"...working well outside classic EM boundaries where electric bass guitars and electric baritone guitars speak their minds as expressively as their electronic counterparts. “Terminal Unfolding” features synths folded and creased into the oft-menacing architecture fomented by A. Jones and R. Shapton’s string-driven thingies, signatures recognizable but harried on by the pulsing circuitries surrounding them. “A Fragile Truce” commences with some tentative synth sprinkles from Peck, but the guitarists’ quick response, teasing electricity, plangent chords shapeshifting and intensifying the atmosphere, reveals an industrial-strength stew of a stripe seldom devised by post-Berlin School alum. Vivid and cinematic, with a sense of reckless endangerment situating the music right at the abyssal edge."

"Here's an album that lives up to its title. Managing to be both sharply beautiful and darkly sinister, this collage of ambient, experimental metal is challenging in all the right ways. The incorporation of electronic sounds into a surreal semi-metal environment is nothing new, but these guys take it a step further, slipping in theremin vibes and strange programming and sampling elements that peel the skin back even further. Considering that there are six musicians involved in the playing, it's slightly surprising to hear a resulting sound that ethereal but complete, full but not too busy. You could call this ambient noise, but I'm not sure if that's giving it enough credit. This is an album you can listen to with headphones on and catch a ton of subtleties that you may have missed through your standard sound system. Fans of Mr. Bungle, John Zorn, and abstract experimental music will have no trouble diving headfirst into this one."