Established in the late 1930s in Sinaloa, a state in northwestern Mexico, banda music exploded in popularity in the late 1990s throughout Mexico. Its roots come from the overlapping of Mexican music with German polka music. At the time, many German-Americans lived in southern Texas. This greatly influenced northern Mexican music. Immigrants from northern Mexico brought the music to the United States. Initially popular in the southwest United States, primarily in Texas, California and Arizona, banda has followed the movement of Mexican immigrants into, and the Midwest United States and the rest of the country. Other notes on the origin of "Banda" music resembling mid 20th century Jazz: Mexican immigrants whom came in contact with Latin-based Jazz of Chicanos or Mexicans born and raised in southern California adopted Jazz-like sounds in banda to further enrich the music type. Bandas play a wide variety of songs, including rancheras, corridos, cumbias, baladas, and boleros. Bandas are most widely known for their rancheras, but they also play modern pop, rock, and cumbias.
A typical banda is made up of brass, woodwind, and percussion instruments. The most notable instrument is the tambora which is a type of bass drum with a head made from animal hide, with a cymbal on top. Bandas were previously called "tamboras", named after this drum. The tambora is played in a strong and embellished manner, which provides the drive for the rest of the band. The percussion section also includes the tarola which is a snare with timbales which would resemble the tom-toms on a regular drumset, cowbells, and cymbals. Banda el Recodo, the most famous banda, features 3 Trumpets, 4 clarinets, 3 valve trombones or slide trombones, 2 Eb alto horns, and 1 sousaphone. Like an orchestra, a banda can be organized into different sections.
Bass: The lowest-pitched part is played by the sousaphone (referred to as a "tuba" in Mexico), accompanied by the tambora, a large bass drum with a cymbal on top.
Harmony: Two Armonias, "charchetas" or "saxores" in Mexico (Eb alto horns), play chords using different rhythms depending on the style.
Tenor: valve trombones or slide trombones play the lower-pitched part of the melody/arrangement.
Alto: Trumpets play the higher-pitched part of the melody/arrangement.
Soprano: Clarinets and sometimes saxophones play as "singing" instruments that may play with the voice.
Voice: Banda el Recodo and Banda Jerez consists of trios, but many bandas also consist of dual and solo singers.
Most banda arrangements feature 3 part harmony and melodic sections which contrast the timbres of the clarinet, trumpet, and valve trombone sections.
Bandas play many different styles including waltzes, cumbias, polkas, marches, foxtrots, rock ballads, rancheras and sones. Historically bandas were village brass bands called on to entertain the town, and would play anything from opera overtures to big band jazz. This tradition continues today in many towns, especially during festivals and celebrations.
Bandas usually have a strong percussion. The percussionists generally provide the accents and do not usually play all the time or keep a 'groove'. Often the percussionists will enter only when the singer is not singing, such as in an instrumental chorus. The groove is mostly provided by the sousaphone (or bass guitar in a few recordings) playing the bass line, and the alto horns playing sharp upbeats. Typically when a banda plays a cumbia, the alto horn players switch to Latin percussion instruments such as maracas, cowbell, congas, bongos and guiro.
Bandas generally contain between 10 and 20 members. They usually have a lead singer and a second voice, and occasionally a third voice. The voice often consists of a duet, but solo singers and trios are also common.
In the late 80's and throughout the 90's many new bandas were so-called "technobandas" or "electrobandas", in which some or all of the horns were replaced by electric instruments. A typical technobanda will substitute sousaphone with electric bass and the two alto horns with a synthesizer and a guitar. The clarinets were frequently replaced with saxophones also. However the bass part is still played in a style imitating a sousaphone, using a Synthesizer or substituting using a double bass or a bass guitar.
Songs from "Mexican Bandas Festival" have been featured in the following Films and TV Shows:
"El Chino Y El Alacran" featured in "The Shield" (FX), "An American Family" (PBS)
"15 Anos 4 Meses" featured in "Weeds" (Showtime)
"Tragedia de Saguayo" featured in "The Dukes" (Cavu Pictures)
ALBUM CREDITS:
1. Banda Sinaloense Azpericueta, featuring Roberto Diaz- Zopilote o Gavilan - (X.Herrera, ASCAP) 03:39
Arrangerment: Xocoyotzin Herrera
Trumpet, Trombone, Charcheta: Jose M. Azpericueta
Tuba: Daniel Azpericueta
Tarolas, Tambora, Congas, Guiro: Christian G. Azpericueta
Clarinet: Arturo Gallardo
2. Banda Sinaloense Azpericueta, featuring Misael Toribio - Mazatlan - (X.Herrera, ASCAP) 02:29
Arrangerment: Xocoyotzin Herrera
Trumpet, Trombone, Charcheta: Jose M. Azpericueta
Tuba: Daniel Azpericueta
Tarolas, Tambora, Congas, Guiro: Christian G. Azpericueta
Clarinet: Arturo Gallardo
3. Banda Sinaloense Azpericueta, featuring Xocoyotzin Herrera - Tragedia de Saguayo - (X.Herrera, ASCAP) 03:14
Arrangerment: Xocoyotzin Herrera
Trumpet, Trombone, Charcheta: Jose M. Azpericueta
Tuba: Daniel Azpericueta
Tarolas, Tambora, Congas, Guiro: Christian G. Azpericueta
Clarinet: Carlos Montoya
4. Banda Sinaloense Azpericueta, featuring Elio Armas - Las Chaparritas - (X.Herrera, ASCAP) 02:38
Arrangerment: Xocoyotzin Herrera
Trumpet, Trombone, Charcheta: Jose M. Azpericueta
Tuba: Daniel Azpericueta
Tarolas, Tambora, Congas, Guiro: Christian G. Azpericueta
Clarinet: Arturo Gallardo
5. Banda Sinaloense Azpericueta, Ismael Gallegos - Evangelina - (X.Herrera, ASCAP) 03:23
Arrangerment: Xocoyotzin Herrera
Trumpet, Trombone, Charcheta: Jose M. Azpericueta
Tarolas, Tambora: Christian G. Azpericueta
6. Banda Sinaloense Azpericueta, featuring Xocoyotzin Herrera - 15 Anos, 4 Meses - (X.Herrera, ASCAP) 02:02
Arrangerment: Xocoyotzin Herrera
Trumpet, Trombone, Charcheta: Jose M. Azpericueta
Tuba: Daniel Azpericueta
Tarolas, Tambora, Congas, Guiro: Christian G. Azpericueta
Clarinet: Carlos Montoya
7. Banda Sinaloense Azpericueta, featuring Ernesto Molina - Un Vil Despreciado - (X.Herrera, ASCAP) 03:50
Arrangerment: Xocoyotzin Herrera
Trumpet, Trombone, Charcheta: Jose M. Azpericueta
Tuba: Daniel Azpericueta
Tarolas, Tambora, Congas, Guiro: Christian G. Azpericueta
Clarinet: Arturo Gallardo
8. Banda La Estrella, featuring Xocoyotzin Herrera - Güera de Sonora - (D.Indart, X.Herrera, ASCAP) 02:47
Arrangement: Daniel Indart
Vocals: Xocoyotzin Herrera
Banda La Estrella:
Clarinet: Martin Doblasante
Snare Drum: Moreno Cardenas
Trumpet: Jesus Martinez
Charcheta, Tambora, Trombone: Roberto Bertino
Trombone, Tuba: Marino Jesusero
9. Banda La Estrella, featuring Xocoyotzin Herrera - El Chino Y El Alacrán - (X.Herrera, ASCAP) 03:44
Arrangement: Xocoyotzin Herrera
Clarinet: Javier Navarrete
Snare Drum: Mario Siordia
Trumpet: Jose L. Castellanos
Charcheta, Tambora, Trombone: Rafael Raygoza
Trombone, Tuba: Hernan Rios
10. Banda Sinaloense Azpericueta, featuring Ismael Gallegos - El Tarracataca - (X.Herrera, ASCAP) 01:49
Arrangerment: Xocoyotzin Herrera
Trumpet, Trombone, Charcheta: Jose M. Azpericueta
Tuba: Daniel Azpericueta
Tarolas, Tambora, Congas, Guiro: Christian G. Azpericueta
Clarinet: Carlos Monto
11. Banda Sinaloense Azpericueta, featuring Xocoyotzin Herrera - Vámonos Pa’ San Andres - (X.Herrera, ASCAP) 02:23
Arrangerment: Xocoyotzin Herrera
Trumpet, Trombone, Charcheta: Jose M. Azpericueta
Tarolas, Tambora: Christian G. Azpericueta
12. Banda La Estrella, featuring Xocoyotzin Herrera - Toro Cimarrón - (D.Indart, X.Herrera, ASCAP) 01:35
Arrangement: Daniel Indart
Vocals: Xocoyotzin Herrera
Banda La Estrella:
Clarinet: Martin Doblasante
Snare Drum: Moreno Cardenas
Trumpet: Jesus Martinez
Charcheta, Tambora, Trombone: Roberto Bertino
Trombone, Tuba: Mariano Jesusero
Produced by Daniel Indart
Executive Producer: Sara Traina
Engineered and Mixed by Daniel Indart and Danny Osuna
Except “Evangelina” and “Vámonos Pa’ San Andres”, engineered at Batuta Studios, Montclair, California,
mixed at Indart Ranch Studios, Tarzana, California
Cover Art by Aristides Hernandez “Ares”. Graphics by Hector Cortez.
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File Under: World/Latin
P & c 2008 LMS Records.
All rights reserved. Unauthorized duplication is a violation of applicable laws.
For lyrics, bios, and photos of the artists please refer to our web site: www.lmsrecords.com
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