This review will expose my ignorance in terms of Fairfield (707 area code) rap scene. Unfortunately I was so far only fairly aware who in fact represents this city and was familiar merely with endeavors by Pizzo, The Federation and E.Z.S.D. It turns out that I missed out on a lot, because Lil Jazz has indeed plenty to offer. The currently reviewed "Gemini Files: East Side Story" is a sort-of a comeback, as the artist debuted way back in 1996 with a solo "Game4usuckaz" and then came out with a duet recorded together with Skip Dog entitled "Madd Currency" and nothing since then. The very end of 2009 brought the sophomore solo project, after a 9-year hiatus. 

Lil Jazz reminds me a bit of the above mentioned Pizzo, but only in terms of voice, because despite his age he's characterized by a high-pitched note and an adolescent tone. However similarities end there, as the artist flows more smoothly and skillfully on various beats. What's interesting he doesn't take a typical for the majority of rappers pause after each bar, which is clearly audible when he shares a track with the likes of Q-Ball or Mac Lo. Due to that he doesn't put such a distinct emphasis on rhymes or punch-lines, rather continues with the rest of the verse, hastily spitting out yet more lines. It shouldn't be considered a disadvantage, more of a relentless type of style. Fans of his previous recordings as well as admirers of 90's West Coast vibes shall note that Cashflow420 Records label cared for the served production to resemble the one from the Golden Era of the Bay Area rap. The major part was handled by K-Lou and T-Roy who created 7 and 5 tracks respectively. The music undoubtedly brings back good memories and in no way sounds like these modern, electronic twangs from computer synthesizers. One of the most important factors is the fact that in the background of numerous songs you'll hear a clear, noticeable sample, thanks to which the whole cut can be recognized right after a few seconds. You may find it on such characteristic tracks as "Hold Up", "U Don't Wanna", "You're My Lady", "From Da 4" and many more. The production as a whole is of an extraordinary quality and is definitely one of the most significant assets of the album. It's important to note that beats do not solely consist of looped pieces; additional vibes do appear unexpectedly and there's often more to come during hooks. The rest of the songs were brought to you by B.C., Money Moe, Tony Tone and Cali Black. On the other hand the subjects of Jazz' verses do not necessarily stun, as they present a rather standard set of possible themes that include presenting one's greatness, lacing others with proper game lessons, stacking up money in "Get Your Fetti On", where the artist mocks people who showcase big rims but cannot afford to pay for gas. What is more, there's a little bit about women ("I Used To Have Love For Her", "You're My Lady"), street hustle and a real solid dose of representing Fairfield with an unquestioned leader in the front row being "Residents Ov Da Flatz" that features 10 full-length verses by more or less known residents of the city. Bear in mind that you receive 18 professional, polished tracks (10 of which are solos!), which doesn't happen often these days. It ultimately means almost 80 minutes of music taken straight from the mid 90's. I repeat this on purpose, as this is definitely a valid point for fans claiming that "they no longer do the rap they used to" or "current recordings are trash". Eventually I'd also like to point out a tiny glitch that came out during mastering phase. On a couple of songs you'll hear infrequent clicks, digital pops; something like vinyl distractions. It's a bit strange, since the overall musical setting is crystal clear and was put work into; it doesn't spoil the the good impression though.

Shortly before the premiere, the artist got locked up, so this is probably the last album by Lil Jazz you'll ever see. (taken from BayUndaground.com - bpopow@o2.pl)
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