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Marta Gomez : El corazon y el sombrero
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Marta Gomez delights us once more with a work full of poetry, this time written by great Spanish poet Federico Garcia Lorca dressed in the folkloric rhythms of South America.
Genre: World: Folklore
Release Date: 2011
El corazon y el sombrero
Marta Gomez
Record Label: Aluna
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  • Download Album (MP3) - $9.99

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Preview Song Name Time Buy
1. Es verdad 2:45 + MP3 $0.99
2. Cancioncilla del primer deseo 3:25 + MP3 $0.99
3. cancion de cuna a mercedes, muerta 2:19 + MP3 $0.99
4. gacela del amor desesperado 1:30 + MP3 $0.99
5. tierra, tan solo (feat. Claudio Ragazzi) 4:07 + MP3 $0.99
6. casida de las palomas oscuras 2:19 + MP3 $0.99
7. murio al amanecer (feat. Juan Andres Ospina) 3:46 + MP3 $0.99
8. la solea 2:39 + MP3 $0.99
9. y despues (feat. Juan Andres Ospina) 2:41 + MP3 $0.99
10. arbole, arbole 2:21 + MP3 $0.99
11. por tu amor me duele el aire (feat. Javier Ruibal) 4:51 + MP3 $0.99
12. cancion de la muerte pequena 2:03 + MP3 $0.99
13. cancion del naranjo seco (feat. Juan Andres Ospina) 3:35 + MP3 $0.99
14. granada 4:03 + MP3 $0.99
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Album Notes

Graduated Magna Cum Laude from the Berklee College of Music, after receiving the Best Achievement Scholarship, Marta Gómez has developed an extensive music career which has placed her as one of the most interesting singer songwriters on the world music scene today.
Marta and her group perform a repertoire of original compositions based on a vast amount of rhythms from Latin America. On her songs, Marta mixes the joy of the Caribbean with the nostalgia of the Andes adding jazz and pop elements, taking the authenticity of South American indigenous folk music into a new realm.

With more than 70 composed songs, This young singer-songwriter not only traverses a whole range of Colombian cumbias and bambucos, Argentine zambas, chilean cuecas Bolivian carnavalitos and Peruvian festejos but she also writes the kind of melodies and refrains that translates across any language barrier. That may be the reason that lead Marta to share the stage with musicians of different genres such as Bonnie Raitt , John Mayer, Totó la Momposina and Mercedes Sosa.
Marta was also chosen to record Kris Kristofferson’s “The Circle” on a tribute to this great American icon. Marta “lifted that song up to when it’s supposed to be, to where it belongs” According to Kristofferson’s own words. American writer John Sandford made a reference to that version of "the circle" on his novel "Dark of the moon" (2007).

In March 2003, Marta’s song "Paula Ausente" based on the book "Paula" by Isabel Allende, won the The SIBL Project International songwriting contest as the best song inspired by a South American book. The song was included on a CD among others by artists such as Tom Waits and David Bowie."Paula Ausente" was also included on the Putumayo Compilation "Women of the world: Acustic"(2007) and included on the soundtrack of the HBO Latin America’s series “Capadocia”. Her song “La Ronda” was also included on the Putumayo compilation “Women of Latin America” (2004) and in 2005 Marta was chosen by “Fucsia”, a Colombian magazine as one of the 5 Most representative women of her country.

With five albums under her belt, her self-released "Solo es vivir" was chosen by The Boston Globe as one of the 10 best albums of 2003 and her "Cantos de Agua Dulce" (2004 Chesky Records), was nominated for the Billboard Latin Music Awards as best Latin Jazz Album among Paco de Lucia’s, Nestor Torres’ and Gonzalo Rubalcaba’s. Her album “Entre Cada Palabra” (2005 chesky records) placed Marta Gómez as “The Best National World-Music Act of 2006” by the Boston Phoenix.
Marta and her group are currently promoting their new album "Musiquita" (2009 Aluna Records). The group perform regularly in the US, Europe, Israel and South America with great acceptance by audiences of all origins.
Marta also tours regularly with Israelian beloved musician Idan Raichel.

Marta is nourished by the everyday stories, and from this nostalgia, songs emerge with a deep social and human content. In an interview on the National Public Radio, journalist Steve Inskeep said he admires Marta’s capacity of “turning the bitter history of her native country into sweet music”.

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