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Leszek Hefi Wisniowski : Lechoechoplexita - Concerto for Jazz Flute, Saxophone, and Captive Sounds
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Technically impressing flute’s parties interweave with tranquil passages that resemble, by its atmosphere, Jan Garbarek’s music.
Genre: Jazz: Weird Jazz
Release Date: 2006
Lechoechoplexita - Concerto for Jazz Flute, Saxophone, and Captive Sounds
Leszek Hefi Wisniowski
Record Label: CM Records
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Preview Song Name Time Buy
1. Spy's Horse 3:05 + MP3 $0.99
2. Lechoecholpexita intro 2:22 + MP3 $0.99
3. Lechoecholpexita 4:05 + MP3 $0.99
4. Obsession 4:45 + MP3 $0.99
5. The Story of the One Mount 3:19 + MP3 $0.99
6. St' Germain 141 4:11 + MP3 $0.99
7. Bamboo Song 2:16 + MP3 $0.99
8. Dangerous Hunting 3:14 + MP3 $0.99
9. Antilope's Diary 5:56 + MP3 $0.99
10. Ram's Dance Intro 1:59 + MP3 $0.99
11. Ram's Dance 3:16 + MP3 $0.99
12. Blues IPS 4:30 + MP3 $0.99
13. IPS 2:11 + MP3 $0.99
14. Krywan Impression 3:22 + MP3 $0.99
15. Twilight 5:31 + MP3 $0.99
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Album Notes

LECHOECHOPLEXITA
Concerto for Flute, Saksophone, and Captive Sounds

CD info

The music that the listener receives is a sui generis melting pot of different musical influences, where ingredients like jazz, ethno, electronica and finally contemporary music are agreeably put together. This is the painstakingly woven spectacle of sounds starring flute and saxophone Although the flute and sax virtuoso experiment with different aesthetical arenas they are often risky,
still the whole story remains homogonous. As far as inimitable sound and general concept is concerned it is probably the only such record in the world.


*Leszek Hefi Wiśniowski-alto flute, flute, bansuri, tenor & soprano saksophones, percussion.
*Giridhar Udupa - ghatam, kanjira, konnakol (on tracks 2,3,9) http://www.ghatamudupa.com/
*Dominik Bieńczycki-violin (on tracks 10, 11)
*Anna Malacina- vocal (on tracks 14)


Leszek Wiśniowski's first CD that plunges into ethnical-jazz climates is really worth listening. The pieces that sound the most interesting are these which, on one hand correspond with world music and on the other hand, are not burdened with conservative jazz legacy. Technically impressing flute’s parties interweave with tranquil passages that resemble, by its atmosphere, Jan Garbarek’s music.

Tymon Tymanski, CD review in Dziennik, Sep.23th.2006
http://www.tymanski.com/

Leszek Hefi Wiśniowski is the flutist and saxophonist for specjal tasks, hi is my favorite session musician, irreplaceable when comlex soundtracks are concerned.

Krzesimir Debski
http://www.kdebski.pl/

„(...) The sound of the flute by Leszek Wisniowski is sometimes full of dynamism sometimes vibrated. It can also sound movingly and lyrically. The leader confirms that virtuosity does not have to be in discord with imagination and spontaneity.”
(...)This CD is by far, worth listening to."

Tomasz Janas, Gazeta Wyborcza 6.11.2006

“( … ) Leszek Wisniowski is an excellent guide into the land of the musical stories (…)”

Sebastian Gorski Hi-Fi and Music 1/2007



BIO

Leszek Hefi Wiśniowski - the flutist, saxophone player and the composer is a graduate from Music Academy of Jazz in Katowice, the flute faculty. He is a laureate of numerous awards and honors in such a prestigious events like: “Jazz Juniors”- International Competition of Young and Debut Jazz Ensembles (1993), Siedlce Jazz Competition (1996), The Ministry of Culture Award (1998), “New Tradition”- Folk Music Competition, Warsaw (2001). Leszek Wiśniowski used it to bring a consistency to his jazz-oriented style that reached easily across genre boundaries. The distinctive sound as well as his technique allows him to play with the best musicians and composers who represent different musical genres: Anna Jurksztowicz, Joanna Slowinska, Zygmunt Konieczny, Krzesimir Dębski, Wojtek Mrozek, what is more, he plays with such ensembles like Indialucia, HeFi Quartet, 4People, Viva Flamenco. Leszek Wiśniowski also played as a soloist with symphony orchestras. As a flutist and saxophone player he is the performer of soundtrack to Stara Baśń (The Old Tale) (dir. Jerzy Hofman)and Magiczne drzewo (The Magic Tree) (dir. Andrzej Maleszka) Ranczo dir. Wojciech Adamczak)


The stage version of Lechoechoplexita consists mainly of those pieces that are recorded on the CD. It includes elements of improvisation and inimitability that are a result of interrelation of the man with electronic devices. The music that is created during concerts –“captive sounds”, is being created in real time, before listeners’ eyes and ears.

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REVIEWS

A surprise, a conceptual masterpiece!!!!
author: Waterwoman
                            
This Cd provides new landscapes to look upon/listen to for flute and sax. It gives a breathtaking glimpse into one man's vision of what these intruments can do together--in a jazz frame of reference, but still from an original individual's mindscape in sounds. Needless to say, I loved it and it's differentness from what one usually hears in the West.
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Just awesome!!!
author: Michelle
                            
A really anjoyable portion of music. A musician with a great skill of improvisation and composition. I am looking forward to hear the whole part of the album.
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author: Tamara Turner, CD Baby
                            
Abstract jazz encompasses such a broad range of ideas and notions that at times, it can be very intimidating for the uninitiated (I humbly include myself in this group). However, upon discovery of an album that is both intriguing and listenable, it can act as a bright, open window to a whole new experience of feeling in music. The concentration here is on flute, and a man who can bend and manipulate his instrument to extreme lengths. Backed up by a saxophone, an endless array of percussion, and a few other rarely-seen tools of world jazz, the product is nothing short of a soundscape, a multi-tiered building erected from the ground up. The rhythms and tempos change endlessly, keeping the listener guessing if this is improv or highly calculated. These songs form a journey, and sometimes an intense one. I would highly recommend it as conversation starting background music at your next cocktail party or simply an experimentation with an intricate but accessible style of free form jazz.
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