If you think you've heard everything a guitar can do...
author: Matt J. Brockett for jambands.com
If you think you've heard everything a guitar can do, Andre LaFosse would like you to hear something.
LaFosse's second solo record, Normalized is essential listening for any guitar player, if not simply to see the incredible untapped sonic capabilities of an instrument that was previously thought by some to have been played every way possible. True, LaFosse does have the help of the Echoplex Digital Pro and LoopIV software, but this can fairly readily be compared to the modern guitarist's use of effects pedals and various other sound manipulating gadgets.
The difference with LaFosse is the concept that he calls "Turntablist Guitar," which is best described in his own words. "I can drop tiny fragments of guitar into the loop, I can play the loop backwards, slow the loop down, chop the loops up... and I can do this all live, as I'm playing. It's like my guitar is the record, and the Echoplex is the turntable and mixer. Just like a turntablist uses their technique to get sounds that are far beyond what's on the original record, I can come up with noises and rhythms that would be impossible to play on just an unlooped guitar."
Truly a pioneer of the Echoplex as an instrument, his confidence in his mastery is proven by the fact that 14 of the 18 tracks on the album are live Echoplex solos. While most artists relish the fact that "studio" albums or commercial releases can be polished and mixed until they are just right, LaFosse decided to show his guitar and Echoplex capabilities in their rawest form.
The result is somewhere between Aphex Twin, Art of Noise, Squarepusher, and some kid making beats on his computer late night in Mom's basement, except it's all guitar -- manipulated guitar, yes, but guitar nonetheless. That's the part you have to keep reminding yourself of while listening to Normalized, that and the fact that your CD isn't skipping, even though sometimes you would bet the farm that it is. Although the album is surely not for everyone, it definitely is for anyone who enjoys experimental music, or who enjoys hearing a musician brave enough to laugh in the face of convention and create a truly original musical voice. We're talking over an hour of a full-on collision of rock, drum & bass, hip hop, pop, jazz and who knows what else, all told through the electric guitar via Echoplex.
In an odd twist, the title track of this experimental and electronic sounding album is a single solo unlooped twangy guitar piece, hauntingly different from the rest of album. It is a fitting homage to the most basic element of LaFosse's music: his guitar.
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Normalized stands uniquely on its own.
author: Justin Kownacki for Splendid Magazine
Boy, I like this album. I can see where it might also give me a migraine, but it's worth the risk. LaFosse has turned the novelty of crafting an entire album from electronic guitar samples into a verifiable work of audio art. This is the kind of music that begs to be remixed endlessly and overlaid with the likes of Guru and The Dilated Peoples, but in truth, Normalized stands uniquely on its own.
LaFosse's best idea may have been the way he structures his songs, remaining experimental even within the framework of a conventional dance track. Every aspect of the disc was created by manipulating the sound of an electric guitar with an Echoplex looper, including the cuts that form the rhythms and the high-end squiggles that rise above. Perhaps most remarkable of all is LaFosse's preference for recording his compositions live -- all but four of the eighteen tracks on Normalized were recorded "live" from the same five guitar loops. The cynic in me believes this is the kind of thing that anyone with a good ear, a decent audio editing program and a lot of patience could have pulled off, but the pragmatist in me says, "This is the guy who did it first." (Well, maybe not first -- I'm sure there's a four-tracker in a bedroom in Peoria who will correct me on that -- but certainly well.)
At eighteen tracks, the concept might seem dangerously close to running its course, but in a glowing testimonial to LaFosse's ability to keep things fresh even with an insanely limited pallet, the novelty in this novelty album never wears off. (Memo: see what LaFosse is capable of with, say, two instruments. Or a fork and a spoon...)
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2nd album from LaFosse is impressive, but is it entertaining?
author: Mark Sottilaro
First I want to start off by saying that I loved Andre's first commercial release Disruption Theory. Of course, I could not help but have some expectations based on my previous experience.
Second, I'll say that his new release Normalized is pretty amazing in a lot of ways. Andre's style is always interesting and his guitar playing amazing. The glitch core sound that he's developed is pretty amazing. However, I got the feeling that if I wasn't a guitar player and fellow "looper" I might not be as interested in in this album. A "looper" is someone who makes their music by using some sort of audio looping device which allows you to repeat phrases, toggle phrases and a bunch of other tricks all in real time while you play. Andre made this entire album using the looper known as the Echoplex Digital Pro and his guitar. An amazing feat, but to what end?
While this album is sonically varied considering the only sound source is a guitar, I couldn't help but think that it needed an extra level of production to flesh it out. Often I felt the addition of some extra instrumentation and editing, ala Disruption Theory, would really help these pieces feel less like watching gymnast excursuses and more like a choreographed dance. I've listened to this album several times and I can't for the life of me bring to mind a single song, yet songs from his previous album stuck in my head after a single listen. It seems to me that too much emphasis was placed on the loops and how the album was made, and not enough on the pieces. Does anyone care that this was all made with a guitar and audio looper with no edits? Sure, I bet some do, but I'd rather just hear Andre play his amazing guitar in some well composed pieces.
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Point-counterpoint w/Mr. Sottilaro
author: Andre LaFosse
I'm happy for Mark to offer his take on my music, just as I'm happy to give a response to the shortcomings he perceives in the record.
I'd first say that there are, in fact, several tunes on the album which are based on editing, composition, and expanded arrangement (and one track of solo, unlooped guitar). Mark may simply find these composed and orchestrated tracks less gratifying than the material on Disruption Theory. But the presence of these tracks on the album leads me to think that his reservations with this album have less to do with the specific technique involved, and more to do with his simply not being as keyed into "where I'm at" with this recording than with the last one.
As for the issue of whether or not there's an audience for the album beyond guitar-looping geeks - I've already sold many copies of the record to non-musicians and non-loopers who have heard the record (or heard me live) and enjoyed it. Of course people interested in the Echoplex will have extra reason to check out Normalized, just as people interested in extended, post-prog-rock lead guitar will be more inclined to dig Disruption Theory. (Indeed, the only people I know who consistently prefer the first album to the second are guitar players with a heavy prog/shred/fusion background.)
To draw a Miles Davis analogy, Disruption Theory is like In A Silent Way, and Normalized is like On The Corner. They're two very different records that should probably be listened to in different ways, and not everyone will respond to each one in the same way. But I certainly appreciate Mark's picking them up, giving them a chance, and taking the time to share his opinion on what I'm up to.
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