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Marc Barnhill : Blue Time
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Lyrical singer-songwriter introspection, "a tuneful blend of acoustic folk and bouncy pop with atmospheric arrangements."
Genre: Pop: Folky Pop
Release Date: 2008
Blue Time
Marc Barnhill
Record Label: New Fallen Music
  • Download Album (MP3) - $7.99
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SPECIAL: 20% discount if you buy more than one copy of it today!
Preview Song Name Time Format Price Select
Against the Sunshine 5:22 $0.79
Brother of Mine (Till Only Animals Remain) 4:43 $0.79
Summer Fell 3:38 $0.79
Smoke and Rattles 3:38 $0.79
Already on My Way 6:08 $0.79
Shawl 2:40 $0.79
Secret Joy 3:28 $0.79
Exactly What I Would Say 4:41 $0.79
Wayfarer of the Brine 4:49 $0.79
Turning Your Back on Today 5:29 $0.79
All in My Own Good Time 5:07 $0.79
Tragedy in Coney Island 5:04 $0.79
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Album Notes

Born in Brooklyn, New York, and growing up "between the Boardwalk and the Verrazano Bridge," Marc Barnhill counted such literate singer-songwriters as James Taylor, Joni Mitchell, Bob Dylan, Paul Simon, David Wilcox, Tracy Chapman, Indigo Girls, Nick Drake, and Jules Shear among his major influences. He wrote both songs and poetry, collaborating with brother Scott on a collection of guitar tracks called Cloudy Skies, and was involved with such music projects as Fall Out, Ontology, Cabin Boy Smith, and Urbal T. A number of early solo songs were recorded as the sparsely acoustic Chasing After demos.

Marc approached songwriting with literary care, crafting songs densely packed with evocative language, intelligent introspection, internal rhyme, and surprising imagery. His debut solo album, Blue Time, interspersed uptempo gems like "Brother of Mine," "Smoke and Rattles," and "Tragedy in Coney Island" among contemplative ballads like "Already on My Way," "Wayfarer of the Brine," and "All in My Own Good Time." The CD was heralded as "an unusual and special collection" of "smart, emotional songs," and Marc was described as "one of the very best lyricists and songwriters around" (see PRESS). Several tracks from the CD became crowd favorites at Greenwich Village and Upper East and West Side cafes and remained staples of Marc's performances even as he continued to debut popular new material like the much-requested "Women of Sand."

Marc has frequently participated in the New York Singer-Songwriter Sessions, been chosen as a featured artist by Alloy Radio, performed at numerous venues (including CBGB, The Bitter End, Caffe Vivaldi/The Listening Room, DT-UT, The Psychic Cafe, The Underground Lounge, The Creek and the Cave, The Four-Faced Liar, and The Baggot Inn), and been accompanied onstage by such artists as Jeff Jacobson and Casey Shea of The Undisputed Heavyweights, Paul Alexander, Ed Purchla, Scotts Roger, Jon Berger, Joey Figgiani, Scott Barnhill, banjoist Debe Dalton, and violinist Catherine Boyd.

A second collection of songs, Circles of Surprise, is scheduled to be released in 2008. Marc currently lives in Astoria with his wife, Emily, and his daughter, Liana.

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REVIEWS

...sheer craft...
author: Sean Hathaway
This wonderful CD gives an inkling of what so many lucky New Yorkers already know. Something interesting happens when Marc Barnhill performs at a cafe: people actually listen. For sheer craft, Barnhill is simply one of the very best lyricists and songwriters around. You hear the carefully chosen language and images that fill his songs, and you realize that he means every word. But hold them at arm's length: they'll tear you apart if you let them. Then again, let them; you didn't know it, but that's why you came.
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...Beck jams with the Allman Brothers at Billy Joel's house...
author: Stephen Craig
Barnhill is pegged as a folk artist, and certainly his lyrics have the crowded soul-searching you'd expect from the postmodern singer/songwriter school. But if Blue Time's words evoke a bygone literacy, the music also conjures up the past, which is appropriate for an album largely dedicated to exorcising childhood ghosts. The retro/lo-fi combination of disparate elements somehow conjures up that "attic corner" rummaging that unifies the songs collected here, and we're treated to a pared-down, muddy watercolor melange of slo-core, seventies folk, eighties pop, noodling pianos and southern rock. It isn't so much like any of those genres as like the distorted memory of them, and the result is wistful and eerie enough to work. If ever Beck jams with the Allman Brothers at Billy Joel's house, they'll probably produce something that sounds like what's on this record. Let's just hope they get Barnhill to write the lyrics.
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...captivating songs with intensely personal lyrics...
author: Jeff Jacobson
Marc writes captivating songs with intensely personal lyrics. Check out his CD "Blue Time" - Great songs and real creative production. (Is that a sitar on the first track? Nope...)
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An unusual and special collection of songs.
author: Angela Serpico
An unusual and special collection of songs. The production is spare, with a range of styles. The opening song has a slow swirling quality, "Brother of Mine" suggests the Indigo Girls, "Shawl" is a bass-and-drums track reminiscent of Cake, and "Tragedy In Coney Island" sounds like jumpy island music; other songs vary between gentle ballads and catchy pop. Even so, Barnhill has a definite "sound" that is hard to describe, and his voice is all the more sincere and affecting for its lack of professional polish. The themes here include facing the future (or failing to), mending broken relationships (or failing to), family, fears, regrets -- and hope. A woman loses herself at college. Siblings rekindle (literally) their lost friendship and confront their past. A child deals with divorcing parents. And the language is great. Some of it's funny and much of it is sad, and all of it is almost painfully direct; there's no wasted space on this album.
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