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Milton : Grand Hotel
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Milton, the NYC singer-songwriter, returns with his new release "Grand Hotel". Recorded in Minneapolis with producer Bo Ramsey (Lucinda Williams, Iris Dement, Greg Brown) and engineer Tom Tucker (Prince, Mavis Staples).
Genre: Folk: Folk-Rock
Release Date: 2008
Grand Hotel Record Label: Maggadee Records
  • Buy CD - $11.97
Preview Song Name Time Format Price Select
Night Driving 3:51 Album Only
Grand Hotel 3:21 Album Only
Everybody Loves You 3:19 Album Only
Sarah Jane 3:40 Album Only
A Whole Lotta Pain 2:36 Album Only
Stars 3:14 Album Only
Pretty Face 3:20 Album Only
All the Time 2:59 Album Only
Ino the Blue 4:34 Album Only
Pale Moonlight 2:43 Album Only
Nothing But a Man 3:17 Album Only
Booker 3:33 Album Only
preview all songs

Album Notes

Milton, the NYC singer-songwriter with the distinctive voice and one-name moniker, releases his best work to date, Grand Hotel, the album he and his band recorded with Grammy-nominated producer Bo Ramsey (Lucinda Williams, Iris Dement, Greg Brown) and engineer Tom Tucker (Prince, Lucinda Williams, Mavis Staples). Each track a diamond, Grand Hotel includes some of the songs that crowds have come to know and sing along to in sold-out shows at NYC venues like Joe's Pub and The Living Room. Among these are the album's title track, as well as the swinging, radio-ready "Everybody Loves You"and the lilting "Pretty Face." Other highlights include the bluesy "A Whole Lotta Pain"and the reflective "Night Driving."

Grand Hotel offers timeless music which hovers in a distinctively NYC intersection of blues, pop, folk-rock and country. "There's a lot of country in the sound of this record" , admits Milton. "My grandmother's brother was a folk singer. He even cut 78's in the 1940's. He used to play old folk songs on guitar at family parties. His son would play banjo and we'd all sing along." Drawing inspiration from a deep well of rural American roots music, Milton explains, "My favorite singers are blues singers and old R&B guys. As a kid, my dad took us to see Doc and Merle Watson. He loved bluegrass." As for how an urbane musician writes such soulful songs, Milton offers, "I never make any rules when I write, I just follow whatever I'm writing to its end. All of my favorite American songwriters drew from all the different root forms we have in this country. I write all of my songs in my head and then find them on a guitar or keyboard in front of my little computer in my tiny Manhattan apartment and I send Garage Band demos to the band to learn."

While he has been compared to many of his heroes; Van Morrison, Nick Lowe, The Band. Milton has distinguished himself with a unique voice and a compelling mix of grit and grammar. Milton has been aptly described as a writer's writer; he's capable of elegantly simple narratives about the complex wonders of life in the city and in the world. Milton's striking lyrics are as intelligent as they are soulful, and come from a keen, compassionate, and witty observation of our current moment.

"In recent year I was heavily into Nick Lowe's ballady records and Lucinda Williams' 1990's to present stuff,"explains Milton. "I contacted Bo Ramsey for this record because I had been blown away by the sound of the rhythm section and the vocals on Lucinda Williams' Essence record, which he produced. We got together and Bo hired the same engineer that mixed Essence, a genius of a mild-mannered guy named Tom Tucker in Minneapolis.

As he has with such landmark recordings as Lucinda Williams' Essence, Ramsey brought to Milton's Grand Hotel a simplicity and tasteful economy that make space for the songs of an exceptional writer who is heavy on craft without being heavy-handed. The three men's shared penchant for literate pop songs unmistakably rooted in American rhythm and blues resulted in a transcendent musical collaboration.

Milton's musical journey began in the suburbs of New York City, where he was the youngest of many music-playing brothers. His family had a long history of making music: grandma was a classical pianist and music teacher, her brother was the aforementioned folk singer; there was a bluegrass-banjo-picking cousin; a jazz-piano-playing uncle; another cousin who met her husband in the French horn section of a pit orchestra. And in close proximity were Milton's older brothers, making records and playing punk rock in NYC clubs by the time they were in high school.

As a teenager, Milton fled to the city whenever possible to meet as many strange characters and hear as many kinds of music as he could. Way gone on Bob Dylan, old R&B and the classics of Western literature, Milton began in earnest his own struggle to compose the well-made song. He taught himself to play guitar, and performed his fledgling compositions on any stage that would have him. After college in New York City and some time in South America, Milton set up shop in Chicago and played coffee houses and clubs all over the south and the heartland.

Spotted singing at a showcase in Jacksonville, FL, Milton was approached by Moon Caravan Records, an indie label in Raleigh, NC. Soon after, he recorded his 2003 debut ‘Scenes from the Interior' at Jerry Kee's famed Duck Kee Studio in rural North Carolina. Milton first came to the attention of a wide audience when the exuberant track "In The City,"became a college radio hit.

The self-titled follow-up CD, released in 2006 on Flying Horse Records, was recorded in New York City, North Carolina and at the storied Bearsville Studios in Woodstock, NY. The band's grassroots following continued to grow steadily after the release of Milton's eponymous second album delivered the gem "Her Place Uptown,"which received regular airplay, including influential radio stations WFUV and KCRW.

A sextet whose member's resumes run the gamut from rock and jazz, The Milton Band features global bandmembers hailing from England, Argentina, Spain and Pensacola, Florida, forming a musical alchemy united over a mutual love for rural American music, New Orleans R&B, bluegrass, and other authentic American music.

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REVIEWS

author: Peters at CD Baby
Milton plays honest-to-goodness Americana that reflects the earthy influence of Wilco, The Band, and Van Morrison. It's damn good Americana done right, with occasional flourishes of New Orleans piano, some bluegrass mandolin, and Willie Nelson's poignant vocal pacing. Milton is the moniker of the singer/songwriter, but includes a highly capable backing band who clearly know their craft. Produced by the Grammy-nominated Bo Ramsey (Lucinda Williams, Iris Dement, Greg Brown) and engineer Tom Tucker (Prince, Lucinda Williams, Mavis Staples), this is a great sounding collection of songs about love, loss, and life lessons. One of the biggest attractions of the album, though, is Milton's unique singing voice, which is a bit like a smokier, more world-worn Van Morrison. When combined with the band, it's a captivating sound that both rewards the listener and leaves you wanting more, in the best way.
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