:28 $0.99
3. Speak No Evil
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6:47 $0.99
4. Do Nothing
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5:29 $0.99
5. Footprints
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8:58 $0.99
6. Blue Skies
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8:08 $0.99
7. Billie's Bounce
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6:22 $0.99
8. Well You Needn't (Bonus Track)
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10:43 $0.99
Available as MP3, MP3 320, and FLAC files.


Album Notes
The Pink Songs are the be-bop, swings and out tunes from the Blue and Pink concert recordings. They were recorded in February 2002 in Houston, Texas at Ovations Nite Spot. Kellye Gray has been a jazz recording artist since 1990. Her first disc, Standards In Gray (Justice Records) sold an impressive 60,000 plus CD's. Standards and her second recording, Tomato Kiss (Proteus) charted in the top 20 of the Gavin Report.

“Powerful”, “imaginative”, “emotionally uplifting” are some of the adjectives critics use to describe the talents of singer Kellye Gray. Most importantly, Kellye is that breed of jazz singer who has developed a sound that is truly their own. Her style is post-modernist and she uses her voice like an instrument within the ensemble. She possesses what critics like to call - “musicianly chops”. Singing and performing since the age of five, Kellye caught the "bug" very early on in life. She has studied voice, speech, acting and music for over 20 years in Texas, New York, San Francisco and Los Angeles. She has released four CDs as a solo artist and has appeared on many others as a featured vocalist or as part of a compilation.

Gray, a native Texan, began her career in the most unlikely of places. She cut her teeth up and down Austin’s own Sixth Street during the 1980’s where the music was more rock and roll and covers than be-bop and swing. On a Kellye Gray date back then it was not unusual to hear Charlie Parker, Miles Davis, a Madonna or Prince cover all in the same set. But, creative choices and great taste allowed “the KGB (the Kellye Gray Band)” to attract not only a college crowd but also a more sophisticated crowd of up-and-coming baby-boomers. The group quickly became a frequent headliner at many of Austin’s festivals, like Aqua Fest and Old Pecan Street Festival. Kellye was recognized as one of the Austin Chronicle’s favorite singers and jazz groups several years in a row.

Kellye moved to Houston in 1987 performing nightly at the Blue Moon. There she developed a strong following that attracted the fledgling Justice Records to her door. She recorded Standards In Gray (Justice Records) in 1989 and the disc soared to the top of the Gavin Report as well as other jazz charts. She was named a member of the Texas Jazz Heritage Society, a group founded by the late Arnett Cobb.

While on promotional tours for Standards, Kellye fell in love with San Francisco and made her move there in 1992. Tomato Kiss (Proteus Recordings), with most of the original Texas crew from the first disc, was recorded shortly after her move to San Francisco. The magic of the that original group proved to be a good choice and again she enjoyed success as the disc rose to the top of the charts.

A move to Los Angeles in 1999 allowed her to re-connect with old friend and fellow Texan, jazz pianist Shelly Berg. The duo created several arrangements that would show up on Blue and Pink, a live concert (Proteus Recording).

Family brought Kellye back to Austin in the spring of 2001. In February 2002 Blue and Pink, a live concert (Proteus Recording) was recorded at Ovations Nitespot in Houston. This two-disc recording was released as two seperate recordings in 2002 and 2003. They can be purchased as "The Blue Songs" or "The Pink Songs". The Blue Songs contains the bossa novas, blues and ballads and The Pink Songs has the be-bops, swings, funks and avant improvisations from the two-night date. The mistakes and the magic moments are kept to bring the listener closer to actually being in the room while the concerts were recorded.

As an educator and coach she is a faculty member at The Austin School of Music, Jazz Camp West, The JazzSchool, The Monterey Jazz Festival Jazz Camp, The Jazz Institute as well as several other smaller camps, colleges and insitutions. She mentors upcoming jazz vocalists in Masters Classes held throughout the United States. Kellye's enthusiasm and passion for music and teaching allows her to incorporate a fresh new approach into her teaching style. She believes in guiding the singer to help find their true voice, while enhancing their sound with proper vocal technique for the longevity and health of their voice. She is currently developing a book that will accompany innovative weekend workshop based on exploring the creative process entitled, "Sploosh".

Miss Gray has received multiple Addy Awards for commercial radio spots as a voice talent. She volunteers regularly to charitable organizations where her name recognition and performance talents help in raising funds.

Kellye has performed for dignitaries and heads-of-sate in Washington D.C. She has had the honor of sharing the stage with a wide variety of jazz, blues and R&B stars throughout the United States and the world. She regularly tours the U.S. and Europe performing at festivals, concerts and nightclubs. Some notable mentions have been the Spoleto Festival, Stanford Jazz Festival, Houston International Festival, the Jazz and Blues Heritage Festival, the San Francisco Jazz Festival, Yoshi’s, The Cinegrille, Snug Harbor, Caveau De La Huchette, The Green Mill, Cezanne and many, many more.


to write a review

Nancie S. Austin

Greatest living jazz!
How alive can you get? Kellye does it on Pink. Crank up the volumn and close your eyes. Now you are in the room with her and her great side artists. What a trip. The next best thing to actually being there. Kellye truly IS the greatist female voice in jazz today and we are all so lucky to be able to take her home with us on this magic disc.

Esther de Ipolyi

Doesn't get better than this!
In short, the greatest voice in jazz today! No one holds a candle to Ms. Gray. If Ella and Sassy were alive today, they'd also be in the shadow of this monster talent!

Neil Wasserman

The unique talent of Kellye Gray dazzles again!
This unique voice dazzles us again with a set of ballads and blues. Kellye Gray uses her complete and extended vocal range mixing standards and not-so-standard songs to engulf us in her art. She projects herself as an integrated part of a jazz ensemble with excellent side musicians. The result is a series of songs with well thought out textures and unbuttoned emotion. Kudos again the Kellye and her friends.

Neil Wasserman

Kellye Gray leaves us breathless and wanting for more!
In a great companion disk to prior efforts such as Standards in Grey and Pink, Kellye Grey delivers a tour-de-force performance of songs with which we thought we were familiar. Her enormous musicianship, vocal range, and energy combine with outstanding choices in musical pacing to give us a remarkable and memorable musical experience. Kellye Grey is that rare talent that is not only technically superb, but has the maturity to know when to emote, when to underwhelm, and when to just have fun. Congratulations Kellye and friends.