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László Hortobágyi - GUO in concert, the traditional Hindu-Islamic and classical Asian musical textures are performed by GUO in the original orchestration, effectuating simultaneously a live-electronic sound synthesis controlled by the traditional instrum
Genre:
World: World Traditions
Release Date:
2008
El-Horto Ang
László Hortobágyi & Gáyan Uttejak Orchestra
© Copyright-guoang
(5999548112045)
Record Label: guoang
SPECIAL: 10% discount if you buy more than one copy of it today!
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Song Name |
Time |
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1. Asa-panangis (hindubisthán gat ) |
7:27 |
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2. Tauhid (Sánjh of Hindusthán) |
12:17 |
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3. Kitége (Byzantibet mix) |
3:55 |
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4. Haxa-mimansa (hindubisthán gat ) |
9:49 |
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5. Bachvání nom-tom (contrapuntála mix) |
0:45 |
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6. Bardo-communio (sanyóg tö dol) |
10:22 |
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7. Túkra-lauda (sangat cantorum) |
1:41 |
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8. Sezam ( hazarbáf satori ) |
9:27 |
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9. Ishwara ( khyál-dub ) |
5:32 |
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10. Moksa-vírgáya ( Amida-Jahillijá mix) |
10:41 |
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Gáyan Uttejak Orchestra (GUO)
The roots of Gáyan Uttejak Orchestra (GUO) date back to the end of the 19th Century, as the “Gáyan Uttejak Mandal”, archetype of GUO’s establisher, the “Gáyan Uttejak Society” (founded in Hungary, 1981), was operated by Navraojji Kabraji and V.N. Bhatkhande, between 1870 and 1917, in Mumbai. The Society was expanded in 1984 with the “Archive of Oriental Music”, to be considered unique and unrivalled in Eastern Europe, the “Gáyan Uttejak Studio” and the “Gáyan Uttejak Orchestra”, composed of musicians of the most diverse nationality and being the direct progenitor of the current GUO.
Music of GUO combines music of non-existing mythological worlds and Extra-European high music cultures with creative techniques aimed at a possible, global still virtual language of music that nevertheless differs fundamentally from the realized world music.
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