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Steve Lieberman the Gangsta Rabbi : Diaspora(a Folk-punk History of the Hebrew Nation)
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the 16th cd from outsider bassist/flutist punk innovator recounting the tragic history of the Jewish People in a folk-punk opera
Genre: Rock: Punk
Release Date: 2009
Diaspora(a Folk-punk History of the Hebrew Nation) Record Label: BAD'LAN USA RECORDS
  • Buy CD - $5.97
SPECIAL: 20% discount if you buy more than one copy of it today!
Preview Song Name Time Format Price Select
Exiled to the Diaspora 2:47 Album Only
Ab'ram 3:25 Album Only
Midianites 3:29 Album Only
1st Diaspora: Egypt 5:06 Album Only
Meri'bah-kad'esh 3:25 Album Only
Sun Still Over Gibe'on 3:27 Album Only
Massacre At Nob 4:27 Album Only
Bat-she'va 3:43 Album Only
Solomon 3:20 Album Only
The First Fall of Jerusalem 1:15 Album Only
2nd Diaspora:babylonia 3:54 Album Only
Rachel Weeps for Her Children '460 4:47 Album Only
Yek'heskel, Yek'heskel 2:33 Album Only
3rd Diaspora: Europe 5:04 Album Only
Holocaust 4:20 Album Only
Disobedience=persecution 1:41 Album Only
4th Diaspora: the Endtime 3:09 Album Only
For the Children of the Ga'za 5:47 Album Only
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Album Notes

Steve ‘The Gangsta Rabbi’ Lieberman is a prolific songwriter with this release being, I think, number 16 for him. I’ve lost track of how many of them I’ve reviewed, it’s either 4 or 5, including this one.
If you’ve never heard his music before the first time you hear it you’ll either want to cut off your ears or appreciate all of the lo-fi goodness that it offers up. His own website bills him as, ‘The Most F-CKIN’ Controversial ‘artist’ in the World.’
Some of his previous releases include titles like, Psych Ward, Overthrow the Government, Last of the Jewish Pirates, and Shake The Missile Base.
The Gangsta Rabbi is a one-man band playing all of the instruments found on Diaspora, along with performing all of the vocals.
The music that The Gangsta Rabbi offers up is lo-fi at its finest. His songs are filled with overdriven/distorted guitar parts, tinny sounding drum machine beats and flute parts, along with the occasional sound from, whistles, recorder, steel drums, and beats. The odd ball in that grouping is the very well done flute work that is often a major part of The Gangsta Rabbi’s sound. Although I heard a lot less of it in this release when compared to other releases of his that I’ve reviewed.
This release is loaded with 18 tracks, including one instrumental track, that adds up to just over one full hour of music. Most of the songs have references to Books found in the Old Testament. The songs lyrics deal with the plight of the Jewish people.
The releases title, Diaspora comes from a term referring to a permanently displaced and relocated collective of people. The first mention of a Diaspora created as a result of exile is found in Deuteronomy 28:25 “thou shalt be a dispersion in all kingdoms of the earth.” It has become a term used to show the plight of the Jewish people over the years.
Stylistically the songs found on this release range from world beats, to folk, rock, and punk.
The Gangsta Rabbi makes no secret of the fact that he is bi-polar, his release Psych Ward was built around his time spent in one. That being said his music isn’t for everyone, if you willing though to take a trip into his musical world you just might find that you’ll enjoy the journey.

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REVIEWS

Frenzied blasts of Punk Rock
author: Rice B. and the RadioIndy.com Reviewer Team
Raw and untamed, Steve Lieberman the Gangsta Rabbi’s “Diaspora” CD is a challenging blast of noise-rock incitement as discordant and disjointed as it is unsettling. Like the late Wesley Willis, Lieberman – a one man sonic wrecking crew, shuns form and convention over the course of 18 tracks that, instead, rely on shock and awe bursts of scorching bass licks and howls of reverent fury to trace a Judaic arc from pre-Biblical times to the 21st century. With a voice that is both tormented and impenetrable, Lieberman sings of his Jewish heritage and faith with an atonal swagger that matches his frenzied grooves beat for beat. And while the whole may add up to a strained musicality (which, as fans of Sonic Youth might attest, can be an art form in itself), there is no denying that the multi-instrumentalist’s dissonance (check out the frequent and jarring Jethro Tull-like flute interpolations) is neither accidental nor unschooled. Certainly not for everyone, Steve Lieberman the Gangsta Rabbi’s “Diaspora” CD is, nevertheless, genuine and purposed; to that extent, “Diaspora” is no less than a work of self-actualization.
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