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Kristuit Salu Vs. Morris Nightingale : My Mines I
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Detroit based sound artist Jimmy Edgar aka Kristuit Salu/Morris Nightingale has established himself as a member to the merck camp. Specializing in using hybrid sound tools and modern computer technology.
Genre: Electronic: Trip Hop
Release Date: 2002
My Mines I Record Label: Merck Records
  • Download Album (MP3) - $9.99
  • Buy CD - $13.78
SPECIAL: 10% discount if you buy more than one copy of it today!
Preview Song Name Time Format Price Select
Conceptual Devaihdn 2:17 $0.99
Germain Fabric 6:41 $0.99
Dope Soft Intake 4:48 $0.99
Updowndownup 6:35 $0.99
L.p Output (edit) 5:23 $0.99
êthno-cen 3:47 $0.99
Ny Highrise Hotel 2:53 $0.99
Bland Impair 5:23 $0.99
Optimo & Mod Conformance For Men 6:24 $0.99
Non Stop (yàmi) 4:40 $0.99
Anata Wo Ai Site Imasu 8:19 $0.99
Rastic Chevch 5:31 $0.99
Usually (actually) 3:59 $0.99
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Album Notes

Detroit based sound artist Jimmy Edgar aka Kristuit Salu/Morris Nightingale has established himself as the newest member to the merck camp. Specializing in using hybrid sound tools and modern computer technology. Kristuit Salu is a mathematical process in itself, emulating the rhythms of hiphop using random processes, clicks, glitches, and other exceptional devices. Morris Nightingale is a vastly different approach, using vinyl samples to create an opposing addition. With "My Mines I," these two aliases of 18 year old Jimmy Edgar come together to stand above and prove their status in the realm of computer-generated music. The best analogy for the this cd among merck fans would be something like Proem vs. Machine Drum, gone through the digital washing machine and spit out 384 kbits short of a plug-in.

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REVIEWS

author:
Really good! I think it's a rare jewel of the ultimate electronic dance music. Between Kristuit Salu & Morris Nightingale...
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author: CD Baby
A sizzling, perfectly crunchy platter of glitchy trip hop, stuffed with crackling, buzzing, knife-edged effects cutting through a chilled, thumping, engorged beat. From fat, juicy, oozing little luscious numbers to more icy, thinly mixed, angular tracks, they cover a range of moods and grooves, making this a darn fine headphone/chill out disc. One might say they put the "trip" in trip hop while keeping true to the beat-oriented nature of the "hop".
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