A Brooklyn Night
© Copyright-Lisa Brigantino
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Lisa Brigantino grew up in the town of Katonah, just North of New York City and began her musical training at an early age, starting piano lessons at 5, violin at 7 and upright bass at 14. She is a trained vocalist and is self-taught on guitar, electric bass, mandolin, percussion, ukulele, banjo, accordion, harmonica and cello to name a few. Lisa comes from a musical family and her relatives include the late Felix Pappalardi, legendary producer of Cream and producer and bassist for Mountain and Michael Barbiero, producer, engineer and remixer extraordinaire who has worked with acts ranging from The Alarm, Expose, Anthrax and Blues Traveler to Joe Cocker, Whitney Houston, and Gov't Mule.
Lisa began composing as a child and continued through high school and college, attending The School of Music at State University of New York at Fredonia. She studied composition and theory with Dr. Donald Bohlen and voice with Christine Walters. She received a Bachelor of Arts degree in music theor
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A Brooklyn Night
author: Jeff M.
"A Brooklyn Night" is a marvelous album. Lisa’s passion and energy are apparent throughout and make her music truly inspiring. The vocals and instrumentals blend for a refreshing sound, and a must have CD.
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author: Ben Ohmart, Nzone Magazine
"'Oh Sister' is good female folk. 'Blue Jeans' proves the lady can really strum a guitar. She's an original with quite a good vocal range. 'I Choose Life A Different Way' is a good piece of band business which should end up on alternative radio. My favorite is 'Holding On For Something'. This song is just beautiful, beautiful music. Good control over her voice, her ability. That plus the media attention she's been getting in the mags, I can see her as a Lisa to contend with."
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author: Ray Pieters, Radio Milo, 103.1, Belgium
"A beautiful CD...Lisa has a strong and flexible voice. The music is very diverse. "A Brooklyn Night" will stay a very long time on my playlist this year!"
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author: Unsealed Ezine
"Musically, Lisa Brigantino blends classic folk with bluesy folk-rock. She has a good voice and there's great guitar work that's folkie, funky and rocky, and a good back beat to boot."
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