Virtuosity combined with magnificent touch make for a recipe of DebussyLike classical flavor, with a passion for the love of music evident. The solo piano works are a stunning array of intricate handwork and the essence of melody. Use this CD for intent listening or the backdrop to your favorite book by the fire, it plays equally well. You can feel the emotion singing from Martin's piano in waves of understanding and delight. Great composition, great performance!

“First Flight” is the debut CD of Oregon pianist/composer Martin Horn. Inspired by the beautiful countryside surrounding him, Horn writes, “The songs are a thank you note to my Creator for his creation and a hope for others to open their eyes and see the wondrous works of God.” Also a poet and guitarist, Horn brings a wealth of life experience to the piano, and his nimble fingers are quite expressive. The music was composed over a ten-year period. More classical than jazz or pop, Horn has also written lyrics for several of the songs, which are posted on his website (www.martinhornmusic.com). The pieces range from soft and gentle to bigger and more triumphant, from fairly simple to intricate and complex. The eleven piano solos range in length from four to nine minutes. “Horizon’s Kiss” begins the CD. Twinkling and bright like light dancing on water, Horn’s fingers show us immediately that they know their way around the piano! The piece becomes calmer and then builds, suggesting perhaps the horizon at various times of the day. The title track begins slowly, with an interesting cross-handed melody in the bass that alternates into the upper registers of the piano. Graceful and effortless, it’s quite an effective piece. “Dancing in the Light” also makes me think of light reflecting in water, creating lively sparkles. “Angel Tears” is an interesting exploration that seems to include quite a bit of improvisation. Various themes merge and evolve, weaving an elaborate musical tapestry. “Child On the Summit” is a favorite. It flows with a gentle energy that suggests wonder and discovery. “Silver Creek Miracle” is a tour de force that runs all over the piano with a multitude of themes and rhythms, sometimes slow and elegant, sometimes rather rambunctious and playful. “Flooded Souls” has such a variety of themes that it almost sounds like a medley. Sometimes rhythmic and jazzy, sometimes serene, it seems to be telling a very complicated story. “Too Late At the Gate” is also complex thematically. The beginning is reflective and thoughtful, with changing rhythms and a very rubato style. As it develops, it becomes darker and more intense, sometimes sad or regretful; the ending is very dark, indeed. “First Flight” is an interesting first release, and we’ll hope it will be less than ten years for Martin Horn’s “Second Flight.” It is available from www.martinhornmusic.com, cdbaby.com, amazon.com, and iTunes.

Listen to this artist and you will be inspired.