Truly fantastic. Thank you all for doing it. And doing it so well. I'm playing it with my teenage daughters.

An historically accurate portrayal, The Sweethearts Project is a tribute to the all-woman big band known as the International Sweethearts of Rhythm, which kept the home front swinging during WWII. Using seventeen of her peers and former Sweethearts vocalist Carline Ray, bandleader and tenor saxophonist Kit McClure has produced a modern showcase for the finest contemporary female jazz musicians to strut their prodigious chops while highlighting an important but neglected part of jazz history. “Vi Vigor” kicks things off with a pumping rhythm provided by bassist Nicki Parrott and drummer Bernice Brooks as McClure reaches back with a hot solo to touch the great Sweethearts tenor player Vi Burnside. Carline Ray jumps the blues with the classic double entendres of “Jump Children” and then drops all pretenses with an enticing vocal as she proclaims “I Never Get Tired” of doing it. Basie's “One O'Clock Jump” is used as a forum for trumpeters Tanya Darby and Barbara Laronga to do battle while sharply swinging solo volleys are also contributed by McClure, Britta Langsjoen on muted trombone, altoist Lisa Parrott and pianist Cathy Harley. Harley further excels as she instrumentally leads the band through the interesting swing changes of “Just the Thing,” follows a sweet Darby trumpet solo with a delightful touch of dissonance on “Don't Get it Twisted,” and sets up the Latin groove of “Perdido” while expanding the melody with altoist Tia Fuller. McClure shows herself to have a nice command of the line with decidedly modern solos on “She's Crazy With the Heat” and the ever so “Slightly Frantic.” With swinging brass section arrangements, precisely transcribed charts, hot solos and an overall uptempo feel, McClure has succeeded in capturing and recreating an important contribution to the annals of jazz by showcasing an impressive array of present-day musicianship.