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Ashley MacIsaac : Fine, Thank You Very Much
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A return to traditional Celtic, fiddle music.
Genre: World: Celtic
Release Date: 1996
Fine, Thank You Very Much Record Label: Linus Entertainment
  • Buy CD - $12.97
Preview Song Name Time Format Price Select
Rosebud Of Allenvale, The / Miller Of Drone, The / Dusky Meadow 8:01 Album Only
Braes Of Elchies, The / Miss Anderson / New Yorr, The / Rothiemu 5:40 Album Only
Moonlight, The / Hennessey's Hornpipe / Gin I Had A Bonnie Lass 3:41 Album Only
Traditional Strathspey / New Bedford Reel / Pretty Peggy 2:05 Album Only
Wilfred's Fiddle / Harbourview, The 2:05 Album Only
Athole Cummers / Flora MacDonald / Prince Charlie 3:03 Album Only
Lord Rothes / Traditional Strathspey / Braes Of Tullymet, The / 10:29 Album Only
King George IV / King George IV / Old King's Reel, The / King's 3:16 Album Only
Tam Bain's Lum / Ladie's Hornpipe, The 2:54 Album Only
Space Available / Buddy MacMaster / Joys Of Mabou Mines, The / ' 5:41 Album Only
Traditional Jig / Traditional Reel 1:51 Album Only
Allowa Kirk / Traditional Strathspey / Princess Royal / Douglas' 4:18 Album Only
Jerry's Beaver Hat / Catherine MacIsaac Wedding Day / Long Point 4:47 Album Only
preview all songs

Album Notes

Ashley MacIsaac is known as the bad-boy of World Music. This Nova Scotian found international acclaim in folk and roots music circles playing the fiddle in the working-class, pub-stomp Cape Breton way: fast, furious and with phenomenal precision. He is one of the top Celtic influenced Roots artists in North America of all time – right up there with Loreena McKennitt and The Chieftains, selling more than 500,000 albums, headlining festivals, and gracing the cover of Folk Roots magazine last year. Ashley describes his new sound as ‘a harder, edgier Rufus Wainright’.

From MSN.com:

"Collective eyebrows were raised with the release of 1995's Hi How Are You Today? and its subsequent tour. And in the wake of that album, fans and critics alike awaited the 1998 arrival of the follow-up Fine Thank You Very Much with eager anticipation and wariness, respectively. Although it clearly states "a traditional album" on the cover, suspicions weren't fully... More quelled until an actual listen took place. After all, MacIsaac could be pulling a fast one. Well, he did and he didn't. Yes, this is a traditional recording that few expected, and no, he didn't engage in false advertising, despite some who felt duped by his change of direction from traditional fiddler on his debut, Close to the Floor, to alternative rocker on Fine Thank You Very Much. This album begins with the three-minute slow air "The Rosebud of Allenville," but after that, MacIsaac shows no signs of slowing down. It's midtempo to uptempo jigs, reels, hornpipes, and strathspeys for the remaining 50-plus minutes. With the exception of John Allan Cameron's aggressive acoustic guitar on "Athole Cummers," this record is all MacIsaac. In addition to his exemplary fiddle playing, he accompanies himself on piano in the unique and oft-alluded-to Cape Breton style. For those expecting more thumbing of the nose by MacIsaac, it should be noted that his eccentricities wouldn't have received nearly the attention they did if he hadn't first established himself as an excellent fiddle..."

Other Ashley MacIsaac albums on CDBaby:

Hi, How Are You Today?
A Cape Breton Christmas
Live at the Savoy
Pride

Featured in: James Devine's Tapeire - Music From The Show

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