Martha Redbone Roots Project | The Garden of Love: Songs of William Blake

Go To Artist Page

Recommended if You Like
Carolina Chocolate Drops Mumford and Sons The Civil Wars

More Artists From
United States - United States

Other Genres You Will Love
Folk: Appalachian Folk World: Native American Moods: Type: Lyrical
There are no items in your wishlist.

The Garden of Love: Songs of William Blake

by Martha Redbone Roots Project

A collection of William Blake poems set to the music of Appalachia by singer-songwriter Martha Redbone, produced by the Nitty Gritty Dirt Band's John McEuen.
Genre: Folk: Appalachian Folk
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Sign up for the CD Baby Newsletter
Your email address will not be sold for any reason.
Continue Shopping
cd in stock order now
Buy 2 or more of this title and get 10% off
Share to Google +1

Tracks

Available in: MP3, MP3-320, and FLAC file types.

To listen to tracks you will need to either update your browser to a recent version or update your Flash plugin.

  song title
share
time
download
1. The Garden of Love
Share this song!
X
4:12 $1.00
2. Hear the Voice of the Bard
Share this song!
X
3:09 $1.00
3. How Sweet I Roamed
Share this song!
X
2:50 $1.00
4. On Anothers Sorrow
Share this song!
X
3:00 $1.00
5. A Dream
Share this song!
X
2:36 $1.00
6. I Heard an Angel Singing
Share this song!
X
2:46 $1.00
7. I Rose Up At the Dawn of Day
Share this song!
X
3:08 $1.00
8. A Poison Tree
Share this song!
X
2:55 $1.00
9. The Ecchoing Green
Share this song!
X
1:33 $1.00
10. The Fly
Share this song!
X
2:13 $1.00
11. Why Should I Care for the Men of Thames
Share this song!
X
1:49 $1.00
12. Sleep Sleep Beauty Bright
Share this song!
X
2:50 $1.00
preview all songs

ABOUT THIS ALBUM


Album Notes
"Martha Redbone's new collection The Garden Of Love sings of the earth, skies of blue & grey, hard birth & easy death. It sings a poem of prophecy whispered by the oldest tree in the farthest corner of the valley. It sings of leaving & returning & of the equanimity of Angels. Martha's voice itself is the very sound of the dreams of hills and rivers- Homebound & Restless; interpreting the hauntingly lovely words of William Blake with the power of a storm & the gentleness of a breeze." VERNON REID

"Martha invites us on her powerful new odyssey where poetry, folk and soul meet naturally. Here in The Garden of Love-Songs of William Blake she bares her soul...wide open, simple and vulnerable; it's everything she truly is." MINO CINELU, LEGENDARY JAZZ PERCUSSIONIST- MILES DAVIS, STING, WEATHER REPORT

"A brilliant collision of cultures" THE NEW YORKER

“A delightful surprise...Terrific album." ROBERT SIEGEL, NPR'S ALL THINGS CONSIDERED

"Poised to be Americana’s next superstar" VILLAGE VOICE

"Martha Redbone is a charismatic indie-soul diva whose sound is a just-right mix of retro and modern." TIME OUT NEW YORK

"Startling...lovely." JOHN SCHAEFER WNYC, SOUNDCHECK

"The Martha Redbone Roots Project is a real beauty." NOEL CASEY, DUBLIN CITY FM

“The Garden of Love is a 12-track CD filled with moving songs that are masterfully crafted and performed with near perfection. I really don’t want to sound like I’m gushing, but I’ll be danged if I’m not into my fourth listen from start to finish as I’m writing this review." DAN HARR, MUSIC NEWS NASHVILLE

"Redbone gets to the core of Blake's words, adding soul and swing to poems that were penned 200 years ago... The Garden of Love - Songs of William Blake is a landmark album that should propel her (Martha Redbone) to the forefront of the folk scene."
HANS WERKSMAN, HERE COMES THE FLOOD

“The Garden Of Love: Songs Of William Blake by the Martha Redbone Roots Project is one of those wonderful meetings of minds and culture that comes along once in a while that literally takes your breath away.” RICHARD MARCUS, BLOGCRITICS

"Apart from the fact that this is a remarkable recording in terms of Redbone’s liquid vocals and the harmonious blend of McEuen’s instruments (banjo, guitar, dubro, fiddle, mandolin, autoharp, dulcimer),the combining of music with William Blake’s “songs” is an amazing achievement. It is as though this 18th century poet’s work has been quietly waiting for Martha Redbone. After all, Blake always called his poems “songs,” suggesting that they were meant to be sung. Here they are then! After over two centuries, finally, exquisitely complete." GARY CARDEN, SMOKY MOUNTAIN NEWS

"Beautiful…I love her voice…” BARON LANE, TWANG NATION

"a perfect slice of Americana" ZACH HUDSON, HEARTH MUSIC & NO DEPRESSION

"The Garden of Love is a pure slice of knee-slapping organic folk from another time and place. Redbone has a great bluesy style of singing that is immediately inviting and effective. Beautiful music from a beautiful heart. Top pick." BABYSUE

"This CD is quite a revelation...nothing short of amazing....." BRIAN LUSH, ABORIGINAL SOUNDS

"The arrangements have been artfully crafted, the musicians are very skillful and the singer's voice is magnificent."
FRANCOIS MAUGER, MONDOMIX (FRANCE)

"I am impressed by how well the minor keys and elegiac tones bring out the darker shadows of Blake's songs."
SUSAN J. WOLFSON, PROFESSOR OF ENGLISH, PRINCETON UNIVERSITY

"Martha Redbone's journey back to the source of American music — and to her own heritage — has conjured up an artistic triumph. The Garden Of Love poignantly reveals a musician at the top of her game, vocally, intellectually, and spiritually. One not only hears the voice of the Bard, in this case William Blake's legendary prose arranged and phrased brilliantly, but also the very origins of American music arising from the blend of American Indian, African American, and English folk music traditions. It's the dawn of a new day for this fascinating artist, and we're all the beneficiaries of her confident, and yet sensitive, quest." from a review by TIM JOHNSON, ASSOCIATE DIRECTOR OF THE SMITHSONIAN INSTITUTE; NATIONAL MUSEUM OF THE AMERICAN INDIAN

________________________________________________________________________
Words by William Blake
Music by Martha Redbone, Aaron Whitby and John McEuen

Produced by John McEuen and David Hoffner
Additional Production by Aaron Whitby and Martha Redbone

Musicians:
Martha Redbone – vocals, traditional chants and rattles
John McEuen – banjo, guitar, dobro, fiddle, mandolin, autoharp, lap
dulcimer, music arrangements
David Hoffner – keyboards, pump organ, accordion, tack piano,
hammered dulcimer.
Mark Casstevens – guitars, harmonica
Byron House – upright bass
Debra Dobkin – percussion
Keith Fluitt, Michael Inge, Ann Klein, Mary Wormworth
– background vocals
Aaron Whitby – additional keyboards

Special Guests:
David Amram – flute on "A Dream", percussion
Lonnie Harrington – Seminole chant and rattle on “A Dream”
Spottiswoode – recitation on “Why Should I Care for the Men
of Thames”

Recorded by:
David Hoffner, Hoffner Haus Studio, Franklin, TN; Nick Sevilla, Nick Sevilla Studio, Los Angeles, CA; Aaron Whitby, NavyYard Studios, Brooklyn, NY; Downtown Studios, NYC.

Mixed by Nick Sevilla, Nick Sevilla Studio, LA
Mastered by Gavin Lurssen, assisted by Reuben Cohen, Lurssen Mastering, LA

All songs published by Rez Kitty Songs/SESAC and Whitful Tunes/SESAC administered by Next Decade Entertainment, Inc., Video Wizards/BMI administered by Hoffman House Music



Reviews


to write a review

Joe Ross, CD Insight

Pleasing radiance ... raw, rootsy & full of emotional depth
English poet, painter, printmaker William Blake (1757 – 1827) is considered a seminal figure in the arts of the Romantic Age. Scotland’s national bard Robert Burns also lived around that same time, and many of his poems became truly memorable when put to music. With that in mind, singer-songwriter Martha Redbone and songwriting partner Aaron Whitby (who also plays some keyboards on the project) joined forces with multi-instrumentalist John McEuen to infuse a mountain ethos into some of Blake’s poetic words. Redbone provides expressive, rhythmically enticing vocals. Besides arranging the music and co-producing (with keyboard and hammered dulcimer player David Hoffner), McEuen plays seven different stringed instruments on 'The Garden of Love: Songs of William Blake.' Others assisting include Mark Casstevens (guitars, harmonica), Byron House (upright bass), Debra Dobkin (percussion), and several others.
House’s bowed bass is especially effective for a mournful “I Heard an Angel Singing,” vocalized with interpretive twists from Redbone, who also offers up traditional chants and rattles in other spots on the album. That cut is followed by a bluegrassy “I Rose Up at the Dawn of the Day” and then an enchanting and bluesy “A Poison Tree.” Redbone also doesn’t shy away from a sweetly wistful remembrance rendered a cappella in “The Echoing Green,” a sentiment of nostalgia and life’s passing. The song’s genesis flows smoothly to a rawboned arrangement of “The Fly,” featuring fingerpicked guitar and sweeping strokes on the autoharp.
All of the genres that serve as platforms for Blake’s lyrics can be traced to the mountains and hills. Put to delicate melodies and arranged properly, the poems make sturdy, self-assured, convincing music. We don’t hear repeating choruses that many mountain folk songs are known for, but we do hear occasional background vocals, calls and responses, and lines given special emphasis on tracks like “On Anothers Sorrow” and “Hear the Voice of the Bard.” A short recitation of “Why Should I Care for the Men of Thames?” features the avuncular voice of Jonathan Spottiswoode. Redbone then closes the album with an a cappella lullaby “Sleep Sleep Beauty Bright,” known as “A Cradle Song” in Blake’s canon of songs and ballads.
This album gives us stripped-down allure and accessibility. Spare settings lend immediacy to Blake’s inspiring poems, even though they were written centuries ago. The results are beautifully melancholic moments, reverently devout soul-stirrers, evocative mood pieces, and some lively spirited numbers. For those who enjoy well-recorded contemporary acoustic sounds with old-fashionable messages still relevant today, 'The Garden of Love' has pleasing radiance. You can’t ask much more than to have your music served up raw, rootsy and full of such emotional depth. (Joe Ross, CD Insight)