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Sue Matsuki : A New Take
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WINNER OF THE 2002 MAC AWARD FOR BEST FEMALE JAZZ VOCALIST AND "A NEW TAKE" NOMINATED FOR BEST FEMALE RECORDING OF THE YEAR. If you are a jazz fan and appreciate an artist who takes risks with stunning success, you will enjoy this album.
Genre: Jazz: Smooth Jazz
Release Date: 2001
A New Take
Sue Matsuki
Record Label: Yakamoto Productions Inc.
  • Buy CD - $15.99

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Preview Song Name Time Buy
1. Speaking of Happiness 3:22 Album Only
2. Bluesette 2:06 Album Only
3. I'm Gonna Miss You 5:09 Album Only
4. Your Brought A New Kind Of Love 2:37 Album Only
5. Quiet Night of Quiet Stars/Astrud 4:15 Album Only
6. I'll Close My Eyes 3:59 Album Only
7. It's Nice Weather For Ducks 2:15 Album Only
8. I Whistle A Happy Tune/Whistling In The Dark 2:48 Album Only
9. Moondance 3:37 Album Only
10. Runaway/Love Is Blind 3:53 Album Only
11. Have You Got Any Castles, Baby? 2:34 Album Only
12. The Shadow of Your Smile/The Shining Sea 4:59 Album Only
13. Shaking the Blues Away 3:29 Album Only
14. Anticipation 3:40 Album Only
preview all songs

Album Notes

REVIEWS/QUOTES

Re: A NEW TAKE

"...Sue Matsuki meant one thing with the title of her CD, A New Take. You can add one more: take it home. Fresh and exciting, this is jazz that neither loses the melodic line nor the meaning of the lyrics. The arrangements have style, the singing has warmth and sincerity, and the ultimate compliment is that the CD wears well on the ear. As soon as you hear the album once through you'll likely want to hear it again..." Barbara & Scott Siegel/Siegel Entertainment Syndicate/Backstage

...I've always been a fan of Ms. Matsuki so it is no surprise to me that her CD "A New Take" is such a delight. With the solid base of Gregory Toroian's inventive and insightful arrangements, and the assistance of a great studio band (with special appearances by Gene Bertoncini and Bob Kindred), Sue delivers a recording that present standards in new wrappings. Her clear, soothing vocals and clever stylings make for an hour or so of pure joy..." Stu V. Hamstra, Cabaret Hotline Online

"...Visualize, if you will, a secluded nightclub on 52nd Street, NYC during it's heyday in the 50's with the likes of Billie Holiday, Sylvia Sims and Mabel Mercer standing with their combo, looking elegant and regal. That is the picture you get when Sue Matsuki and her group begin their set at Arci's Place. What a treat this show is!...Stunning work by Gregory Toroian throughout - what gorgeous arrangements, some leaving you breathless..." Gregg Culling on cabaretsingers@yahoogroups.com

"...WOW!!!! Let me know when I can buy one. By the way, two chorus people wanted to know who the singer was...I told them...they both loved the voice and the music. If it is heard, it will be sold..." Bob Diamond, Ex-Producer of the Joe Franklin Show/Metropolitan Opera Manager

"...Listened to your CD. Then again. Then AGAIN. Wow! This is a CD that's liable to stay in my CD changer right next to Nancy LaMott. The album is a compilation of steamy, sultry jazz takes on standards and pop tunes, remarkably arranged by Gregory Toroian. A NEW TAKE is a recording that artists with a dozen albums under their belts would be proud of. As a debut, it's remarkable! ..." John Patrick Schutz, Applause Applause

"...Your singing shows a quiet confidence that's impressive on a first recording. It's clear that you know you have the right to express your feelings, you truly mean what you say, and you can say it without unnecessary ornamentation. AND, you can swing!..." Annie Dinerman, Songwriter/Playwright

"...The recording captures performances of such immediacy and intimacy that you expect to hear ice cubes clinking and chairs shifting. Susan sings with a calm confidence that allows her to swing from pathos to play time with equal assurance and focus. There is real artistry here. If you are a jazz fan and appreciate an artist who takes risks with stunning success, you will enjoy this CD..." Jeff Matson, Writer/Director


Sue Matsuki - A Bio

[by me, since I hate those 3rd person bios that you just KNOW the person wrote themselves anyway!]

Hi, I'm Sue Matsuki. No, I am not Japanese but when people ask, I just look them straight in the eye and say, "Yes, yes I am!" [It's easier.] I come to my name through my Japanese husband. I took his name when we married because it was a "trade up" name. You see, my maiden name was Trosell, which made me "Suetrosell" which, to me, always sounded like an antacid. At least "Susiematsuki" makes me sound like an Asian Porno Star. I am actually of Swedish and French decent which means nothing really except that I'm a big chested, great kisser!

I grew up in Waterbury, CT, the town on the way to Hartford with the illuminated cross on the hill! I have 7 brothers, no sisters, so I was the "featured" child which, I'm sure, led me to becoming a performer. The first time I was on stage was at age 6, I sang "The Boy I Love" and won the Little Miss Hamilton Park contest. From there I went on to sing and dance in community theatre and, in 1976, I reigned as Miss Waterbury, for only 2 months, fulfilling my obligation as First Runner Up. I also won Miss Congeniality and the Talent Award. I then heard the call only the highly flammable, polyester clad could hear - "HOOT HOOT" - and became half of a Salsa/Hustle dance partnership called Sue & Lou.

I have appeared productions of Oklahoma, Bye, Bye Birdie, A Christmas Carol, Out of the Frying Pan, Agnes of God, West Side Story and They're Playing Our Song. I also choreographed most of the above along with Guys n' Dolls and with the exception of Agnes of God because well, nuns don't dance...at least they didn't until Nunsense hit town!

I also work at the Metropolitan Opera and have been featured in performances of Moses und Aaron; Tristan und Isolde and Il Trovatore . I was just recently seen on T.V. when PBS aired Tristan und Isolde [I was the chick screaming in the tower in Act II] and, I was invited to sing in a special benefit performance of After the Ball by Noël Coward [starring Irene Worth] with several members of the Met chorus. I played Mrs. Stutfield.

My first cabaret show was at Don't Tell Mama here in New York. I have also performed at Arci's, The Village Gate, Danny's, Kelly's, Jan Wallman's, 88's, Judy's, The Duplex, The Gardenia Room in Los Angeles and at the Fairbanks Summer Arts Festival in Alaska. With the timing finally being right, I have just completed my first CD called, A NEW TAKE which is a new take on old jazz standards and contemporary songs gone jazz! Appearing with me on the CD is my Musical Director/Arranger, Gregory Toroian on piano, Ned Mann on bass, Ronald Tierno on drums/percussion, Chris Hajian on trumpet and special guests, Bob Kindred on tenor sax and Gene Bertoncini on guitar.

I am also WAY FUNNY...ask anyone!

Contact: (718) 383-4737 • www.suematsuki.com

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REVIEWS

Sue Matsuki's A NEW TAKE is a MUST!
author: Gregg Culling
                            
I am in LOVE with this CD!!! I attended one of Sue Matsuki's shows in New York City recently which celebrated the release of this fabulous recording, and here below are some of the comments I have of this show and about this CD which anyone in the right mind must own! Visualize, if you will, a secluded nightclub on 52nd Street NYC during its heyday in the 50's, with the likes of Billie Holiday, Sylvia Sims and Mabel Mercer standing with their combo, looking elegant and regal. That is the picture you get when Sue Matsuki and her group began their set at Arci's Place NYC celebrating the release of her fabulous new CD "A New Take." But, she is here today and we've got her! This is truly a celebration of great singing and superlative playing. Opening with the fantastic "Speaking of Happiness" the evening was off to a great and wonderful start. This gal has got the chops to add a fresh new flavor to each and every number, and the incredible musicians to back her up. Looking oh so elegant in her black sparkling blouse and regal posture, it took her just a song or two to really let loose, so that by "You Brought a New Kind of Love to Me" she had you eating out of her hands. After getting you warmed up, she brings you back down by going into an absolutely gorgeous and soothing arrangement of "Quiet Nights/One Note Samba" that was to die for! Always hitting the right mood every step of the way, this was a show (and a CD) that sets a beautiful mood and holds it. "If I Close My Eyes" is but another beauty, so wonderfully done, and dedicated to her husband Kenro. Stunning work by Gregory Toroian throughout - what gorgeous arrangements, some leaving you breathless. A minimum of patter throughout the show seemed to suit this classy lady, but when she did fill in with introductions, it was always with the utmost respect for the composer/lyricist or a word of thanks to Gerry Geddes, her director. Luckily he had suggested she try "Anticipation" - a song she didn't seem to think would work. But, wow, what an arrangement Toroian gives this one. Truly, hearing is believing! All visions of MGM star Ann Miller (who sang it so memorably in EASTER PARADE) disappear when you hear Sue swing into "Shaking the Blues Away" - she really lets it rip! Brava!! And, for lovers of "Moondance" - and I number myself among them - her New Take, if you will, on this contemporary classic leaves you with the greatest of admiration for this beautiful singer and her fantastic group. Definitely this is a must-see show and MUST HAVE CD!! Take this NEW TAKE home with you today - you will definitely be happy you did!!!!
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SUE MATSUKI PUTS "A NEW TAKE" ON OLD FAVORITES-- AND THEN SOME!
author: Jed Ryan
                            
SUE MATSUKI'S "A NEW TAKE" by Jed Ryan After listening to about 30 seconds of "A New Take", Sue Matuski's award-nominated ("Best Female Recording of the Year" at 2002 MAC Awards) debut CD , listeners will realize one thing: This diva's got the voice of an angel. Matsuki's voice is fresh and unblemished,as sweet and light as cotton candy-- yet strong, self-assured, and multi-dimensional. While she's got a truly impressive range of tones and emotions, she never loses her own unique vocal persona. After listening to "A New Take" over and over again (And trust me, you can't resist doing so!), you'll realize something else: Sue Matsuki has a very talented ear for what works. She has lovingly selected 14 songs that display her singing talents to the maximum. Matsuki gives us her own take on several jazz favorites, and takes some songs that she "jazzes up" for a new flavor. Similarly, Matsuki surrounds herself with truly impeccable musicians who compliment her warblings with smoky, meticulously paced rhythms. Gregory Toroian on piano is particularly impressive. The results is a CD which will be savored by jazz lovers as well as those who are just starting to discover the genre. In the first track, "Speaking of Happiness", Matsuki teases us with mellow vocals wrapped in smooth groves, before going all out with her belting abilities. And that's just the beginning! "A New Take" is a delight from start to finish. Sue Matsuki was Winner of "Best Female Jazz Vocalist" of the 2001 Cabaret Hotline Online Awards, and she also scored the 2002 MAC Award for "Female Jazz/Pop/R&B Vocalist". The youthful quality of Sue Matsuki's voice makes the diva perfectly suited to take on the role of prophet of love in the feel-good Gimbel/Thielemans classic "Bluesette" ("Pretty little Bluesette, don't you be a mourner; Have you heard the news yet? Love's around the corner."), a song of encouragement for all the lonely girls (and boys!) out there. Similarly, her uplifting delivery works just as well when she sings an adoring tribute to her man in "You Brought a New Kind of Love" ("If the nightingales could sing like you, they'd sing much sweeter than you do. You brought a new kind of love to me."), a song which some of you may remember Liza Minnelli singing in "New York, New York". We can also thank Matsuki for resurrecting some little-known ear candy that begs to be heard again. One of these is the Whiting/Mercer tune "Have You Got Any Castles, Baby?", in which she playfully proclaims, "I have dreamed about romance a lot. Men like Galahad and Sir Lancelot, always did the things I'd like to do." Another is "It's Nice Weather for Ducks", a track which couldn't be more perfectly suited to describe the feelings of New Yorkers after this past spring. In other highlights, Matsuki gives the Van Morrison favorite "Moondance" a frenetic treatment-- and during the song, she takes a vocal pause to allow us to again appreciate her gifted family of musicians. Of course, no collection of love tunes would be complete without songs about the, shall we say, tougher side of love. And Matsuki can flawlessly become mournful in "I'm Gonna Miss You", or pensive in "I'll Close My Eyes", a song from the movie "The Bridges of Madison County". Yet even when Matsuki plays the role of the wounded lover for some tracks, we don't believe that the spunky heroine she brings to life in her songs will stay down. She may be bruised, but not broken. Perhaps the most impressive skill of Matsuki is to juxtapose bits of two songs together, changing moods and/or musical styles so subtly that the listener hardly notices the transition. On one of the tracks on "A New Take", she effortlesly segues from the ethereal "Quiet Night of Quiet Stars" into the dynamic "Astrud". In another piece, the upbeat Rodger & Hammerstein's "I Whistle A Happy Tune" (from "The King and I") segues into the mysterious, mellow Mancini/Mercer tune "Whistling in the Dark". The torment of a broken heart, as only Janis Ian could have given us, comes through as Matsuki gives us her version of Ian's haunting "Love Is Blind". Sue Matsuki leaves us off with two final tracks guaranteed to please. In the classic "Shaking the Blues Away" (This song was performed in movie musicals by both Ann Miller and Doris Day.), she reminds us that sometimes a little song and dance is the best way to fight thos pesky blues. And who would know better than this lady of song? For a finale, Matsuki and Toroian give us a stripped-down, piano-and-vocals only rendition of Carly Simon's "Anticipation", and the effect is beautiful and provocative. Again, we get some lyrical advice that Matsuki no doubt uses in her own philosophy of life: "These are the good old days..."-- and we better enjoy them! "A New Take" is ultimately a triumphant experience for Matsuki, her musicians, and, ultimately, the listener. And just think... This is only her first CD!
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