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Kosmolith : Avast, Ye Scurvy Dogs!
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Listening theater; the abstract adventures of Captain Cosmo Lithenstein- an entertainment.
Genre: Rock: Progressive Rock
Release Date: 2002
Avast, Ye Scurvy Dogs!
Kosmolith
Record Label: Palisander
  • Buy CD - $12.47

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Preview Song Name Time Buy
1. Waves of Bone 1:45 Album Only
2. Lie Down Lullaby 0:33 Album Only
3. The Stranger's Invitation 3:01 Album Only
4. Od Dunaja do Burme 1:00 Album Only
5. Jantar 2:48 Album Only
6. Romantikon 0:49 Album Only
7. Lady Long Leaf 4:09 Album Only
8. Angel of the Odd 2:37 Album Only
9. Pijanec 2:09 Album Only
10. Nostalgia 0:24 Album Only
11. Daughter of the Left-hand Czar 1:26 Album Only
12. Segue 1:46 Album Only
13. A Little Island off the Coast 4:28 Album Only
14. Avast, Ye Scurvy Dogs! 1:27 Album Only
15. Dragonfly Day 4:15 Album Only
16. Cirkolo 3:56 Album Only
17. Lie with Me 0:22 Album Only
18. Thought 0:47 Album Only
19. Honeywine 1:23 Album Only
20. Palisander 3:09 Album Only
21. Sinbad 3:03 Album Only
22. A Chancery Lad 4:05 Album Only
23. Laugh, Children 3:26 Album Only
24. After the Afternoon 3:34 Album Only
25. Fairytale and Fade Away 1:03 Album Only
preview all songs

REVIEWS

Woah...what happened to my stereo?
author: Stephen LeBlanc
                            
It nearly gave my mother-in-law a heart attack...er, which wouldn't be a terrible thing ;). I'm not a good reviewer but I felt compelled to say something...this CD is truly like nothing else I've ever heard and in this case it's a very good thing.
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Outstanding CD, avant-garde but with moments of sheer musical/lyrical beauty.
author: John Burdick
                            
Avast, Ye Scurvy Dogs! is an outstanding CD, albeit very, very difficult to describe. It's perhaps best classified as an art song cycle concerning the slave trade, but that description conjures a much too pompous and pretentious aural image. The songs themselves are elliptical, quirky, sometimes bawdy, and often rapturously melodic. The central instrument throughout is Cameron Bobro's enormous operatic bass voice. The supporting instruments, by contrast (and maybe by necessity) are small: wheezy organs, fizzy, thin electric guitar lines, warbling, mousy synth lines--a tapestry of synth quirk with an organic edge provided by acoustic guitars and occasional exotic percussion. It's a very consistent and original sonic texture. Great, striking, sometimes frightening songs. I'll venture, confidently, that you have nothing like this in your CD collection.
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