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Makar : 99 Cent Dreams
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Acoustic Guitar and Piano driven Indie Rock that will make Punk and Poet rejoice and dance together..
Genre: Rock: Acoustic
Release Date: 2005
99 Cent Dreams Record Label: Makar
  • Download Album (MP3) - $9.99
  • Buy CD - $9.99
SPECIAL: 30% discount if you buy more than one copy of it today!
Preview Song Name Time Format Price Select
I Hate My Job 3:39 $0.99
The Country Song 2:36 $0.99
What Can I Tell You 1:49 $0.99
The Monkey 4:42 $0.99
Alligator Agents 4:02 $0.99
Another Day 3:14 $0.99
Damion Day 2:53 $0.99
All I Know 2:20 $0.99
Honey-Colored Time 3:26 $0.99
99 Cent Dreams 2:31 $0.99
After Autumn 3:56 $0.99
Erase Face 2:45 $0.99
Soonest Mended 2:33 $0.99
Show Me The Real World 3:12 $0.99
No Shot Was Fired 1:22 $0.99
Lost Voices 3:19 $0.99
I Don't Know God 3:08 $0.99
Andrea 2:46 $0.99
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Album Notes

Makar (Mah-Kar) is a 15th century Scottish term meaning Poet and also a dark and groovy little New York band. An acoustic guitar and piano driven indie-rock band that makes Punk and Poet rejoice and dance together.

Makar began with Mark looking for a band to join as a singer and finding nothing appealing, so Andrea said "why don't you write your own songs?" So he did! But Andrea kept butting in and adding her 2 cents, so Mark said, "why don't you write a song?" So she did. And that's where it all began!

Makar consists of Andrea DeAngelis, co-singer/songwriter/guitarist from New Jersey, Mark Purnell, co-singer/songwriter/pianist from New York, Mark Nilges, bassist from Chicago and Dawn McGrath, drummer from New York.

Beginning in 2002-03, Makar played their first, nail-biting, exciting NY gigs at places like Luna Lounge, CBGBs gallery, Knitting Factory and Pianos and began recording their 18-song debut album, 99 Cent Dreams, on July 14, 2002 at Multiway Studios in Williamsburg, Brooklyn.

In 2005 the debut album, 99 Cent Dreams, arrived and Makar went to work promoting the hell out of it! Our songs got played all over the world on indie and internet radio stations. We received many wonderful and heartfelt reviews from fans and critics alike, had thousands of downloads, sold many physical as well as digital copies. We even did a TV appearance or two!! Our first music video for the song "I Hate My Job" directed by Brian Shulz got played on MTV2 and won honorable mention on Mendham NJ cable tv. We made many incredible fans and played many a great show, even got signed to a non-exclusive deal with a little indie label named Sizzleteen Records! And that's only the beginning kids!!

Makar begins work on their 2nd album, Funeral Genius, this August 2008 at the Seaside Lounge in Park Slope, Brooklyn and plans to put a rock 'n roll smile on your face while shaking your hips and minds awake. No more living thick and slow my friends! As Jim Morrison used to say “wake up!” There’s a revolution on the internet and in indie music, so come with Makar on its magical musical journey!

99 Cent Dreams is available on cdbaby.com and itunes.com.

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REVIEWS

boy-girl piano/guitar avant-garde sing along music
author: Dan Herman
A superb, balanced palette of drums, guitar and high crooning voices. A completely satisfying album with no real start or endpoint to it, nor concept. File it next to Velvet Underground's "Loaded" for sheer pop loveliness from your curators, Mark and Andrea. Singles include "I Hate My Job" (a rousing rant against the corporates), "Damion Day" (the requisite piano-guitar rave up, a crowd favorite). It's hard not to like the strong piano sound from Mark on "All I Know". "Honey Colored Time" has the most crossover potential...a song against the man.....but under what flag? Shimmer, slowness, even salaciousiness, so much to love about this rock quartet.
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musical genius worth telling people about
author: Monk from IndependentsOnly.com
New York's Makar finds a delicate way to mix their influences into something all their own defying comparison to anyone. Maybe it's the shared vocals of Andrea DeAngelis and Mark Purnell that stand out inside of each song. Maybe it's the small things that really start standing out the more I listen to the disc… the piano lightly chugging like it were in a Mississippi juke joint? Is it the guitars resembling the psychedelic sixties or the post punk clang heard in the eighties? Whatever it is that I'm hearing, makes Makar a musical genius worth telling people about. So pile into the van, make it fast and throw on this disc! Monk's Picks - I Hate My Job, Show Me the Real World, Honey-Colored Time
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Upbeat acoustic rock!!!
author: Tom Kelly, USA
This album is truly a find! All 18 songs are very listennable and well crafted. Today they turn out albums with one good song if your lucky and the rest is album filler. You get the sense that every song counts here. Well done!
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Do You Like American Music?
author: Kontakte23
Makar's music is a quintessentially American sound, evoking the particular blend of optimism and melancholy that is an authentic response to living, creating, and playing in the fractured cultural and musical milieu that yields a New Jersey/New York band in the early millenium. This is apparently their first album, recorded as studio opportunities became available, and the result is a fine, fine listen, a thoroughly charming collection of songs that will indeed grow on you. That this is a debut effort and home-recorded should not dissuade anyone from checking it out -- the material is varied and developed, and the recording is warm and rich. There is a simplicity to the arrangements but a deceptive simplicity to the music -- many times Makar's songs build upon basic chord patterns and extend melodic ideas in unexpected directions. In some of the standout tracks -- "Another Day", "All I Know", "After Autumn", "Erase Face" -- one can hear a sophisticated band that has digested the pop music of earlier eras and produced their own unique synthesis of melody, urbanity, and pastoralism. The music is not without its precursors and sonic touchstones, and this leads me to an interesting (well, to me, anyway) sociological observation. There is a married couple at the core of this band, a couple who are comfortable enough with each other to subject their relationship to the additional dynamic of playing in a band together. Thinking on other pop/rock bands where this is also the case, there is some definite musical affinity with other groups that incorporate couples, a lived-in seemingly imperturbable warmth. Fans of Ida, Low, Yo La Tengo, and X may very well hear what I mean, and, by extension, I believe would like this record. I certainly do, and I recommend it heartily.
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