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Kurt Weill Project : A Song About Forever
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Kurt Weill's music set with Jazz arrangements with a nod towards musical theatre.
Genre: Jazz: Jazz Vocals
Release Date: 2008
A Song About Forever Record Label: CAP
  • Buy CD - $12.97
Preview Song Name Time Format Price Select
I'm a Stranger Here Myself 6:10 Album Only
This Is New 4:33 Album Only
Lonely House 6:16 Album Only
September Song 4:24 Album Only
Foolish Heart 4:19 Album Only
Mack the Knife/Marterl 2:57 Album Only
Speak Low 6:58 Album Only
Love Song 4:23 Album Only
Lost in the Stars 6:34 Album Only
Pirate jenny 5:27 Album Only
Youkali 6:54 Album Only
preview all songs

Album Notes

Our project started with a few arrangements by Vito Lesczak and me. We fell in love with the music and with the process of listening to what the music needed. And like Kurt Weill in his own collaborations, we looked to find the best people and the best sounds to suit Weill's extraordinary songs, When Hilary Gardner joined us, we knew we had the perfect collaborator and voice to deliver the story-driven songs. Peter Donavan completed the sound and added vision and creativity. The Kurt Weill project was born. In the recording studio , we added Aaron Heick and Leif Arntzen , both of whom contributed a richness and depth to the music.

A Song About Forever is a jazz based exploration of Kurt Weill's songs, with a nod towards their musical theater roots. We sincerely hope you discover some songs you might not have heard before and rediscover songs that now fell brand new. These songs are about forever, and each will be a song you'll love.

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REVIEWS

great update on classic songs
author: la_maquina
Listening to the CD Baby clips for this record was slghtly frustrating, only because the arrangements all have such a beautiful arc. I will have to buy the CD now because the cutoff on the clips comes way too soon! The musicians subtly and deftly frame and showcase Hilary Gardner's voice. Ms. Gardner skillfully takes on both the technical and interpretive challenges of Weill and puts her own memorable stamp on these songs, some of which are very familiar standards. Once you hear the smooth rich mystery in her voice juxtaposed with the dissonant piano in Mack the Knife, you'll say, "Bobby who?"
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