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Loch Lomond : When We Were Mountains
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Sweeping melodies brushed by atmospheric, mountain-esque rumblings of quiet, quaint rock, coupled with a straight-ahead sense burried underneath the ashes of the layered, but still light compositions.
Genre: Pop: Quirky
Release Date: 2004
When We Were Mountains Record Label: In Music We Trust Records
  • Download Album (MP3) - $9.99
  • Buy CD - $12.00
Preview Song Name Time Format Price Select
Stripe 4:19 $0.99
The Mountain 4:55 $0.99
Sir Edmund 5:33 $0.99
Canadian Shield 3:31 $0.99
Whatafall 3:22 $0.99
Sourire 2:47 $0.99
He's Never Seen the Ocean 5:03 $0.99
Del Fuego 3:38 $0.99
Salt the Air 5:05 $0.99
The Year of Our Lord 6:54 $0.99

Album Notes

Something I instantly understand but don\'t know why; a touched nerve deep behind rationality _ genetic memory perhaps. I totally get it, but why?

Loch Lomond\'s Old World themes shine through the modern settings, like a weird foreign coin in the collection plate. But these cryptic descriptions are all a lot of crap.
   
Loch Lomond is a three-piece, sometimes sextet, riddled with strings, samples and beaming lyrical imagery. Put your trust in singer Ritchie Young and he\'ll guide you through all sorts of wonders and horrors, tugging loose lost memories, shaking them in the wind. Guitars and violins, cellos and tambourines, wonderful accordions, concertinas, Ritchie\'s bald-faced lyrics, somewhere in my head all this, now shamelessly invoked, the whole of it. And Kate and Rob, like the heart of a storm, he with his metronomic clacks and she like some rain goddess gushing down wind and water ...
   
All hail Portlandia!

Loch Lomond is:
Ritchie S. Young: vocals, guitars, mandolin
Kate O\'Brien: violin, cello, vocals
Rob Oberdorfer: Drums, percussions, samples

with guest appearances/help by:
Jay Clarke: keys, accordions, bass
Katie Schnepp: viola


-----------------


OLD BIO:

Little did Ritchie Young know that when he went to record some quick demos with his friend Rob Oberdorfer (The Standard) that he was beginning a year-long collaborative process which would end with a full length record for Loch Lomond and with him as the newest member of The Standard. \"When We Were Mountains\" is a document of that process.

Through the recording of Ritchie\'s sweeping melodies and arcane musical vision, Rob O. quickly moved out from behind the mixing board to play and write along with Ritchie. Tim Putnam (singer for The Standard) also took a keen interest in the project from an early stage, contributing to many of the tracks musically and otherwise. Kate O\'Brien (Iretsu), Ultimate Frisbee player and violinist extraordinaire, was also drawn into the fold when she came to play on one song and ended up as a large part of the sonic landscape of the whole album. Other friends and cohorts were brought into the project whether it was laying down tracks to translations or sampling off of their four-track demos. The list includes Jay Clarke (The Standard), Brian Gumpert (Hurt Bird), Ryan Cross (Iretsu), Tim Roth and Ashley Carson (both of Dignen).

Each song on \"When We Were Mountains\" evolved in it\'s own unique way through unorthodox production techniques and an ever-changing assortment of instruments. Several of the songs were built from the sonic scraps of older ones where parts were removed from their original context to create something entirely different. Ritchie and Rob crafted this postmodern patchwork into a sound all their own, held together by the unique melodic and lyrical vision which flows through the tracks.

In a town with a music scene as close-knit as Portland it is hard to keep anything secret for long and rough demos quickly began circulating around. The band had three shows booked before they had a lineup to play live. Over the next several months Ritchie, Rob, Kate, and Ryan, with the aid of samplers and an array of instruments, brought the album to life and made Loch Lomond into a live band. Currently, Ritchie and Rob are living in New York working on the new Standard record. Ryan and Kate remain in Portland with their band, Iretsu.

Label Contact:

alex@inmusicwetrust.com / http://www.inmusicwetrust.com

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REVIEWS

Like late radiohead but with tunes
author: Doctormick
Eerie, ethereal, strangely angular in places and yet surprisingly mellow. I really liked this album, it called to mind the late great radiohead’s latter work but with added tunes and melodies. Very beautiful.
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Candy for the worn tired ears
author: Ryan Setz
My girlfriend and I listen to this record again and again, it's haunting. The production is beautiful. It sounds so full and interesting but not Pro-Tooled out like oh so many. Relax yourself and put head phones on and listen to the entire thing and thank me later!
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Creepy
author: Amanda
First of all I can't say enough about Stripe, the first song on the record, it freaks me out! I love that song. I saw the band do it live, needs a little TLC on the live show but still great! You must give these cats a listen! Amanda
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author: CD Baby
Like a song for the huddled part inside us, a eulogy for the dreams of yesteryear, a sonic mist that hangs over the bogs of the heart, these quaint but expansive, intimate but distant and atmospheric pop songs strain through the songwriting, like determination straining against hopelessness. With a mixture of depressive emo meeting an insistent echo of angry self-preservation, these landscaped songs seem to commit to all emotion and yet no emotion at the same time. A harmonic walk between light and shadows. Death Cab for Cutie fans.. don't forget to come up for air.
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