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Ken Layne and the Corvids : Fought Down
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Real good. This is raw-edged, ramshackle alt-country with a busted taillight. "Worried" is one of the catchiest singles I've heard this year, a perfect selection to play on the you-just-got-jilted-jukebox. - Tony Peyser, Santa Monica Mirror
Genre: Rock: Americana
Release Date: 2004
Fought Down Record Label: Scrub Jay Records
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Preview Song Name Time Format Price Select
Ain't They Pretty 3:15 $0.99
Fought Down 3:25 $0.99
I Should Be That Guy 6:15 $0.99
The Sun Don't Shine 3:58 $0.99
Mama, Take Another Stand 5:10 $0.99
Lincoln Town Car 3:51 $0.99
Here's To You 3:21 $0.99
Worried 2:50 $0.99
Glitter On 2:57 $0.99
Like A Train 3:49 $0.99
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Album Notes

Ken Layne and the Corvids' debut - "Fought Down" (Scrub Jay, 3 stars) - is alt-country with a strong straight rock influence, resembling Son Volt without the mannered touches or the more laid-back moments of Drive-By Truckers. The highlights - "Like a Train" and the title track - suggest a post-punk update of the Stones' early '70s honky-tonk rock moments. Layne's singing voice is in that rough hewn alt-style, not a perfect-pitch experience but not deliberately loose, and emotional enough to compete with the ringing guitars. Similarly, Layne's lyrics are basic but effective: When he gets more abstract on "Glitter On" and "Mama, Take Another Stand," it shows yet another side he and the Corvids can explore as they continue.

- Mark Earnest
Reno Gazette Journal

With grit and swagger, not unlike the Rolling Stones of the early '70s, Ken Layne & The Corvids play great rock 'n' roll. Glen Reynolds of msnbc.com says it best, "It sounds the way Exile On Main Street would sound if it were recorded in the 21st Century, by guys who weren't already millionaires but who really liked to sing and play." Layne's whiskey soaked voice is kept warm by a blanket of crunchy guitar, and slightly drawled by the Southern-rock vibe that fuels these songs about hard livin' and drinkin'. "Lincoln Town Car" plows a dark trail that reflects the opening lyric - "I was run down, sad, drunk" - to a tee. The closing line of the same song says a lot about the rest of this solid collection, "I'm wasted out my head." This is hard honky-tonk for the punk rocker in you. (Scrub Jay Records)

- Miles of Music

So, how is Fought Down? Real good. This is raw-edged, ramshackle alt-country with a busted taillight. "Worried" is one of the catchiest singles I've heard this year, a perfect selection to play on the you-just-got-jilted-jukebox.

- Tony Peyser
Santa Monica Mirror

If you hunger for real rock 'n' roll -- the kind of music that practically smells of stale beer and leather jackets and overfilled ashtrays, the sort of songs that sound best while rolling down the highway with the windows down -- then Ken Layne & the Corvids more than fit the bill.

- Jim Trageser
North County Times (San Diego)

A few of the adjectives that come to mind: boozy, dirty, gritty, smoky, drunken, achy, freewheeling, debaucherous, earthy, irreverent, gutsy, fuck-all, trashy, swaggering, and -- frankly -- literate. If there's one thing that'll win me over at first listen, it's an album that strives for unpretentious, no-bullshit, cousin-kissing, straight-ahead rock n' roll. This one does. Although, Fought Down's probably just as at home in the "country" corner of Best Buy as the "pop and rock" section, but that's probably more an indictment of Best Buy and modern "pop and rock" than of Fought Down. Layne's got a helluva voice. Little bit Todd Snider. Little bit outlaw country (think Merle, Waylon, George). Little bit Steve Earle. And little bit Mick Jagger.

- Radley Balko
The Agitator

Messy old-fashioned roots rock. "Ain't They Pretty" vibrates and tremolos like a muffled whip crack in an arroyo whereas "Fought Down" is like riding pillion on the back of an old Norton; you hold on for dear life during the twists and turns of the guitar solo. His voice is like a sleep filled eye; it cracks and sticks, sleepily attacking on "Mama, Take Another Stand" behind layers of feedback and Southern Rock aesthetic (cross-pollinated with "Exile on Main Street").

- Americana UK

Ken Layne and the Corvids (which means crows) have a gorgeous new album out, called Fought Down. It is luxurious and nocturnal electrified country rock that somehow has its heart in Eastern Europe. Or part of it, anyway. Nothing to do with the sound; just the spirit. The guitars may come from Manchester via Austin; the rest is floating somewhere over the desert, at night, in a Santa Ana wind, just before the Big One hits.

- Kate Sullivan
Rock journalist / author

There's some grit and reality to this record which I never saw in my 10 or so trips to the Los Angeles area, which leads me to believe there's some kind of secret roots rock society there, where you can eat fatty foods, smoke cigarettes, and actually listen to the band on stage, rather than posing yourself to get laid by someone higher on 'the ladder' than you. Go West young man.

- Jack Sparks, The Other Side of Country
WMGT Minneapolis

* * *

Ken Layne and his mysterious band the Corvids have rarely performed in public. Yet their 2004 release, "Fought Down," has all the energy and emotion of a crystal-clear recording of a perfect concert. (In fact, the record was made in three long nights at a vintage recording studio in Pasadena, California. The band performed live in a single room, and what you hear is what was played.)

Only his third official release in 15 years of writing and performing music, "Fought Down" is a drastic departure from the lo-fi drum-machine-powered country folk of his 2002 release, the solo "Analog Bootlegs" and a far cry from the unfortunate '80s production on his "roots rock" debut with The Outriders in 1988.

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REVIEWS

Good rock and roll
author: pino italy
We take two guitarist(Axel Steuerwal,and Matt Welch),one rhythmic section(Steve Coulter drums and Jeff Solomon bass),and dulcis in fundo one vocalist(great Ken Layne) with a voice adapdet to the scope,we stir all and of a lot comes outside a roots-rock electrical example work much intersting.It's only rock and roll,but is much good and above all with honesty. Thanks in order to have given 40 minutes of healty and solid rock and roll.
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I never listen this kind of music, but always be there a good first time
author: Chris C
I never listen rock country, but now, i have to change my mind
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It's good, clean American music that's got a good beat and will make you happy.
author: Paul Palubicki
The best thing I can say about it is that I genuinely enjoy listening to it. It's not grating, sonically dissonant or crappy. It's not one of those records where you sit there, squinting in pain with flopsweat on your forehead, rocking back and forth and chanting to yourself, "It sounds like crap, so it must be good. It sounds like crap, so it must be good. It sounds like crap, so it must be good." If it sounded like shit, I'd tell you. I believe the artist should suffer for their music, not the listener. If you're into "I Hate My Daddy" music, then this isn't for you. It's big-boy music. There are songs on this CD that elevate your soul. "Glitter On" is one of them and it's followed by "Like a Train," which is a damn-good rock song with a driving guitar track. That song fucking rocks and is worth the price of the CD alone. I've listened to it about 15 times now and haven't got tired of it yet. I usually detest comparing groups or records to more well-known acts, but since it seems to be the norm in review writing, I guess I'll give it a shot. The record reels you in with a deceptive hook. You're listening to it and thinking, "Hey, it's the Eagles, except they've kicked out Glenn Frey and replaced him with a Mick Jagger whose balls have dropped," yet a distinctive and cool sound gradually emerges that's both amazingly original and slightly evocative of other acts. It delves into chicken-wire country in a few places, but instead of detracting from the overall feel of the record, it adds a layer of depth and grit that gives the album a nice gut-punch. After listening to the CD and reflecting on it, I was left with the impression of a driving, dark undercurrent to a "Hey, whaddya gonna do?" sensibility. So, buy the damned thing, already. These aren't a bunch of rich bastards cranking out a concept-album or shatting a record for the teeny-bopper set. It's good, clean, American music that's got a good beat and will make you happy.
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Not what I expected... it's even better!
author: Shannon Okey, bitter-girl.com
This CD makes me want a cigarette and a beer. A cigarette, and a beer, and a great big party full of 4:00 a.m. half-drunk people who will sway from both pleasure and necessity. I was a little worried about the 'alt-country' tag, but I figured anything with Ken & Matt on it couldn't be half-bad. My expectations were blown away. I love this CD, and I'm having a tough time picking a favorite song! Give me a six-pack and a little time...I'll get back to you. It's like that old SNL skit: I loved it. It was better than 'Cats.' I want to listen to it again and again...
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