"Do not — I repeat, DO NOT — miss this album."
author: Stephen George - Louisville Eccentric Obsever
Less the band, a new NYC project involving some well-reputed Louisville folks (Ray Rizzo, you make me smile!), made me think about Mule for the first time since I last moved. They’re bluesy like Captain Beefheart, with all kinds of weird barking vocals that play like percussion, and a Sonic Youth sense of noise parameters. “Cord on Rat,” a disjointed paranoid fantasy a la Radiohead or Pink Floyd (lyrically), jumps with the unbounded energy of a child first discovering open spaces. “I Don’t Know You Now” does the Flaming Lips (just for, like, 30 seconds) better than the Flaming Lips do. Speaking of, that song kicks off a three-tune, 23-minute denouement that shows the band’s supreme musical athleticism. Do not — I repeat, DO NOT — miss this album.
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"The songs contain flashes of dry lyrical wit amid the often lovely melodies"
author: Tim Roberts - www.louisvillemusicnews.net
Expertly-produced by Louisville's Ray Rizzo, who is also the band's percussionist, Bear is full of music that mirrors Rizzo's own musical experiments in pop (with L'Woo), soul and funk (a.m. sunday) and jazz (the Java Men). The songs contain flashes of dry lyrical wit amid the often lovely melodies textured in reverbed guitar and synthesizer. There's some Lou Reed style talk-singing in "I Want to Know You" and a stinging rap in "Cord on Rat." An added treat are the short instrumental bon mots between several of the tracks, such as "Transmission Theory" and "If I Unscrew That Will Your Ass Fall Off?"
Two particular tracks, though separated by others, seem to form the basis of a story: the aforementioned "I Want to Know You" and "I Don't Know You Now." The latter contains a variation of the melody played at the end of "I Want," before the theme featured in "Transmission Theory" appears, followed by a finale where the tempo increases and the vocals become wailing and angry. The two songs act as a theatrical core for the entire work, which makes Bear far more than a stand-alone recording. It seems like it is only part of a larger work that can stand alone, but needs a connection to something visual. It's a soundtrack needing a movie or a stage show. That by no means makes Bear worthless. Instead, it lets its listeners look for their own ways to match their visuals to the music they hear.
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"Less The Band more accurately reflects the no-compromise edges of (post punk)'s
author: Adam Harrington - Whisperin & Hollerin
For the sonically adventurous, or anybody sick of predictability and cookie-cutter boredom, Less the Band is what you have been longing for. Opening with the spare, droning "Science," Less the Band summon the sly talk-singing of Lou Reed's "Walk on the Wild Side" and give it an Eels makeover on "I Want to Know You," a bizarre tale of longing well-suited for robotic courtship.
Less the Band's short attention span never has them sticking to a groove. On "Cord On Rat," the group goes nuts, copping a Pink Floyd "Money" riff with the ominous tones of Joy Division then abruptly crashing into a stomping beat and strangely rapped vocals. Your parents will be scared.
Much has been made of the post-punk revival lately, but Less The Band more accurately reflects the no-compromise edges of the genre's original philosophy than many of today's wanna-be's. With obvious influences ranging from Public Image Ltd. to Sonic Youth and the Pixies, Less the Band embody the damn the mainstream attitude which sparked post-punk in the first place.
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The Robots would not stand and cry if they heard this album...unless it is from
author: Sheldonk
The CD is excellent quality and a real winner for anyone that is a fan of The Flaming Lips, Modest Mouse, or Interpol. The Lyrics are witty, comical, and touching at times. Do yourself a favor and buy this CD!
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