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Retro Rhythm and Blues with a dash of Soul and some Rock n' Roll
Genre:
Blues: Rhythm & Blues
Release Date:
2009
Albums you will love
Dr. Snout & his Hogs of Rhythm
Supermurgitroid!
Blues: Jump Blues
Little Rachel
'Cause I Feel Good
Rock: 50's Rock
When a Blue Note Turns Red Hot
© Copyright-Goofin' Records
(6419517061574)
Record Label: Goofin' Records
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“It is hard to get any better...The performances – to the bone - have a good, flirty
feeling, but when needed, are also cool or even highly dramatic..."
Pete Hoppula, Blues News Magazine
The appropriately titled record "When A Blue Note Turns Red Hot", is a mixture of
great, classic music styles- from old school Rhythm and Blues or black Rock and
Roll, to a touch of Stax Soul plus Sam Cooke, or even a jazzy Bossa Nova. This is
Little Rachel's third solo record, and the first one with the Hogs of Rhythm. Little
Rachel performed with Timo Tarkela and Harri Saanio of the Hogs at the Green Bay
Rockin 50's Fest in 2005. Soon afterwards, she went to Finland to borrow the entire
band from their regular singer, Dr. Snout (Ari Ahvonen) for several performances. It
was a magical combination from the start, and recording an album together became a
priority. The record was recorded in August of 2008 in Helsinki, Finland, and
released on the Goofin' Records label in May of 2009. It was produced and mixed by
Jyrki Häyrinen- the man behind the Barnshakers' sound. It includes Lester Peabody on
lead guitar, the powerful sax section of Juho Hurskainen and Timo Tarkela, and also
the vocal group, The Relics, on two of the tracks.
The Hogs of Rhythm are virtuosos of old style music- able to play everything from
rock n' roll, to blues, to jazz. They have a true skill and knowledge for how old
style, rockin' rhythm and blues should be played, and they make a powerful union
with the versatile, soulful, rockin' rhythm of the Little Rachel style. She is
little, but she is loud. She sparkles and shines, and her soulful, sexy, sassiness
is complimented by the excitement of the hard-driving, dirty swing that only the
Hogs of Rhythm can provide. There is something for everyone who loves music on this
record. Once you hear the sensational, soulful rhythm and blues of Kansas City and
Helsinki's finest, together- Little Rachel and the Hogs of Rhythm- you will know
just what happens "When A Blue Note Turns Red Hot".
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Kansas City Thrush Soars to New Heights-UK Rock, Issue No 63, Vol. XVI (Jul 1, 2
author: Andrew Smith
It was with a great deal of anticipation that I waited for Little Rachel’s third solo release on Finland’s Goofin’ Record label. The Kansas City songstress has produced some fine material on her first two CDs, and been part of the excellent rockabilly duo, the Casey Sisters, so there was bound to be a feeling of ‘follow that’ when the tracks arrived. No need to worry as the first few bars of ‘Mama was Right Again’, one of nine self penned tracks on the CD, attest.
Displaying her full range both lyrically and vocally, the first three tracks stroll, rock and smooch almost effortlessly one after the next. ‘Go Bully Some Other Gal’ is a cracking up tempo rocker with some expert whammy barring and complementary musicianship from Finnish rockers, the Hogs of Rhythm. In fact it’s the perfect combination, especially when switching from a rocker to a dreamy sound as on ‘My Favourite Dream’ and then to a real foot tapper like ‘O La Violencia’.
Rachel clearly had the Mojo working when she wrote ‘Just Right Man’, which I defy anyone to not enjoy, and the opening bars of the Tillis/Kearny penned ‘Emotions’ immediately put the listener in mind or ‘Volare’. (I Was) Born To Cry’ is a Dion DiMucci composition that benefits from the Little Rachel treatment, complete with classic backing you’ll recognise at first listen. ‘This Lonesome Night’ written by Shane Kiel has a ‘Summertime’ feel about it before another of her own compositions rock it up again. ‘I Don’t Miss You At All’ and ‘It’s Not Me’ are sublime, the latter of which, written by Rachel Decker, conjures up a black and white scene in a smoky blues club in the early 50’s.
Think Wynonie, Wynona and Ruth and check probably the best track on the CD (a first among equals) ‘Every Road Leads Back Home’, a brilliant up tempo ditty in the Bloodshot Eyes/Good Morning Judge style to great effect. If there is a track that stands out as a A grade stroller, it’s Little Man which is 3.45 minutes of R&B indulgence (and I gather a particular favourite of Rachel’s)
If you don’t buy another R&B collection this year, make sure you have this one! It’s outstanding from track one to track fourteen, and is her best release so far. An absolute gem!
When Little Rachel becomes a big star in the States, as she surely must, she's going to have a back catalogue from all over Europe.Oh, and her looks do no harm to her appeal.
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