A shot of Rhythm And Blues
author: Carl M. Nielsen
Everyone knows what r&b have turned into now a days - seems to mean rotten and boring - but some don't know what it once was: the hardboiling basic roots of rock and roll. But what it once was, it can be again. This album shows that. Little Rachel is purely in the tradition of Little Richard, Etta James, Larry Williams, Big Mama Thornton, Ray Charkes, T-Bone Walker and Muddy Waters. And it is more than just style. She got the voice and the spirit as well, really making it cook and steam.
It is very authentic stuff. Right down to the sound production, trying to make it sound similar to records of the 50's. Something there are different opinions about. To me it is not just a question of right or wrong. It depends on other things. In this case I find it suietably. Theese songs would sound wrong with a more modern sound. It is obvious that such things put "'Cause I Feel Good" in the cathegoria of retro and nostalgia. But who said that an album have to be original and inventive to be great? - Isn't it more important that it sounds good and touch you - that it is actually fine music? - This sounds wonderfull, it is a collection of songs impossibel not to like.
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author: viktor ungerer
What can i say about little Rachel.Little woman with a BIG BIG voice with a good old rockin Blues.I love all her stuff she is F*** hot keep Rocking the blus girl the CD is a Knock out i enjoy all songs on this CD
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author: B. Lee Cooper, Ph.D.
Women rockers are rare. Very few women, Kim Lembo and Kim Lenz being noteworthy exceptions, have attempted to recapture the wit, instrumental authority, rolling rhythms, and vocal frenzy of roots rock. Little Rachel pulls it off on ‘Cause I Feel Good. Listening to her rockin’, boppin’ music menu is like stepping back into a ‘50s audio diner.
Rachel Fenton is the distaff reincarnation of Richard Penniman. Her vocal pyrotechnics on “Ooh, He’s Fine” rival Little Richard’s screams, shrieks, and ecstatic orations. The shuffle rhythm in “I’m What You Need,” the powerful piano pounding and sexy sax solos in “Don’t Jump (Rock the Boat)”, and the haunting howls in “Tough Lover” evoke memories of those wonderful mid-‘50s Specialty Records by Macon’s manicured musical maniac. Little Rachel’s band is talented and tight. It is particularly impressive to encounter so many new songs – “Back to Kansas City,” “Your Baby’s My Baby Now,” and “Spiderwoman Blues” – that echo antique rockabilly and R & B releases.
If Little Richard is Little Rachel’s main vocal influence, Gene Vincent lurks in her band’s tempo. “I Wanna Boogie” salutes dancing, with a be-bop-a-lula guitar swagger. Little Rachel is the real deal. This debut disc begs for a follow-up, with Jerry Lee Lewis, Carl Perkins, and Janis Martin as additional models for another rockin’ revival. Awopbopaloobopalopbamboom!
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Great 50's Rock n' Soul!!!
author: Rockin' Bob Rodkin
If you like early Rock, Soul, or Blues you'll love this cd!
Little Rachel's voice isn't little at all...IT'S HUGE!
Throw in some tremendous 50's rockin' sax and that's all you could ever ask for!!!
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