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Jerry Leger : You Me and The Horse
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folk/country, country/folk, roots-rock, roots, folk, folk/rock, singer/songwriter, americana.
Genre: Folk: Folk-Rock
Release Date: 2008
You Me and The Horse
Jerry Leger
Record Label: Jerry Leger
  • Buy CD - $12.97

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Preview Song Name Time Buy
1. Round Walls 3:34 Album Only
2. Drive Away Tonight 3:39 Album Only
3. Warning Sirens 4:10 Album Only
4. Looking For a Friend 4:44 Album Only
5. Half Asleep and Drunk 3:45 Album Only
6. Mansion Round The Bend 3:52 Album Only
7. Daddy\'s Lantern 3:51 Album Only
8. To The Harbour 5:21 Album Only
9. Love\'s Abandoned Your Heart 4:45 Album Only
10. Raspberry Bush 6:16 Album Only
11. My Little Crook 2:59 Album Only
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Album Notes

Jerry Leger is a young songwriter living in Toronto.
He has gained critical acclaim and praise from peers such as Ron Sexsmith("One of the best songwriters I've heard in quite some time.")

JERRY LEGER BIO

Toronto singer-songwriter extraordinaire Jerry Leger cites Hank Williams and Bob Dylan as his two main influences. It is hard to imagine two finer singer-songwriters to model one’s craft on. Born on April 19th, 1985, Leger came of age in the Upper Beaches area of Toronto. It was his grandfather who turned him onto Hank Williams, constantly playing the youngster a plethora of the honky tonk master’s great recordings. Although Williams’ voice came from another world in terms of time, geography, and class, Leger was intrigued by the ways that Williams’ songs told a story and often conjured up mysterious images in his head. Dylan, likewise, animated Leger’s imagination. By the time, the aspiring musician reached high school, his horizons had widened to include Lightnin’ Hopkins, Elvis Costello, Leonard Cohen and Gordon Lightfoot.

A quick study, Leger began writing songs in elementary school, largely encouraged by his sixth grade teacher. In high school, he came to realise that, for better or worse, singing and writing songs was what he wanted to do for the rest of his life. Leger cut his first album when he was 19 in 2005. His sophomore record, Farewell Ghost Town, followed the next year. Produced by Don Kerr and Tim Bovaconti and featuring constant Leger supporter, songwriter Ron Sexsmith on piano, the album was critically acclaimed, receiving rave reviews in a number of popular publications. Both albums featured Leger’s regular backing ensemble, the Situation.



Leger’s newest record, You, Me and the Horse, was recorded in two sessions in Toronto, production being handled by Skydiggers co-founder, Josh Finlayson, and Tim Bovaconti. Partially inspired by the musical arrangements on Gordon Lightfoot’s first two albums, You, Me and the Horse is a stripped down affair, most tracks featuring Leger strumming away on acoustic guitar or playing block chord piano.



A story teller at heart, Leger writes songs that interrogate the trials, tribulations, stories and emotions that are part and parcel of everyday life. As an album You, Me and the Horse deals with such perennial themes as love, hate, folklore and matters of the spirit, most of the lyrics inspired by personal experiences, bits of conversation Leger overheard on the street or a subway car, newspapers and/or things he has observed in his travels. For example, the lyric of the CD’s opening track, “Round Walls,” came about due to a chance encounter with an elderly woman who told Leger that her Daddy always said that “the devil can’t corner you and take your soul in a round room.” “Daddy’s Lantern” is a true ghost story that has been passed down by generations and told to Jerry by some of the family members. “Mansion Round the Bend” with its line "under Sudbury stars it don't matter where we stand, we'll see our mansion round the bend", is a gorgeous love song with the mansion serving as a symbol of what the two protagonists share.

Taken together, the eleven songs on You, Me and the Horse are rife with wonderfully crafted melodies, evocative lyrics and the spirit and energy of a young songwriter discovering his voice and honing his craft. The net result is a wonderfully refreshing tonic in troubling times.



Rob Bowman
October 4th, 2008

Rob Bowman is a internationally recognized
author and Grammy Award winner
for best album notes.
He currently is a music professor at York University in Toronto.

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REVIEWS

You, Me and the Horse
author: David Ostrosser
                            
This is definitely an album that grows on you with repeated listenings - my favourite kind! The instrumentation is fairly sparse and acoustic and very nicely recorded by Josh Finlayson and Tim Bovaconti (Skydiggers and Ron Sexmith band alumni, from what I gather). While acoustic guitars predominate, judicious use of steel, fiddle, banjo and mandolin add just the subtle touches needed make the songs shine without grabbing the spotlight from the vocals, and especially from the words. Because this is an album of intriguing lyrics, often oblique and sometimes as opaque as anything Dylan has done. Dylan is an obvious influence on something like Rasperry Bush or Warning Sirens, but the voice is no imitation of anybody. I thought I heard lots of Buddy Holly the first time I heard this record, and, sure enough, the contact information on the CD cover says to "send a Buddy Holly record..." "My Little Crook" is an obvious nod in that direction, but filtered through this rootsy, countrified sound, Rodney Crowell also comes to mind. Still, it's an original vocal style, just the same, and a very evocative drawl that occasionally makes you glad you've got that big beautiful olive-coloured lyrics sheet with the classy picture of Jerry Leger in his best Gram Parsons pose. "Half Asleep and Drunk" is a favourite, thanks to the slide acoustic and a great scenario: a fellow back after an absence of 3 years hoping to find his girl ready to take him in again, but asking "Who is Robert Wilson? Is Robert Wilson here to stay?" while drinking out on the lawn by the mailbox, "where (his) mail no longer comes". By my calculations, this artist is only in his mid-twenties, with a developing maturity in his writing style that indicates we'll be hearing a lot more from him before he's fifty. I'm glad to have heard him early on. It's hard to rate this album in terms of stars, but anyone who enjoys rootsy, rural musical storytelling in the same vein as Gram Parsons, Malcolm Holcombe and even Steve Earle will not be disappointed with this CD.
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