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Libby Shapiro : Utopia Room
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'Libby Shapiro's voice is a gift from heaven' wrote the Sueddeutsche Zeitung; the exquisite Utopia Room is her gift to you: a delicious popular song bath of champagne, velvet, coffee &a touch of wood smoke, drawn by an ensemble of great New York musicians
Genre: Easy Listening: Cabaret
Release Date: 2006
Utopia Room
Libby Shapiro
Record Label: Libby Shapiro
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Preview Song Name Time Buy
1. You're Getting to Be a Habit with Me 2:26 Album Only
2. Wenn Ich Mir Was Wuenschen Duerfte 2:50 Album Only
3. True Love 2:27 Album Only
4. Manhattan 4:09 Album Only
5. Youkali Tango 5:49 Album Only
6. In God's Country 4:58 Album Only
7. It's Not My Time to Go 3:52 Album Only
8. You Do Something to Me 2:04 Album Only
9. Raisins and Almonds 2:30 Album Only
10. You only LIve Twice 2:31 Album Only
11. Home on the Range 2:43 Album Only
12. Leben Ohne Liebe Kannst Du Nicht 2:42 Album Only
preview all songs

Album Notes

"Libby Shapiro's voice is a gift from heaven," wrote the Suddeutsche Zeitung of Munich, Germany, of the singer and actress; Oliver Toerner, freelance critic for Taz Hamburg and Kulturportal wrote of Libby Shapiro & wonderful company's CD Utopia Room: “Each song is a gem”.

Utopia Room is a collection of songs Libby has met along her way. Songs by Rogers and Hart; Dan Hicks; Cole Porter;. Friedrich Hollaender; Kurt Weill;.Abraham Goldfaden, and U2....next to a James Bond movie theme song played as a country waltz, and Home on the Range? Well, the album shows in musical form what the singer has sung over the years in various projects, and what she believes and experiences - that everything and everyone is connected. That we can find and/or create places where people come together and hang out, get along and enjoy themselves, not because we forget our differences but by finding common ground.

Libby likes to quote what Simon Jeffries, the founder of the Penguin Cafe Orchestra, wrote about the PCO, when people ask her about Utopia Room:

‘It is cafe music, but café in the sense of a place where people's spirits communicate and mingle, a place where music is played that often touches the heart of the listener.'

About Libby Shapiro:

Born & raised in Portland, Oregon, Libby lives in Brooklyn, New York, and lived in Hamburg & Berlin, Germany for the last 7 years of the 20th century.

Libby loves songs – spanning many decades and even centuries, and a couple continents - from American traditional music to blues, jazz, country, pop, film and dance music, from Weimar-era movies and theater, Yiddish songs, French chanson and more - with a special interest in music of the 1920s, '30s and '40's.

She is a singer and actress known for her wit, warmth, and the very unique rapport she enjoys with audiences - whether in small clubs, large concert halls or theaters.

Libby has appeared in and/or given voice to a wide range of projects in the United States & Europe, from one-woman shows and concerts to singing with jazz ensembles, Klezmer orchestras, close harmony trios, performing in revue and kabarett, comedy, improvisation and dramatic theater, musical theater, documentaries and feature films, radio plays and radio commercials, TV news and TV promos, appearances in German soap-operas and situation comedies, installation art at the Whitney Museum of American Art or one of her favorite roles: giving voice to the talking cow in a Red Groom’s installation at the Iowa County Fair.

In New York, Libby has given concerts at the Bard Center, the Jewish Museum, the Brooklyn Botanic Garden, Fez under Time Café, Cornelia Street Café and a number of venues that only exist now in the mists of memory (Fez under Time Cafe, Skep, Steve McGraw's, the Green Room) and others, working with Jed Distler, Lucy Galliher, Clay Ross, Will Holshouser, Randy Wanless, Rob Curto, Nicki Parrott, Skip Ward and Paula Kimper among others. In Germany and France, she has played with Wolfgang (Laio) Laionhardt, Dieter Fischer and the Mickey Katz Orchetra with Giora Feidman, Hans-Joern Brandenburg, the New Classic Jazz Quartet, Pauline Boeykens, Hatshepsut of Paris, Franz-Joseph Gruemmer, Christian Doepke, Dieter Holesch and Robert Klinger among others, and performed on numerous stages from Berlin's legendary Bar Jeder Vernunft to the Alte Oper Frankfurt and the Hamburger Kammerspielen with the former die Blauen Engel/ the Blue Angels of Munich, Katharina Mueller-Elmau and Stephanie Vogler.

Libby's recent work includes the parent's choice award winning album Honey, Sugar Baby, Mine by the Von Swing Family; reviews have compared her favorably to children's music's Pied Pier Dan Zanes, but Libby's hair height does not hold a candle to Dan's. The Von Swing make American roots music old and new – traditional folk, blues-inflected country, bluegrass, jazz, honky tonk, children's favorites and catchy originals.

Libby is thrilled to be studying to become a music therapist and psychotherapist at New York University.

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REVIEWS

We can touch and feel this music, and it speaks to us. Intimately.
author: Philip Crookes, Primetime Radio 1ZZ, New Zealand
                            
I think Utopia Room must be a small, intimate café or nightclub with an eclectic taste in music, and an international menu. It might be somewhere in New York - perhaps in Brooklyn, perhaps even in the Village or the Lower East Side of Manhattan. For us in New Zealand, it's going to be somewhere on Ponsonby Road or K' Road or in Mt Eden in Auckland, or in Courtenay Place in Wellington. Or even in Kerikeri, or Nelson, or Beleheim, or Westport, or your local café where they have live music after 7 pm at night. Wherever they like great music performed well by excellent musicians. I first met Libby Shapiro in Berlin, where we both worked as voice automats for the Deutsche Welle tv. The company put in the money and we put out the words, often working through till 3 in the morning recording the news for replay on Lufthansa planes and Hapag-Lloyd cruise ships the next day. Even then she had a voice that made you stop and take notice. Libby Shapiro could make the stock market report so enticing that you wanted to rush onto the trading floor and shout "Buy!" . There aren't many such voices in the world, but Libby Shapiro has one of them, and she knows very well how to use it. Her singing style is intimate, approachable and friendly. She sings like she is two metres away, singing personally to the listener, us, you, me, not behind glass, not protected by a barrier of microphones and technology. If a singer can be unplugged, Libby and her musicians are unplugged. We can touch and feel this music, and it speaks to us. Intimately. These are tunes that we know, but we can't even remember how or when we first heard them, and these are performances that enhance our memories.
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Chamaeleon der Zwischentoene
author: Oliver Toerner, freelance journalist, Hamburger Morgenpost, TAZ
                            
"Utopia Room", der Titel weist die Richtung. Damit legt Libby Shapiro ein Bekenntnis ab - zu stilistischer, musikalischer und thematischer Vielfalt auf ihrer CD: dass das alles zusammenpasst, alles beisammen sein darf. In ihrem utopischen Raum besteht Versammlungsfreiheit für unterschiedlichste Klangfarben und ganz, ganz unterschiedliche Texte. Die Sängerin lebt die Utopie der Vereinbarkeit von Gegensätzen unter dem Banner der Musik - mit ihrer ganz individuellen Interpretation von zwölf Stücken...Jedes Lied ist für sich ein Kleinod. "Wenn ich mir was wünschen dürfte" ist einer dieser Fälle. Sie versucht nicht, Marlene Dietrich, die mit Friedrich Holländers Lied groß wurde, zu überbieten oder zu kopieren. Sie startet kraftvoll,legt einen liebevoll zarten Umgang mit dem Lied an den Tag. Sie folgt der Verlorenheit des Textes und jubiliert im nächsten Moment, sie überrascht durch plötzliches Hakenschlagen zwischen Verspieltheit und Bestimmtheit. Man hört ihre Ratlosigkeit gegenüber der Macht des Lebens - und ihre Freude daran. Und sie wagt sich im Tremolo zu einer Hommage ans große Vorbild, bleibt aber sehr kraftvoll vollkommen eigen. In "True Love" meint man Libby Shapiros Grundton zu entdecken...Der Titel des Liedes ist ihr Motto. Sie ist eine Sängerin der Liebe: darauf baut sie, darauf setzt sie, danach klingt sie...Neben der Liebe ist es schlicht das Leben, das sie besingt, mit seinen Facetten. Da ist sie nicht auf einen Aspekt festzulegen. Verträumt, wünschend, ein wenig "old fashioned" kommt sie daher. In "Manhattan" geht sie auf du und du mit dem Hörer, wird öffentlich privat. In "You Do Something to Me" zeigt sie die leichtigkeit einer Chansonsängerin neben der Prallkraft und dem Stimm-Metall einer Jazzerin... In "In God's Country", einem emotional hochaufgeladenen Gassenhauer offenbart sie sich als hochsensibles Chamäleon der Zwischentöne, die jedes Lied ihr thematisch anders abverlangt...Am Ende der CD der Titel "Leben ohne Liebe Kannst du Nicht": noch einmal Libby Shapiros Kernthema. Nicht nur ein Lippenbekenntniss. Wir hören es ihr an. Wie gut, wie wohl tuend, dass wir ihr damit in ihren "Utopia Room" nun immer und immer wieder folgen können.
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Subtle and compelling
author: Suzi T.
                            
Utopia Room takes you to a far-off place where the sound is subtle, textured, and sweetly compelling. It's a nice place to be. Thank you to Libby and friends.
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Miraculous
author: Piotrek, New York
                            
Libby Shapiro and her ensemble of musicians have unleashed a small miracle. Utopia Room is elegant, refreshing, and intensely beautiful. Ms. Shapiro’s voice is nothing short of astonishing and her selection of songs – ingenious. The result is a decidedly individual sound that transcends time and place and could be produced only by a highly distinctive and very contemporary artist.
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