From poignant to jolly... A Brilliant Debut!
author: George Robinson, the Jewish Week
After hearing this extraordinary album, you'll never tell another viola joke again. Ljova, a.k.a. Lev Zhurbin, a Russian emigre now living in New York City, is a superb player and composer, and this set mostly of originals ranges in emotion and colors across the globe. Multi-tracked alongside accordionist Michael Ward-Bergeman, Ljvoa is a virtuosic violist who can make the instrument do just about anything, and the set runs gracefully from the poignant to the jolly. A Brilliant debut.
Rating: 5 stars
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[Ljova] is an eclectic with an ear for texture...strikingly original and soulful
author: Allan Kozinn, NEW YORK TIMES
LEV ZHURBIN, a Russian-born violist who works under the name Ljova, seems to be everywhere lately. He has arranged music for the Kronos Quartet and for Yo-Yo Ma’s Silk Road Ensemble, composed soundtracks for a handful of films and turned up regularly in New York freelance ensembles.
For this debut CD Mr. Zhurbin, who is 27 and lives in New York, has taken a route increasingly favored by both pop and classical musicians: he recorded the music mostly in his home studio and released it on his own label.
Except for an eerily atmospheric cover of Bjork’s “Army of Me” and an arrangement of a Romanian folk song, the works here are originals. And except for an accordion line in one piece, Mr. Zhurbin does all the playing, multitracking his viola so that throaty melodies are supported by pizzicato rhythms, lush chordal figures and counterpoint.
He is an eclectic, with an ear for texture. In the opening “Central Park in the Dark” (no relation to the Ives work), the viola tone is deep and recorded with enough closely focused grittiness to put its songlike melody line in perspective. Modal blues melodies are heard in several works, both directly (in “Crosstown” and “Breadbasket Blues”) and in odd mixtures (with African folk music in “Plume”). “Bagel on the Malecon” borrows Latin rhythms, and Mr. Zhurbin also touches on country music (in “Coffee & Rum”) and Middle Eastern dance figures (in “Ori’s Fearful Symmetry”).
Still, his best works are more fully in classical styles. “Collage,” for one, uses electronic loops to create a Minimalist texture. And if “Spring Valley Sunset,” an unadorned solo rhapsody recorded in a field, with bird song and other attendant noises, is sonically the least polished track, it is nevertheless the most strikingly original and soulful.
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Rich-voiced viola as multitracked and quick-witted medium...
author: Billboard Magazine
An album of solo viola music doesn't usually grab the spotlight. However, this self-released debut recording from 28-year-old Russian-born Lev Zhurbin (aka Ljova), one of New York's fastest-rising composers and instrumentalists, is something special. Using his rich-voiced viola as his multitracked and quick-witted medium, Ljova weaves together diverse elements from around the world to create surprising, yet organic textures in mostly original material (save Björk's "Army of Me" and a traditional Romanian tune). From the honky-tonk drawl of "Coffee & Rum" to the Cuban son of "Bagel on the Malecon" to the Balkan slides of "Middle Village," Ljova continually delights. —Anastasia Tsioulcas
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Rustic dances and evocative soundscapes, all crafted from the gorgeously grainy
author: Time Out Magazine
The borders separating classical music, folk, jazz and pop grow blurrier every day, rubbed out by intrepid explorers from all points along the musical spectrum. Russian-born violist-composer Lev "Ljova" Zhurbin stakes an especially choice claim on uncharted territory with his solo debut. Employing skills honed alongside Yo-Yo Ma, the Kronos Quartet and Osvaldo Golijov, Ljova mixes rustic dances and evocative soundscapes, all crafted from little more than the gorgeously grainy purr of his fiddle. -- Steve Smith (Time Out Magazine)
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