Back To Artist
Lee Barber : Thief and Rescue
Log in to add to your wishlist
An organic pulsing sigh of a record that exists somewhere outside of time, somewhere between Stephen Foster and George Harrison... slow curing lamentations that vibrate with sweet distortion...
Genre: Rock: Americana
Release Date: 2009
Thief and Rescue
Lee Barber
Record Label: Lee Barber
  • Buy CD - $12.97
  • Download Album (MP3) - $9.99

Share This Album

| Share
Preview Song Name Time Buy
1. The Mosquito 4:06 + MP3 $0.99
2. Don't Want Much 2:53 + MP3 $0.99
3. Broken Cup 3:56 + MP3 $0.99
4. The Monkey and the Ass 4:25 + MP3 $0.99
5. Darla 5:26 + MP3 $0.99
6. 1000 Miles 5:35 + MP3 $0.99
7. Way Back (Shoo-be-doo) 5:08 + MP3 $0.99
8. Gloryland Bus Driver 3:40 + MP3 $0.99
9. Something's Moving 4:09 + MP3 $0.99
10. All Night Long 3:13 + MP3 $0.99
11. Let's Get Lost 7:32 + MP3 $0.99
preview all songs

Album Notes

Lee Barber's first solo album, "Thief and Rescue", was made in Austin with producer Brian Beattie. Brian has worked with Okkervil River, Bill Callahan, Daniel Johnston and Shearwater.

From the start, the intention was to grow an organic pulsing sigh of a record that exists somewhere outside of time. Born at the intersection of private loss and the public destruction visited on the city of New Orleans, the album is ultimately a celebration of music, of it’s essential spiritual cadence. At times it sounds like it wafted up on a swollen storm cloud. The songs poured from a wounded heart into a hot iron skillet where the fire was turned down to simmer with generous chunks of rock meat and lazy funeral horns… slow curing lamentations that vibrate with sweet distortion.

"Thief and Rescue" is a labor of love paid for with bartered paintings and construction labor. It was built with generous contributions from old friends. Longtime fan from The Barbers days, Will Sheff of Okkervil River duets with Lee on “Darla.” The album closes with an open invitation, a seven minute climb into joyful music making, “Let’s get lost in a song about nothing, sung by no one. Do you hear? ’cause there‘s nowhere that I‘d rather be…”

Press for the record:

“a grand reverb soaked celebration of music and life.” - JFelton, Record Dept.

"It's a brooding album that questions the validity of music during troubled times, then comes to the conclusion that even when a good song is all you have, it can be enough … one of the best Austin albums of 2009.” - M. Corcoran, Austin American-Statesman

“an excellent solo album … poetic and stormy and quite personal.” - A. Schroeder, Austin Chronicle

“Thief and Rescue sounds like a lost Lou Reed album recorded in Austin between Rock and Roll Heart and Street Hassle. Barber's hard-bitten demeanor is worthy of the lofty comparison ... Unflinching and world weary, his Thief and Rescue album is a courageous document.” - B. Brownlee, There Stands The Glass

“Thief and Rescue is packed with powerful and affecting songs … among the year’s best.” - D. Brown, KUT Radio

Read more...

REVIEWS

An album that will steal your heart
author: Katherine Tanney
                            
“Thief and Rescue” is that rare album in which each song makes a distinctly favorable impression yet the collection maintains the sweep and hang of a single, expertly created tapestry. I discovered Lee Barber in 1997 when he performed with his wife Elaine in their playful, often jazzy band, The Barbers. I became an enthusiastic fan of Lee’s golden touch—with lyrics, with his voice, both powerful and gently trembling at times, and with his way of strumming a song to fiery aliveness. When the band and the marriage came to an end several years ago, Lee entered a new phase as a songwriter and this, his first solo effort, is an accomplished debut that collects those years into a flowing musical document. Both smiling and sorrowful by turns, the songs on “Thief and Rescue” are also philosophical, sexy and fun. Particular favorites of mine include “The Monkey and the Ass,” a farewell to love which sways with beats bossa nova- and beatles-ish; “Darla,” a commanding, musically dark-and-light waltz performed with Will Sheff of Okkervil River, which calls to mind an ‘old country’ folk song; “1000 Miles,” a bluesy, down-and-dirty lament that showcases Lee’s gift for turning a simple image and melody into a passion-packed portrait; and “Way Back,” a Barber’s-era song that features ex-wife Elaine on harp. This last is an upbeat ditty with the delightful refrain, “My heaven goes, ‘shoo-be-doo.’” The album was co-produced by Brian Beattie, who brings added fullness and depth to Lee’s sound by introducing strings, horns, and a lap steel guitar on many of the tracks. “Gloryland Bus Driver” and “Mosquito” are good examples of the winning collaboration between Barber and Beattie. The final song, “Let’s Get Lost,” made me think of the open road and its eternal promise of forward momentum. Featuring softly blowing French horn and trumpet, marked by a percussive downbeat, the song eventually breaks loose and enters a rocking jam session that seems to signal that Lee, our guide on this musical journey, has gotten clear of grief and taken flight.
Read more...
Sell your music on CD Baby and iTunes! Minimize this Tab Open this Tab