Album Notes

Lions create a blend of retro riffage, artful noise, melodic interludes, and revolutionary attitude with a live show that has been described as “furious” with “a full-frontal assault” that will leave you “half-deaf and disoriented."

“Lions are actually interested in dynamics, an all-too-rare trait in bands of their beery ilk. This doesn't mean Lions have balladeer tendencies — the guitars surge and thrust, while Matt Drenik's vocals sound like the result of a drunk, horny demon screaming into a wind tunnel. The Austin quartet simply knows how to build a hard-rocking tonal atmosphere, even in the spaces between Jake Perlman's hammerhead drumming. Lions are the Eagles of death metal, had they spent an entire adolescent summer with Black Flag's "In My Head". - Houston Press

“Not that the Blitz - or the Rock, I should say – is bloody likely to keep you abreast of such things, but Lions has been getting the kind of word of mouth that most bands would kill for. The question is whether or not it is warranted. In fact, the hype is pretty much on the money. Think of the generation of bands that were active right before grunge broke – i.e. Hiro Yamamoto-era Soundgarden and Bullet Lavolta – and mix that naïve, heavy groove with late ‘90s stoner metal. The result is Lions, a band to be reckoned with, and one smart enough to look for influences outside of the trends.” – Rick Allen, The Other Paper

"All roars and manes, Lions blends heavy riffs and explosive attitude for a head-twisting take on ye olde denim rock, with guitars so eminently shred-worthy that the band’s “Metal Heavy Lady” was chosen for inclusion on Guitar Hero III. The band’s debut full-length, No Generation, is a mix of explosive psychedelia and Texas-sized riffs, like a tab of LSD chased with Southern Comfort." – The Onion

"Remember the first time you heard Soundgarden's Louder Than Love? OK, it's been awhile, but that doesn't mean local boys Lions weren't able to turn the bong-rattling bottom end of last year's No Generation into something totally their own. Total fucking riffage." – Michael Bertin, Austin Chronicle 2008 SXSW Critics Pick

"Their sound is a ferocious blend of fuzz, sweat and riffs, with a slinky Southern groove holding it all together." – Nashville Scene (Critics Pick)

"The image of the group parallels the sound, as the members look like a collective of vagabonds who might or might not pull a switchblade on you during a pool hustle... It's really quite delicious." – Cincinnati City Beat

"The result is explosive, raving and in psychedelic color." – Kansas City Pitch

"Holy Sweet Hillary Jesus. Think Blue Cheer on speed, or Grand Funk on PCP. The bass player looked like John Oates on heroin... All Hail Texas, indeed." – Indianapolis Music