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Lewi Longmire : Fire 'Neath the Still
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Relaxed roots rock and roll (with some desert sensibilities) from a stalwart bunch of Pacific Northwest musicians.
Genre: Rock: Americana
Release Date: 2008
Fire 'Neath the Still Record Label: Lewi Longmire Band
  • Download Album (MP3) - $15.00
  • Buy CD - $15.00
SPECIAL: 10% discount if you buy more than one copy of it today!
Preview Song Name Time Format Price Select
Moon Song 3:49 $0.99
Whatchoo Gonna Do About...? 3:38 $0.99
Sweet Situation 4:24 $0.99
Disappear 3:36 $0.99
Baby, Would You Take Me Home? 2:40 $0.99
This Time 5:10 $0.99
San Ysidro 4:09 $0.99
Voluntary Martyr 4:15 $0.99
Behind the Eightball 4:36 $0.99
One Thing at a Time 4:20 $0.99
New Lone Ranger 3:37 $0.99
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Album Notes

"Lewi Longmire’s preferred list of his own recordings runs 42 albums—the complete discography (from acoustic to rock to Valvoline ad spots) would choke a Nano. Regarding live shows, it’s more likely the 37-year-old Portland musician has a gig scheduled around town than not. 'The peak of the madness was 2003,' says the local legend. 'I played 282 shows that year. I musta been nuts...and young. Peter Buck recently joked about my presence around town. He thought it was weird to go see a band in Portland and find I wasn’t playing in it.'

Born to a family of musicians in a Rio Grande farming community, Longmire has a famed versatility (he plays electric and upright bass, pedal and lap steel and traditional guitar, organ and piano, mandolin, drums, harmonica, banjo, trumpet, fitful violin and, as a Universal Life Church minister, has been known to marry bandmates), which led to him being called “the session musician’s session musician.” He started early, mastering instruments in school and playing whatever was needed for those few bands available. After a brief stint at the University of New Mexico, Longmire started touring a folk-punk project around the West Coast, and, a decade later, finally settled ’round Portland. He says he 'devoted [him]self to being a hired gun in the Americana circles.' "
-Willamette Week, April 2008

Long a noted sideman and studio musician in Portland, Lewi has played with everyone from: Michael Hurley, Fernando, Victoria Williams, Jerry Joseph, Casey Neill & the Norway Rats, the Bingo Dream Band, Little Sue, James Low, Tony Furtado, Caleb Klauder, Jackie O-Motherfucker, Michael Dean Damron/I Can Lick Any SOB in the House, Scott Law, Pete Krebs, Tara Jane O'Neill, Michael Jodell, Annalisa Tornfelt, the Holy Modal Rounders/Freak Mountain Ramblers, and Hillstomp.

But, with his sophomore studio full-length, "Fire ‘Neath The Still", which
was recorded by Jeff "Chet" Lyster (Lucinda Williams, the Eels), the
notable sideman is once again breaking out on his own, with his own band,
and releasing a set of classic-rock-inspired roots music.

Starting with his core live trio (himself with bassist Bill Rudolph and drummer Ned Folkerth), the songs are helped along by the ample talents of some of Lewi's fine musical friends. Jenny Conlee (Decemberists, Casey Neill- keyboards), Paul Brainard (Richmond Fontaine- horns), Annalisa Tornfelt (Bearfoot Bluegrass- violin), Kevin "Bingo" Richey (Bingo Dream Band, Golden Delicious- guitar), Susannah Weaver (Little Sue- vocals), David Lipkind (Joe McMurrian Quartet, Supersuckers- harmonica) and Caleb Miles (guitar) all contribute to the disc.

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REVIEWS

A shining example...
author: 30 Music.com
Filled to the brim with true country rock charm, the Lewi Longmire Band's latest full-length is a shining example of how music benefits enormously from a little bit of personality. Fire 'Neath the Still presents eleven quality, full-bodied tracks encompassing a variety of powerful emotions, ranging from the comical, to the pensive, to the serious. The album's first strength is that lead singer Lewi Longmire's voice is impressively supported. Its smooth-toned nature contains the slightest hint of edge, making it fit perfectly into the style of the music. The instrumentation works similarly, getting edgy and energetic as it pleases during the tracks, and working in the looser calmness just as easily. Instrumental fills, especially from the harmonica and piano, elaborate on the chords and lend delightful detail to the music. Complex and intriguing, this is country rock at its finest. The lyrics are also something to appreciate, as they cover believable real-life situations, highlighting events and considerations that anyone may find him/herself encountering. For example, the track "Disappear," a reluctant and melancholy song in which Longmire ponders whether he would be missed if he were to simply leave one day, has inscribed next to its name in the album liner notes, "Who hasn't wondered at one time or another?" His deeply human lyrics are easy to meet with sympathy; chances are, you've experienced something just like it. Perhaps that's what makes them so addicting. Additionally, most tracks are nicely packaged with a sense of resolution and change incorporated in the meaning, giving the hope that, at the very least, such misfortunate can be avoided in the future. The songs each have their unique inspirations, events happy or painful in the real world that prompted Longmire to write about them. And it shows in the final product; the songs feel inspired, seeming to be part of something larger than just a bit of data read by a laser off of a CD face. Knowledge of what roots they might have are almost as alluring as the songs themselves.- Kevin Coss (www.30music.com)
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Always fun to listen to!
author: The Celebrity Cafe.com
The epitome of good, ol' fashioned country fun, Fire 'Neath the Sill is a great new choice for country and bluegrass fans. The best in honky-tonk music, with a playful attitude and catchy country tunes, the Lewi Longmire Band's newest album boasts it all. From smooth and country/crossover-flavored opening songs, "Moon Song" and "Watchoo Gonna Do About," to the silly and fun-to-listen-to "Baby Would You Take Me Home" (about the love that may grow as a result of taking care of the drunken singer), the Lewi Longmire Band clearly had fun cobbling together this collection of songs about, well, basically whatever the heck they wanted to sing about. What this album does not do, however, is fall into the stereotypical trap of the country album with a collection of woe-is-me and my-wife-left-me songs, but instead keeps a breezy and upbeat, fun-loving tone throughout. And of course, the deep, country twang is always fun to listen to. -Susie Kopecky (thecelebritycafe.com)
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Breaks out... in a big way
author: Honest Tune
Hired gun Lewi Longmire breaks out on his own in a big way on Fire \'Neath the Still. The Portland musician has recorded with, or backed up live, a who\'s who list of Americana superstars including Victoria Williams, Jerry Joseph, Tony Furtado, and Michael Hurley. Yet, it\'s on Fire \'Neath the Stillthat one gets a true grasp of Longmire\'s immense range and distinctive taste for roots-driven rock and roll. A headlong surge into the defining \"Sweet Situation\" track exposes the resonating authority in Longmire\'s singing voice and razor\'s edge distortion of his guitar playing. Of course, the irony is that Longmire can follow such a head-banging track with the old time, jazz/country swing of \"Disappear\" without missing a step. But, that\'s probably because Longmire has assembled a first rate group of accompanying musicians, with bassist Bill Rudolph and drummer Ned Folkerth stepping up to the front of the sound mix on \"This Time\" and the involving opening number, \"Moon Song.\" Special guests abound on Fire \'Neath the Still,including Jennifer Conlee from the Decemberists, Paul Brainard from Richmond Fontaine on horns, and David Lipkind from the Supersuckers on harmonica. Recorded by Jeff Lyster (Lucinda Williams), Fire \'Neath the Still is a high quality second album from one of Portland\'s finest that is sure to open plenty of ears to Lewi Longmire. -Bill Whiting (www.honesttune.com)
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Shifts gears easily... impressive!
author: Aiding & Abetting
Yet another fine practitioner of modern country-rock music from the Pacific Northwest. Maybe folks up there are getting a bit jaded, what with so many outstanding artists in a relatively small area, but I find it hard to believe that Longmire couldn't find a label interested in this album. Longmire swings wildly between mannered, introspective pieces (think latter-day Dylan, I suppose) and great driving music, with a few anthems (of varying styles) tossed in for good measure. Perhaps he doesn't segue between moods as well as he should, but the songs stand up nicely on their own. Maybe the problem is that Longmire isn't quite sure what tradition to follow. There's some "traditional" americana, some Texas two-step, the obligatory paeans to the open road, some 70s AOR (with a bit of twang) and more. He shifts gears so easily that it's sometimes hard to believe that these pieces are, in fact, part of one album. Longmire's songwriting skill is impressive, and his band does a nice job with this album. I suppose I wish it was a bit more coherent, but there's no denying the power of the songs. Impressive. - (www.aidabet.com, issue #299)
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