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Laurie Krauz : Catch Me If You Can
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Laurie is a singer with the soul of Sarah Vaughan and Carmen McRae, the imagination of Ella and the naked passion of Nina Simone.
Genre: Jazz: Jazz Vocals
Release Date: 2001
Catch Me If You Can Record Label: LML Music
  • Buy CD - $17.00
Preview Song Name Time Format Price Select
Day Dream 4:39 Album Only
Daryl's Things//all the Things You Are 4:08 Album Only
When Will I Know 3:46 Album Only
Ducksoup 5:40 Album Only
Some Enchanted Evening 6:23 Album Only
Please Don't Do It in Here 2:38 Album Only
Sugar in My Bowl 5:32 Album Only
My Foolish Heart 5:39 Album Only
Birthday Blues 2:45 Album Only
Love Is Here to Stay 7:44 Album Only
So Many Stars 4:39 Album Only
Catch Me If You Can 3:56 Album Only
When You're Smiling 3:43 Album Only
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Album Notes

Laurie Krauz thrills audiences with her award-winning, blues-influenced jazz vocals and her powerful emotional range. Blazing new musical territory, Laurie Krauz combines improvisational elements with the passion and sensuality found in other forms of music to create a unique, soulful jazz -- “she creates a mood and weaves a musical story with every cell of her being.” Named one of the top 500 jazz vocalists of all time in a book by noted jazz critic, Scott Yanow, slated to be published in 2006 (tentatively entitled The Jazz Singers/Backbeat Books), Laurie released her first CD, Catch Me If You Can (LML Records) in 2001 to much critical acclaim.

Along with The Daryl Kojak Trio, Catch Me If You Can features jazz legend George Coleman on tenor sax and has been receiving accolades throughout the jazz world ("Jazz aficionados should welcome this impressive debut album from a singer who will certainly be making her mark on the jazz scene for years to come." – Michael Laprarie, JazzReview.com). Catch Me If You Can has enjoyed substantial national airplay (including featured airplay in New York on world-renowned WBGO) as well as forays into select international markets (including The Netherlands, Russia and Brazil).

Laurie has performed live with a number of jazz luminaries including George Coleman, Harold Mabern, Cameron Brown and Warren Vaché and has appeared at such legendary venues and events as JVC Jazz Festival, The Blue Note, Birdland and Iridium. Her work has received frequent rave reviews including The New York Daily News ("… the scat's meow." – W. Wong) and Time Out Magazine ("You won't believe your ears – this jazz singer's velvety voice is a wonder to behold." – H.S. Jolley). Live radio performances and interviews have included: Jim Lowe & Friends (syndicated nationally); David Kenney's Everything Old Is New Again (WBAI-FM, New York); and Jeff Duperon's Straight Ahead (WRTI, Philadelphia). Laurie has participated in a number of commercial projects including: a singing appearance on The Cosby Show; solo vocals on Good Night Blue, a CD released by the Nickelodeon TV program Blues Clues; and various television and radio jingles and videos. In June 2000, her life was chronicled as the cover story for Cabaret Scenes Magazine (Getting Off The Fast Track by Peter Leavy).

Laurie Krauz' musical career began with piano lessons at the age of 5. When, several years later, her beloved teacher suddenly passed away, Laurie chose not to continue and did not return to music until many years later. Although she included music in her coursework at The Pennsylvania State University (1973-1976), her early career took her from Medical Social Work to the world of Finance and studies toward an MBA at New York University. In 1980, while working on Wall Street, Laurie took a singing course as a lark and her career indecision ceased – she had found her home in music. Three years later, after voice and music studies with Ellie Ellsworth (The Actor's Institute), Ron Panvini, Marianne Challis and Susan Slavin, Laurie became possibly the first bank officer to trade in her "key to the executive washroom" to perform in summer stock.

In 1986, having traveled the U.S. and Canada for several years in musical theatre, Laurie was cast in a four-part harmony swing ensemble and discovered the thrill of improvisation (her epiphany). She segued from musical theatre to her work as a jazz vocalist. Since then, she has expanded her musical studies with course work at New School University in New York City and private coachings. Over the years, her teachers have included Mark Murphy, Daryl Kojak, Carla White, Woody Mann, Stephen Tarshis and Jay Bianchi.

In 2004 Laurie received Honorable Mention in the Joyce Dutka Arts Foundation 2003 Vocal Competition and was a quarter finalist in The Savannah Music Festival American Traditions Competition. In 1997, Laurie was awarded a Bistro Award by Back Stage Magazine and has been nominated several times (including 2003) for an Outstanding Jazz Vocalist award by the Manhattan Association of Cabarets and Clubs (MAC). She currently serves as Marketing and Management Consultant for Vocal Visions Media Group and Vice President of the Jazz Vocal Coalition, an international cooperative of singers.

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REVIEWS

This is an intelligent, elegantly stylish and warm super singer.
author: Maximillien de Lafayette, New York Monthly Herald
Laurie Krauz is one of the rarissimo elite singers group that nourishes the world of Jazz with human warmth, depth and mesmerizing film noire aura. She is powerful, intoxicating with her sparkling talent like a well-aged Napoleon cognac, yet, down to earth with depth, a captivating stage presence which teases you, challenges you and, charms the hell out of you. This is an intelligent, elegantly stylish and warm super singer.
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... wonderful album will cause listeners to become impatient for her next one.
author: Dave Nathan
With an unusually pliant set of vocal chords, Laurie Krauz has a ball on her first album. The album’s kick off piece, the Ellington/Strayhorn masterpiece, “Day Dream,” sets the high standard for what’s to follow.... [S]he combines the best of cabaret and jazz singing. She has the respect for the lyrics one usually finds within cabaret as well as the ability to use her voice as an instrument, without over embellishing on the latter. This is a wonderful maiden album and will cause listeners to become impatient waiting for her next one.
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... she immediately impresses with her ample vocal presence and poise.
author: Alan Bargebuhr, Cadence Magazine
...she immediately impresses with her ample vocal presence and poise.... This stands as an impressive debut disc for Laurie Krauz.
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... her voice moving from a whisper to a joyous howl within the space of a bar.
author: Michael Laprarie, JazzReview.com
Krauz possesses a voice of remarkable range and dynamics. She is also a talented improviser who has a remarkable understanding of the jazz language. She imitates a muted trumpet on Kojak’s original “Ducksoup” with a remarkable attention to not only the sound but also the phrasing and breath of a jazz instrumentalist. In contrast to current jazz singing sweetheart Diana Krall, Laurie Krauz is not an introspective or wispy balladeer. When she is ready, Krauz comes straight at you with both barrels blazing, her voice moving from a whisper to a joyous howl within the space of a bar. Jazz aficionados should welcome this impressive debut album from a singer who will certainly be making her mark on the jazz scene for years to come.
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