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Kevin Hume : The Truth About Ants and Aphids
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Orchestral folk-pop
Genre: Folk: Folk Pop
Release Date: 2007
The Truth About Ants and Aphids Record Label: Premium Fantasy
  • Download Album (MP3) - $8.97
  • Buy CD - $10.97
SPECIAL: 40% discount if you buy more than one copy of it today!
Preview Song Name Time Format Price Select
Curtain Number One 2:53 $0.99
Fanfare for the Common Wolf Spider 2:45 $0.99
Memories Undertow 1:33 $0.99
Fantasia from 'Feast or Famine' 0:42 $0.99
Glacier Bay 3:40 $0.99
Towns Where We Live 4:21 $0.99
Pink Chrysanthemums 2:12 $0.99
The Fauve 3:04 $0.99
The Girl from Falling Water 4:08 $0.99
The Truth About Ants and Aphids 3:25 $0.99
Yeoman's Farewell 1:31 $0.99
A Good Tailwind 3:01 $0.99
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Album Notes

The Truth About Ants and Aphids is the latest CD by New Mexico based musician Kevin Hume. Written and recorded over several years, Ants and Aphids is a 12 song, 4 part song cycle rooted in the folk-pop tradition, prominently featuring arrangements for strings, woodwinds, and brass instruments. Carrying on in the same vein as his previous releases (which were released under the pseudonym Black Spartacus), The Truth About Ants and Aphids was conceived as a unified work, subdivided into 4 suites, with songs which relate to one another both harmonically and thematically.
The influences and styles of music on Ants and Aphids vary widely. There is the upbeat vocal pop of "Towns Where We Live" and "The Girl from Falling Water", the elegant chamber-folk of "Glacier Bay" and the title track, and the classically influenced "Yeoman's Farewell" and "The Fauve".
While performed and recorded mostly by himself, Kevin Hume's The Truth About Ants and Aphids is also graced with the presence of 12 very fine classical, folk, and jazz musicians, giving the album a lush, expansive sound. The added instrumentation also serves to give greater clarity to the sometimes complex arrangements, while never distracting from acoustic guitar and vocal which are most often at the heart of the songs.

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REVIEWS

author: Will
I knew after hearing the teasers that this album would be winging its way across the pond in my direction... This reviewer remembers having his head turned by the acoustic music that accompanied children's TV in the seventies, so it was a joy to hear that memory evoked. But on the strength of this offering, Kevin Hume is more than a one trick pony. Other strands that make up this extraordinary tapestry include string arrangements reminescent of This Mortal Coil circa 'Blood', the pop sensibilities of Belle And Sebastian not to mention a fine ear for the nuances of more traditional fayre. The arrangements, intricate as they are, never overwhelm or convolute the individual pieces hence never losing the listener. This is gorgeous, evocative stuff, a beam of light in the dark days of popidolageddon...
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author: Tamara Turner, CD Baby
With immediately quaint and beautiful fleshed-out orchestral textures, this bite of succulent, lemony chamber-feeling folky pop is unbelievably satiating, particularly for fans of neo-70s folk. Kevin Hume unifies that kind of classic retro folk sound which one might liken to the Beatles and Simon and Garfunkle with close-up vocals and complex harmonic textures containing no imaginative limit; using everything from classical harp to strings to woodwinds and organ along with standard folk setups, his songwriting genius is a kaleidoscope of shapes and colors and imagery. The Truth About Ants and Aphids is a feast for the mind and ears, vividly painting playful, abstract and distinct pictures and stories, conjuring similar feelings one might experience while contemplating the work of Spanish painter, Salvador Dali. The use of instrumental color and voice, throughout this 12-track gem, is one of exquisite fantasy, yet held together and structured within a singer/songwriter skeleton. Put in simplest terms, this album manages to keep the ears awake and interested for the full duration of the journey; it’s not so much because of the surprises and creative choices (although those certainly don’t hurt) but rather, is based on an inherent feeling of freshness, vitality and zest for those fleeting moments in life worth capturing and freeing.
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