all there
author: Julian Catchen
Beautiful mandolin. Beautiful voice. Great songs. Saw him over the Summer in Portland at the Aladdin. This album captures his sound well -- looking forward to seeing him live again.
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review in Portland Monthly Magazine
author: John Chandler
It takes a fair amount of charm, chops and chutzpa to hold our attention with a minimal musical palette, but mandolin wrangler Lincoln Crockett, from local bluegrass outfit Cross-eyed Rosie, manages to do so on his album Angels & Devils Alike (www.lincolncrockett.com). Armed with just a mandolin, an acoustic guitar and a supple voice, Crockett conducts us on a folksy tour of his mood swings, from glum (“Nothing Makes Me Feel Good”) to glad (“Feels So Good”), and for the most part it’s a bump-free and tuneful trip.
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special to the Oregonian
author: Don Campbell
There's nothing wrong with old-school, but the real fun comes with those who push envelopes. As with blues, jazz, even country and rock 'n' roll, those who bring something new to the party help propel genres to higher levels.
Such is the case with Lincoln Crockett, a young lion on the Portland bluegrass scene. A regular in Cross-Eyed Rosie, the Josh Cole Band and Caravan Gogh, Crockett has released a new solo project that radiates all that's good about the progressive side of bluegrass. A sterling mandolin picker, guitarist and compelling singer, he has produced a 12-song piece of work that might have traditionalists scratching their heads, but new-grassers will gravitate to it like moths to a porch light.
It will be hard to avoid comparisons to Nickel Creek's Chris Thile, but that might be more happenstance than anything stylistically plagiaristic. Crockett owns the requisite high-and-lonesome voice -- plaintive, achingly bittersweet and clear as creekwater, without a hint of vibrato -- and he's not afraid to use it. Like Thile, he's fearless and playful, but can clearly stand on his own.
He is also a fiery player who slashes his custom twin-point mandolin when called for, but who displays a feather-light touch on the tender tunes. Crockett has a predilection for more complex chording, and he lets that predilection shine throughout this largely original effort.
Though his playing can be a shade on the outside (in a good way), he doesn't stray far enough from his bluegrass roots to do damage to the form. This is bluegrass, but squeezed through the soul of a youngster. You'll hear all his influences -- folk, rock, pop, funk -- but he's found a way to gather them up under the bluegrass mantle and produce something as pleasant as a long summer day.
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