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Lauren Hooker : Right Where I Belong
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"One of the standout vocal releases of this year thus far without a doubt, not to mention a candidate as one of 2007's strongest debut releases." - Laurence Donohue-Greene, Managing Editor All About Jazz-NY
Genre: Jazz: Jazz Vocals
Release Date: 2007
Right Where I Belong Record Label: Musical Legends
  • Download Album (MP3) - $9.99
  • Buy CD - $12.97
Preview Song Name Time Format Price Select
Right Where I Belong 4:45 $0.99
You'd Be So Nice To Come Home To 3:39 $0.99
Goodbye To Pork Pie (Goodbye Porkpie Hat) 6:21 $0.99
The Eyes Of Chaz 5:15 $0.99
The Other Side Of The Sun 5:27 $0.99
You Needn't Call Me (Well You Needn't) 5:00 $0.99
Time And Space 4:54 $0.99
Seagulls (Seagulls Of Kristiansund) 3:11 $0.99
Lovebug Jitters (Jitterbug Waltz) 3:46 $0.99
No Goodbyes 4:46 $0.99
Footprints On My Soul (Footprints) 5:56 $0.99
Ill Wind (You're Blowing Me No Good) 3:53 $0.99
Creole Love Call 3:41 $0.99
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Album Notes

Lauren Hooker's critically acclaimed debut CD "Right Where I Belong" with Rufus Reid on the bass, www.rufusreid.com, Allen Farnham on piano and Tim Horner on drums and percussion, features jazz standards, original compositions, as well as her own lyrics set to Monk, Mingus, Wayne Shorter, Fats Waller and Mal Waldron. (read over twenty reviews below including rave reviews from Jazz Times Magazine, Jazz Imrpov NY and All About Jazz NYC and LA)

Within the third week of radio airplay, Lauren was at the top of the “chartbound” list of jazz CD’s played across the nation and in Canada according to jazzweek.com. A featured guest on WKCR's "Jazz Alternatives" 89.9 FM NYC with Host Sharif Abdus-Salaam, Marc Copland's show "Jazz Influences" on WFDU, and WRSU 88.7 FM out of Rutgers University with host Richard Skelly, Lauren's debut CD continues to receive heavy airplay on radio stations and internet stations here and abroad.

Lauren is not just a singer. She is a consummate musician. Her unique and special talent was recognized early in life and it has developed into the sophisticated, hip vocalist, composer, lyricist and producer she is today. She came onto the jazz scene in the early 80's, fresh out of Fairleigh Dickinson University with a degree in Music Education. Lauren continued post-graduate work in jazz theory with pianist Kenny Barron at Rutgers University, jazz voice with Sheila Jordan at the Manhattan School of Music, private studies in jazz piano with Keith McDonald and vocal coach Paul Gallagher, and most recently, a jazz vocal workshop with Bobby McFerrin and his "Voicestras" vocal ensemble.

She has been featured in many major venues in the New York metropolitan area including Sweetwaters, the West End Café, The 55 Bar, Trumpets, Lounge Zen, the Angry Squire, the Dewar's Jazz Festival, Greenwich Village Jazz Festival and most recently at the International Women in Jazz Festival at St. Peter's Church in NYC as well as a featured performer in the Jerzey Jazz Girlz Series at the Barron Art Center in NJ and Edgewater's Art and Jazz Festival hosted by WBGO's Sheila Anderson.

Her show, "Jazz Expressions", a multi-media experience combining original music, dance, poetry and photography was premiered in 1997 at New Jersey's Puffin Cultural Forum with bassist Calvin Hill and pianist Tomoko Ohno. She has appeared on a variety of television shows such as "Broadway to Business," "For Arts Sake," "Life of the Music" and TV 35's “Night Owls”.

One of the highlights of Lauren's career occurred in 1989 when she recorded (yet never released) with legendary pianist/composer Mal Waldron (Billie Holiday's former pianist), singing her original lyrics set to Mal's composition, "The Seagulls of Kristiansund." (cut #8 on "Right Where I Belong")

Lauren also performs regularly in her Arts in Education Company: Musical Legends, turning kids onto jazz and African and Native American cultures with her shows "Jazz 4 Kids", "Rainbow Crow" and "The Fire Children". (www.musicallegends.biz)

"I was born into music ... as early as in the womb (kicking to the beat - my mother tells me)... hearing my dad jam with his fellow jazz musicians in the basement ... starting piano lessons at age four ... meeting Bill Evans at the Vanguard whom my father recorded with in college ... being exposed to and singing most of the major classical oratorios with full orchestra ...shaking hands with Duke Ellington and Dave Brubeck whose sacred works the New Jersey Schola Cantorum, (my dad's chorus) performed...reaching for Sarah Vaughan's range, Ella's scat, Miles Davis' tone and Coltrane's intention. I was not only encouraged, but expected to be a musician, and a well-rounded one at that ... one who could play, sing, compose, arrange and educate."

PERFORMED AND/OR RECORDED WITH:

John Bianculli, Ted Branchato, Belden Bullock, Rahn Burton, Michael Cochrane, Roy Cumming, Loren Daniels, Glenn Davis, Santi Debriano, Dena DeRose, Bob Devos, John DiMartino, Leon Dorsey, Vince Ector, Allen Farnham, Pat Firth, Mac Goldsberry, John Hart, Freddie Hendrix, Calvin Hill, Tim Horner, Bertha Hope, Chip Jackson, Vic Juris, Dave Kikoski, Andy McCloud, Cecil McBee, Maryanne McSweeney, Paul Meyers, Allison Miller, Bill Moring, Steve Nelson, Tomoko Ohno, Rufus Reid, Ed Schuller, Warren Smith, Christopher Dean Sullivan, Frederick Waites, Mal Waldron, Bobby Watson and Reggie Workman

Read more on her website www.laurenhooker.com and join her myspace page at www.myspace.com/laurenhookerjazz

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REVIEWS

Solid, versatile musicians!
author: Dr. Mark A. Goral
It is delightful when a new singer, together with three of jazz's most noteworthy musicians, is able to offer us something new, innovative and traditional at the same time. This particular project has so many nuances and intricacies that one gets only from repeated listenings. Rufus Reid on stand-up bass is at his peak. Tim Horner on drums exemplifies jazz drumming at its best and resembles Louie Bellson in many ways. Allen Farnham is superlative on piano. The power and inner joy that each musician shows is apparent and wonderful. Lauren Hooker, while having a somewhat high and quiet-like timbre, is able to accomplish alot with her range, intonation and tone. Song selection was fantastic and revealed respect for lyricists. Lauren's original tunes were not lacking in any way. Tim Horner's percussion skills are fabulous, especially on the tune called The Eyes of Chaz. Overall, kudos to everyone who has helped in the completion of this work.
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All About Jazz NY www.allaboutjazz.com/newyork/
author: MARCIA HILLMAN, ALL ABOUT JAZZ NY
"Lauren Hooker shows off her multi-faceted talent... plays with time the way Monk did and would have made (Fats) Waller chuckle with delight...reminiscent of Sarah Vaughan’s bottom range...hint of Dinah Washington’s energy. But her sound and style are unique."
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... a fine showcase for Hooker's vocal abilities.... relaxed and assured...
author: Art Edelstein, Arts Correspondent, The Times Argus www.timesargu
"Right Where I Belong," her first solo CD, is a fine example of a singer who seems very comfortable in her musical setting. The songs, ranging from the blues/gospel of "Sometimes I feel like a Motherless Child," to "Goodbye Pork Pie" and "No Goodbyes," are a fine showcase for Hooker's vocal abilities. Her voice exudes warmth with a friendly feel to it. Relaxed and assured, she puts lots of space between verses, allowing the instrumentalists plenty of play. She doesn't venture into vocal gymnastics much, adhering to the concept that "less is more." One doesn't have to be a jazz fan to appreciate Hooker's taste or delivery. She's also a fine songwriter and lyricist, credited with several tracks on the album. The backing musicians ­ Allen Farnham on piano, Rufus Reid on bass and Tim Horner on drums and percussion ­ are consummate instrumentalists and stalwarts of the Big Apple jazz scene. Hooker must be highly respected to have landed this talented trio for this project...
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...very original scatting...talented lyricist/songwriter...impressive... a fine
author: Scott Yanow, Jazz Imrov NY
Lauren Hooker grew up around music. She had piano lessons when she was four, sang as a teenager, and has said that she aims for “Sarah Vaughan’s range, Ella’s scat, Miles Davis’ tone and Coltrane’s intention.” Those are worthy if unattainable goals but Ms. Hooker has developed into a fairly distinctive singer, a skilled scatter and a talented lyricist and songwriter. All of those qualities are in evidence throughout Right Where I Belong. Joined by a top-notch rhythm section, Lauren Hooker performs 13 songs including six jazz standards that feature her lyrics and four originals in which she contributed both words and music. The only songs that do not have her lyrics are a cooking version of “You’d Be So Nice To Come Home To” which is an excellent feature for her very original scatting, and a medley of “Ill Wind” and a wordless “Creole Love Call.” Particularly intriguing are her additional stanzas to “Sometimes I Feel Like A Motherless Child” (which is taken at a faster-than-usual tempo) and Thelonious Monk’s “Well You Needn’t,” which, like “Footprints” and “Goodbye Pork Pie Hat,” have been given new lyrics that differ quite a bit from the more familiar words. Pianist Allen Farnham and bassist Rufus Reid get plenty of concise solos, and drummer Tim Horner helps keep the music swinging while keeping the main focus on the singer. Ms. Hooker does not have an overly colorful voice although she is always in tune. Her conversational style is fine on the slow material but she is at her best on blazing tempos. She takes Fats Waller’s “Jitterbug Waltz” very fast and races through her lyrics (which sound like vocalese though they aren’t) with little effort. Of her originals, “Time And Space” is the most memorable and has the best chance of catching on. Other highlights include a bluesy interpretation of “Ill Wind,” her lyrics to Charles Mingus’ “Goodbye Pork Pie Hat” and a display of her range on “Creole Love Call.” Since she has been active in jazz as a performer and an educator since the late 1980s, it is surprising that Right Where I Belong is Lauren Hooker’s recording debut as a leader. Overall it is an impressive effort, and a fine starting point for Lauren Hooker’s recording career.
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