Back To Artist
Little Sammy Davis And Midnight Slim : Ten Years And Forty Days
Log in to add to your wishlist
The best blues band around.
Genre: Blues: Rhythm & Blues
Release Date: 2008
Ten Years And Forty Days Record Label: Fat Fritz Records
  • Download Album (MP3) - $15.97
  • Buy CD - $15.97
Preview Song Name Time Format Price Select
Fine Looking Woman 4:12 $0.99
Done Got Over 3:23 $0.99
Since You Been Gone 3:53 $0.99
I'm Going 3:47 $0.99
Hear My Train Coming 5:10 $0.99
Forty Days and Forty Nights 3:26 $0.99
Saturday Night Fish Fry 6:29 $0.99
Early in the Morning 5:11 $0.99
Fat Rat 3:46 $0.99
The Claw 9:57 $0.99
Sentenced to the Sewer 4:56 $0.99
She's Not Another Woman 2:29 $0.99
preview all songs

Album Notes

Rolling Stone:
"Why have we never heard of this guy?"


Chicago Tribune:
"Davis’ singing and harp playing can send chills down your spine."


Rhythm & News:
"It’s not a exaggeration to say that he was the highlight of the show for most of the crowd, and I think a lot of people felt the excitement of discovering something really special that not everyone knows about yet. His playing was enough like Little Walter’s to impress even the staunchest harp fan with his feel for Walter’s tone and nuance, but different enough to let you know that Sam is his own man."


Blues Magazine:
"Davis as singer and harp player has the charm of Williamson. He plays with authority and variety, no doubt learned over years of sitting in with others, yet Davis has a to-date sound."

Read more...

REVIEWS

A blues-lover’s treat!
author: Przemek Draheim, Polish blues radio DJ, www.blues.pl/draheim
I first heard Little Sammy on a new Mannish Boys record and was blown away with his honesty and deep blues feel. This is why I wanted to check out his own record. The album is a joy to listen to. Sammy is the old school blues guy, I can hear the blues is something he was brought up with, he sounds so real. His voice is so emotional. Rough, yes, but this is a voice of a person who went through a lot in his life. His harp playing is just as down-home as his singing, the old style of playing that you don’t hear much these days. When he sings and plays those low down blues like “Hear My Train Coming” or “Forty Days And Forty Nights” this is just pure blues, non nonsense. When he goes into those semi-a-capella numbers like “Fat Rat” or “She’s Not Another Woman” I feel like I am down in the Delta, in a juke joint holding a cold bear and dancing with a warm woman. And when he starts singing deep soul, like in “Since You Been Gone” I just close my eyes and sway. Together with a tight band behind his back, very good song selection and classy production Little Sammy’s album is a blues-lover’s treat.
Read more...
truly good
author: lucio sodano
truly goooooood
Read more...