Leonard Garrison | Superflute

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United States - Idaho

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Classical: Contemporary Electronic: Experimental Moods: Instrumental
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Superflute

by Leonard Garrison

Solo music for one performer doubling on flute, piccolo, and alto flute is an exciting new medium with an expanded spectrum of pitches, tone colors, and dynamics.
Genre: Classical: Contemporary
Release Date: 

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1. Meyer Kupferman, Superflute for solo flute with prerecorded picc
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13:29 album only
2. Michael Colquhoun, Charanga for solo flute
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3:43 album only
3. Roger Price, Credo for flute and piano
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7:56 album only
4. Howard Sandroff, Chant de femmes for flutes and computer-generat
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19:05 album only
5. Alec Wilder, Sonata No. 1: First Movement
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2:57 album only
6. Alec Wilder, Sonata No. 1: Andante
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3:39 album only
7. Alec Wilder, Sonata No. 1: Scherzo
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2:37 album only
8. Alec Wilder, Sonata No. 1: Rubato
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4:20 album only
9. Gordon Jacob, The Pied Piper: The Spell
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3:14 album only
10. Gordon Jacob, The Pied Piper: The March to the River Weser
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2:00 album only
11. Klaus Wüsthoff, Drei Mobiles: Alto Flute Blues
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3:50 album only
12. Klaus Wüsthoff, Drei Mobiles: Novelette
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3:18 album only
13. Klaus Wüsthoff, Drei Mobiles: Piccolo Waltz
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3:22 album only
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ABOUT THIS ALBUM


Album Notes
Leonard Garrison is Assistant Professor of Flute at the University of Idaho, flutist in the Northwest Wind Quintet and The Scott/Garrison Duo, Principal Flute of the Walla Walla Symphony, and Chair of the National Flute Association . He also teaches and performs at the Red Lodge Music Festival in Montana and Blue Lake Fine Arts Camp in Michigan. He has been a soloist on National Public Radio's Performance Today, winner of the 2003 Byron Hester Competition, concerto soloist on both flute and piccolo, and a frequent performer at National Flute Association conventions. Leonard was Instructor of Flute at the University of Tulsa, Visiting Assistant Professor of Flute at Bowling Green State University in Ohio and Assistant Professor of Music at the University of Arkansas and at the University of Wisconsin at Eau Claire. He has performed in the Chicago Symphony, the Tulsa Philharmonic, the Civic Orchestra of Chicago, the Scotia Festival, and the Music Festival of Arkansas. The Flutist Quarterly and Flute Talk have published his articles. He studied with Walfrid Kujala, Samuel Baron and Robert Willoughby.


Reviews


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The Flute Network, November 2005

Garrison is just “superior” both in brilliant technique and musicianship.
Leonard Garrison, who currently teaches flute at the University of Tulsa in Oklahoma as well as playing flute and piccolo with the Tulsa Philharmonic Orchestra and Opera, is well-known to the flute community from his service to the N.F.A and his convention performances, and he is a flutist worthy of much wider recognition and acclaim. This outstanding recording shows that he truly deserves to wear the mantle of the “caped crusader”. On this recording he impressively demonstrates his prowess and mastery of the techniques and difficulties of contemporary music for flute, piccolo, and alto flute in works with piano accompaniment (Klaus Wustoff’s Drei Mobiles, Alec Wilder’s Sonata No. 1, and Roger Price’s Credo), and flute and electronic sounds (the title track, Meyer Kuperman’s Superflute and Howard Sandroff’s Chant de femmes), and works for flute/piccolo alone (Gordon Jacob’s The Pied Piper, and Michael Colquhoun’s delightful Latin-tinged Charanga.) Several of these works are not widely known or currently available on other recordings, and it nice to hear fresh modern music that is inventive and intriguing. Garrison’s playing is sensitive and expressive while traversing the tightwire and performing the flying feats of agility required by the avant-garde style. He is just “superior” both in brilliant technique and musicianship. (Also, you will find interesting his extensive website with valuable information on piccolo technique, practicing, and flute literature. See: http://www.personal.utulsa.edu/~leonard-garrison/lg.html ) J.E.P.