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Michael Lille : Never Home To Stay
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Gentle singer/songwriter, folk with a little touch of blues.
Genre: Folk: Folk Blues
Release Date: 2000
Never Home To Stay Record Label: Downstream Records
  • Buy CD - $15.00
Preview Song Name Time Format Price Select
Makin' Up My Mind 4:07 Album Only
Doin' It For You 5:32 Album Only
You Tell Me When 2:43 Album Only
Can't Crack The Code 3:50 Album Only
My Living Proof 4:06 Album Only
Ode To Duke 3:47 Album Only
Forever Man 3:35 Album Only
Wherever You Walk 3:39 Album Only
Hamalayan Rain 5:55 Album Only
The Day You Laid Your Conscience Down 3:58 Album Only
Let Me Know 3:55 Album Only
Everybody Loves The Fair 3:06 Album Only
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Album Notes

One glance at Michael Lille's musical resume' and you might think you're not reading about one man, but three or four. Such are his accomplishments over the two decades since he first began his professional career at age fifteen.

His newly released album, Never Home to Stay, was co-produced by Grammy winner Mark Prentice, and features guitarist George Marinelli and Vinnie Santoro of Air Parma, Valerie Carter, Jerry Douglas, and many other special guests. His 1996 self-produced release, Middle Child, features Alison Krauss on background vocals and Victor Wooten on bass. In 1992, Lille's debut Just In Time, was produced by John Jennings and featured Mary-Chapin Carpenter on background vocals. As a songwriter, Washington Post music scribe Mike Joyce praised Lille's "gift for soul searching" and "innate tunefulness."

Performing Songwriter magazine calls Lille "a star on the rise whose voice is soft leather, and his guitar work is flawless." Add to these strengths a relaxed confidence on stage and you understand why he won the 1996 Telluride Troubadour competition and the 1993 Kerrville New Folk Songwriter award. Lille has been on tour as the opening act for Alison Krauss, and has opened shows for Bob Dylan, Little Feat, Leo Kottke, David Wilcox, Kathy Mattea, J.J. Cale, Warren Zevon and comedian Carrot Top.

A team player too, Lille is the "L" in one of Washington, D.C.'s best-loved groups, SGGL, who have released their fourth disc, On The Shoulder, recorded live at The Wolftrap Barns in Vienna, VA. [Sales of their previous albums have soared to over 80,000.]

As if all that weren't enough, Lille is also an outdoorsman and world traveler, having lived and worked in exotic locales such as New Zealand, Australia, Indonesia, Nepal and Bhutan. In 1999, after 7 years in Nashville, Michael moved to Boulder, CO where he now makes his home.

Always dedicated to growing and being the best he can be, this man for all musical seasons continues to tour, record and translate his life experiences into captivating music. As Lille says, "it's really a privilege to be able to do the things you love."

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REVIEWS

a collection of new ballads that quietly embrace folk, pop and country tradition
author: The Washington Post
The Washington Post / Friday, January 12, 2001 Michael Lille "Never Home To Stay" Singer-songwriter Michael Lille has never lacked gifted collaborators when he's recorded one of his solo albums. His latest release, "Never Home To Stay," carries on that tradition. Here he is in the company of Valerie Carter, Jerry Douglas, Jon Carroll, Air Parma, Eddie From Ohio, and the Fairfield Four's Rev. Joseph Rice, singing another batch of emotionally restless and spiritually uplifting songs. In typically tuneful and earnest fashion, Lille unveils a collection of new ballads that quietly embrace folk, pop and country traditions - that is, when he isn't fingerpicking the engaging guitar instrumental "Ode To Duke." His mellow voice and unaffected phrasing serve the songs well, especially those cowritten with Tom Kimmel ("Forever Man") and Dana Cooper ("My Living Proof"), while the gospel-inspired harmonies crafted by Rice and other vocalists on "Wherever You Walk" and the infectious rhythms underpinning "Himalayan Rain" provide a big mid-album lift. Two heartsick laments - "The Day You Laid Your Conscience Down," a soft but scolding minor key blues; and "Let Me Know," a more rhythmically upbeat view of a soured relationship - feature Lille at his soulful best. He saves the most playful cut for last, though - a kids choir-equipped version of "Everybody Loves The Fair." - Mike Joyce The Washington Post 1/12/01
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