EVERYTHING LARRY DOES IS PERFECTION
author: James Finch, SYNE magazine
This CD has some fabulous arrangements for orchestra, let alone excellent sound design. Larry has always been an expert in making the synthesizer an emotional instrument and has helped revolutionize the electronic music field. This album has all of his best tunes, revamped using digital media. It's an excellent way for new fans to become acquainted with Larry's best songs. Instrumental genius is clear in the way each song plays out. Everything works exceptionally well in both the orchestration and the execution of synthesized sounds. Lots of different moods and textures are featured to keep one wanting to replay the CD over and over. Beautiful masterpieces here.
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a must for Synergy fans
author: Mark A. Evans
Fascinating... It's like hearing music you know as aranged and performed by another orchestra. I like many of the cuts as much as the originals; some not so much...
I might have liked a few more voice changes on the metropolitan suite selections, and I would have liked it longer (only 56 minutes). I'd like to see another, in addition to some new music(?). All-in-all a must for Synergy fans.
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Digital descendants...of analog ancestry!
author: Elias Granillo
The first official Synergy (Larry Fast) album since 1987’s Metropolitan Suite, the ten compositions found here — from four of seven albums not counting Fast's soundtrack The Jupiter Menace — were entirely rerecorded on digital synthezisers by Kurzweil, E-mu and Roland. The new digital recreations of the old sounds nail their “ancestors” well enough, though the basses sound a tad less punchy. That’s a minor quibble, as the disc’s fifty-six minutes constitute an exciting compilation of Syner-gems like “Relay Breakdown,” “Warriors,” and “Ancestors,” each a rousing theme in and of itself; Fast never had to search long for stately melodies with which to marry those gorgeous sounds. These new versions are equally industrious and pristine, recorded exclusively with modern Mac software. Following three selections from the “Metropolitan Suite,” Artifacts closes on a high note with the masterful romp that is “Into The Abyss.” Dare I say I prefer this new version over its forerunner? From portentous onset to near-quixotic climax, the “Abyss” is one of the best overtures never set to celluloid, and the perfect set closer or encore, to estimate that’s what it became at Alfa Centauri (the Dutch Electronic Music Festival Synergy performed at).
[Click link for the full review!]
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Nice to hear some old stuff redone with todays equipment
author: Joe Croft
I was very excited to pick this one up. It was all I could have hoped for. A must for all fans.
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