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Luis Mario Ochoa & Cimarron : Cimarron
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A perfect blend of Afro-Cuban rhythms, strong and passionated vocals and jazzy horn lines.
Genre: Latin: Latin Jazz
Release Date: 2006
Cimarron Record Label: Cuban Music Productions
  • Buy CD - $12.97
Preview Song Name Time Format Price Select
Como Penélope 4:19 Album Only
To Brenda With Love 5:01 Album Only
Lamento Cubano 4:41 Album Only
Days Of Wine And Roses 4:39 Album Only
Afro-Cuban Chant 5:40 Album Only
Alma Con Alma 4:53 Album Only
Mestizos 5:07 Album Only
Old Devil Moon 4:40 Album Only
Bacuranao 5:59 Album Only
Declaración De Amor 4:31 Album Only
preview all songs

Album Notes

Luis Mario Ochoa

Born in Havana, Cuba, Luis Mario's earliest musical influences came from his father Luis Ochoa Sr. singer, guitarist and founding member of "Trio Voces de Oro", one of Cuba's most romantic ensembles.

At the age of 11, Luis Mario began full time music studies at some of Havana's most renowned conservatories. After 13 years of intense studies, he graduated with an honors B.A. in classical guitar from The University of Havana's Institute Superior of Arts.

While most of his extensive learning was in the classical genre, his heart never abandoned his roots in "popular music". A deep passion has always resided with Luis Mario when it came to the North American jazz standard compositions of the 40's and 50's. He revered singers with the musical stature of Ella Fitzgerald, Sarah Vaughan and Nat King Cole; as well as their Cuban counterpart in the Feeling Movement Cesar Portillo and José Antonio Mendez, the Mexican trio Los Tres Ases, and Chilean singer Lucho Gatica; artists reflecting similar styles but in Latin American music.

Luis Mario was also a devoted listener of Quinteto Los Amigos, headed by the great Cuban pianist Frank Emilio Flyn, and the fusion sounds of Irakere, Eumir Deodato, Laurindo Almeida's group and Stevie Wonder.

In discovering the inimitable Celia Cruz, Luis gained a renewed appreciation of the Cuban dance music traditions.

The energy and "sabor" that Celia infused into her
interpretations, together with the exceptional musical arrangements of her accompanying bands, made a lasting impression on him.

Eventually, all these influences converged and shaped Luis' style as a guitarist, vocalist, composer and arranger.

In 1990 Luis Mario arrived in Toronto, Canada embracing the city as his new home. In 1992, he formed his band Cimarrón, (See-mah-rón, meaning "free spirit"), and three years later recorded their first CD A La Cubana. Being one of the first recordings to emerge from Toronto's Latin music scene, the album introduced Canadian audiences to the ensemble's unique sound; tracks from this CD were featured on the TV series Traders.

La Fiesta was released in 2000 to both media and audience acclaim. Tracks from this release have been featured in the US production Brave New Girl, and Bailey's Billions, a Canadian production, as well as in the TV series The Associates.

Apart from his productive composing, performing and recording schedule, Luis teaches a Latin Jazz Ensemble at the renowned Humber College Institute, as well as conducting a Cuban Music Workshop sponsored by World of Music Toronto.

His most recent release "Cimarrón" is a perfect blend of Cuban Jazz-Fusion. The self-titled CD hits the streets January 15th, 2006 which includes an all-stars cast of jazz and Latin jazz musicians from Toronto, as well as three very special guests: Paquito D'Rivera, Guido Basso and Luis' dear father Luis Ochoa Sr.

Cimarrón is a landmark disc for Luis Mario Ochoa, which for the first time presents the considerable talents of this quadruple threat singer/guitarist composer/arranger to a wider audience. It should go a long way to bring his gratifying music to Latin-Jazz lovers all over the world.

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REVIEWS

nice record
author: william pérez
nice salsa and latin jazz cd sabroso cuban music like it has to be
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author: All About Jazz - by Jerry D'Souza
Ten years after he recorded his first album, Luis Mario Ochoa and his band, Cimarrón, join guest musicians to make this self-titled third recording. This marriage of originals, a couple of traditional tunes, and music from his native Cuba are fertilized by the band, and the cross-pollination of styles makes for some fine Cuban jazz. Paquito D’Rivera brings his clarinet along for his bright, snappy composition 'To Brenda With Love'. D’Rivera brings in whirling changes, ideas coming fast and endearingly, even as he keeps the melody in the sphere of his playing. Ochoa's acoustic guitar falls in beautifully, and with the horns and the percussion adding to the fill, this piece comes off on top of the heap. Ochoa is a lyrical guitarist, but perhaps never more so than when he uses the twelve-string guitar, as on 'Days of Wine and Roses'. His enunciation injects vitality into this chestnut, a throb given impetus once again by the horns. Ochoa comes up with a scintillating composition in 'Mestizos', which has a seamless blend of flamenco and son rhythms. He is more supple here, but even in that frame he edges it on for a rousing display and then finds the right cohort in Luis Guerra's solid, full-bodied turn on piano. Both Ochoa and his father, Luis Ochoa Sr., sing. Both come together on 'Alma Con Alma', introduced by Guido Basso on flugelhorn, who floats over the strings. Ochoa Jr. can be a forceful singer, but here he has all the emotion in check and comes up with a resonant and compelling performance.
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author: Bruce Crowther
Attractively played and sung, this set by Luis Mario Ochoa's Cimarrón blends the music of his Cuban homeland with standards from his new home in North America. Resident since 1990 in Canada, Luis plays guitar and sings and is accompanied here by formidable rhythm section players. There are also numerous guest horns, including clarinetist Paquito D'Rivera, trumpeters Guido Basso, Alexis Baró, Luis Deniz, Alex Brown, trombonists Yankar Gonzalez, Russ Little, and saxophonists John Johnson, Jeff King. This is Luis's third CD as leader of Cimarrón and will appeal not only to the band's followers but also to anyone with a liking for relaxed, melodic Cuban styling with a jazz bite.
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Editor´s pick. Highly Recommended.
author: Bruse Polin
Cimarrón: Luis Mario Ochoa & Friends Import CD (Cuban Music Production LMOCD2), Released 2005; Editor's Pick: The second offering from Luis Mario Ochoa is a fresh, uptempo and high caliber Latin jazz release that provides a well conceived format for his fine guitar work. There are tight, well-knit instrumental tracts as well as some with vocals (provided by Mr. Ochoa) like "Lamento Cubano" by Eliseo Grenet and the beautiful Juanito Marquez composition "Alma Con Alma," which also features Ochoa's father, Luis Ocha Sr. on vocal harmony, which is quite moving. Ochoa's mastery is appealing on may levels, one being that he doesn't tend to outshine his fellow musicians, it is obvious that he incorporates his fretwork into the arrangements with great care. And Ochoa, clearly an ardent student of Afro Cuban rhythms, borrows freely from its history, utilizing elements of guajira, guaguancó, bembé, and bolero. I especially liked the Flemenco-son-jazz hybrid "Mestizos," one of the best tracks on Cimarrón. It cooks. Features Paquito D'Rivera and Hilario Duran as guests. Highly Recommended. (BP, 2005-12-26)
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