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Keyth Lawrence and the Purple Circle : Figures
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Piano-driven art pop/rock sound, with a character-driven, storied, style of songwriting...and an emotive voice that tells it, a la Coldplay, Tori Amos, Rufus Wainwright
Genre: Pop: Piano
Release Date: 2004
Figures Record Label: I Said! Records
  • Download Album (MP3) - $9.99
  • Buy CD - $13.99
SPECIAL: 10% discount if you buy more than one copy of it today!
Preview Song Name Time Format Price Select
Justice 4:42 $0.99
Figures 4:25 $0.99
Lead Balloons 3:45 $0.99
89 of You 4:34 $0.99
Skylar's Ride 1:16 $0.99
Leaving 4:08 $0.99
Mission 4:52 $0.99
Here, In Theory 3:21 $0.99
Another Evening 4:00 $0.99
Weird Science 3:14 $0.99
Spread 4:54 $0.99
Orbital 3:11 $0.99
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Album Notes

** 2005 Outmusic Award Nominee **
Outstanding Debut Recording - Male

Keyth Lawrence, the powerful song force hailing from Manhattan spins his yarns through his life-long love of the piano. Keyth has been accompanied by his instrument, and talent for playing it since he was 7 years-old. "Before I could really even add numbers together, I knew I wanted to perform," says Keyth. "I had it all figured out at 6 years-old. In my head, I was destined to become a clown or a magician. A year later, the piano was rolled into the living room and the musician in my heart came alive." After a listen to his body of work, one might agree that there is still a bit of magic involved.

After gigging extensively as a solo artist in popular New York City cabaret venues such as Don't Tell Mama, The Duplex, and other intimate spaces, he logically began bringing other musicians onto the stage with him until he formed what has become Keyth Lawrence and the Purple Circle. The now 5 - member ensemble puts on high energy rock shows with tailored storytelling capabilities throughout New York City. The Purple Circle is an inclusive metaphor for the unity of the band and the unity fans have to the music they play, and to the stories Keyth shares. "The Purple Circle started as a personal and artistic sacred space. It continues to maintain that quality, but has evolved into something much bigger," says Keyth. "It is now something that expands to include the energy and experience of the audience."

Keyth's most defining artistic traits include a character-driven, storied style of songwriting, an acrobatic and emotive voice that tells it, and a classically-inspired, powerhouse style of piano playing that falls somewhere between Chopin and Jerry Lee Lewis. With a brave and dramatic style reminiscent of The Cure, Keyth also maintains a solid passion for the piano, like that of more recent artists including Rufus Wainwright and Coldplay. The instrument is what "makes the music physical, tactile, visceral- it has always saddened me that the piano has been lost over the years as the nucleus of music," Keyth says.

Candid songwriting that reveals unexpected truths- think Dylan, Joni Mitchell, Bowie, Tori Amos- a fusion of prophet and bard, equal parts soul searcher and dramatic performer. With a unique vocal styling, Keyth sings against melody, beyond measure, and outside borders. Phrasing that mimics the rhythm of the human breath lends a vulnerability to the songs. Songs are rarely sung the same way twice. "Songs are like children," Keyth says. "You nurture them and they grow. They surprise you and begin to take on a life of their own." His songbook makes border raids on every conceivable emotion, soaring from a riotous rock-rolling peak to an audio adagio.

Currently promoting Figures, the 12 track musical novel that promises to be his pivotal break-through record, Keyth Lawrence and the Purple Circle have been capturing audiences at renowned New York City venues including Fez, Knitting Factory and the Cutting Room. Figures was recorded live at Chung King Studios in NYC in one 9-hour session, "so as to preserve a very specific synergy," explains Keyth. "The original intent of a record was to capture a live experience, so tracking the individual instruments was just never an option for this work."

The album, following a sold-out release concert at NYC's FEZ, zoomed to #1 on the Outvoice Top 40 Chart and was named Best Album of 2004 by The Stonewall Society. This was supported by rave reviews from publications such as Frontiers (LA), Philadelphia Gay News, PM Entertainment (NY), HX Magazine (NY), and Indie-Music.com. In addition to the overall success of the CD, the first single off the album, "Leaving," has been receiving national airplay and was recently recognized by the International Songwriting Contest. Keyth will also have the privilege of performing at the Tori Amos Tribute / RAINN Benefit in North Carolina this year for the sceond time. FIGURES was recently named one of the Best Albums of 2004 by Gaywired.com.


***** www.keythlawrence.com ********

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REVIEWS

I LOVE IT
author: Boshy Juice
its sooo good it makes me feel warm in my hot spots, and cold in my cool spots.
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"Lawrence has a dashing sophistication and strong appreciation for good old-fash
author: IndieMuisc.com / Jennifer Layton
"Lawrence has a dashing sophistication and strong appreciation for good old-fashioned sounds made on good old-fashioned instruments." Imagine Marc Almond composing a rock opera on piano. Imagine REM's Michael Stipe with a deeper and richer voice, minus the nasal sound. Wrap those images in a warm, flowing tapestry of classical jazz pop, and you have something like a gothic-flavored Harry Connick Jr. Or, you get Keyth Lawrence and the Purple Circle, which is even better. I always swoon for lush compositions with dancing melodies, so I am wonderfully helpless over Lawrence. He has a dashing sophistication and strong appreciation for good old-fashioned sounds made on good old-fashioned instruments. And the guy can write a lyric. From "Lead Balloons": "The soldiers get used to giving beyond a vanilla edge I hold my spirit so it won't break inside this snow globe This story is going over just like lead balloons My fire decided to die before I got to you ... " Surprising, that's an uptempo track. From there, he throws in a bit of swing and Broadway on "89 of You" and a dark ominousness over "Skylar's Ride." "Weird Science" is a romp in intellectual, and often sexy, pop fun. (I love the line "I'm gonna keep the summer around because I know that the sex is in season.") Each track is divine. I also must thank Ryan Michael Kelly for such gorgeous cover photography, which does perfect justice to the music inside. Mr. Kelly, if you ever sell a poster-sized version of the back cover, the one with the glorious aurora borealis cascading over the piano, I will buy a copy for my living room.
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Close your eyes, take a ride....
author: Marilyn's Nine Inch Nail
If it don't make sense yet, it will...This album is best experienced when you got time to close your eyes and enjoy a glass of wine (or three). When I hear the cd in full, I feel like a story is being told, but Im only now just learning what the plot is....If your not really big into lyrics, you don't have to be, the piano melodies and the drums/ percussions are sweeeeet to the ear. Ever since I got this cd I've been telling everyone to get it.
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The production is fantastic and completely vanilla smooth.
author: Smother.net (J-Sin)
Keyth Lawrence plays a sick piano with an ability to conjure forth the demons and emotions that less talented pianists would struggle with. Separating the twelve tracks into the “Northern Hemisphere” and the “Southern Hemisphere” adds an element of art rock to their sound. One could easily pick out tunes that could complement a Tori Amos, Rufus Wainwright, or even Coldplay album. The production is fantastic and completely vanilla smooth. - J-Sin
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