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Maybarduk : No Hay Pueblo Vencido
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Experimental indie rock, electronic & acoustic songs reflecting the combination of cultures in which Maybarduk grew up – a North American in Latin America; a political wordsmith & punk rocker with a penchant for Spanish guitar. Produced by J. Robbins.
Genre: Rock: Post-Rock/Experimental
Release Date: 2009
No Hay Pueblo Vencido Record Label: Unquiet
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Preview Song Name Time Format Price Select
Darker days 4:37 $0.99
Elizabeth La Paz 4:59 $0.99
Siddhartha on his raft 3:48 $0.99
To make a rebel behave 4:33 $0.99
Dom Helder Cámara 3:06 $0.99
Hey Washington 4:48 $0.99
Caught in a lie 4:17 $0.99
Statues of Simón Bolívar 5:17 $0.99
Capital for guns 5:32 $0.99
Sundays 4:35 $0.99
No defeated people 0:21 $0.99
No hay pueblo vencido! 4:32 $0.99
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Album Notes

Maybarduk's sounds range from innovative sample-based compositions ("Siddhartha on his raft") to conversations on nylon-string guitar ("Sundays") to full-tilt post-punk rock ("Dom Helder Camara").

In "Darker Days," Maybarduk sings, "I only want to be of use. To protect a people or an idea." Many of his songs wrestle with the challenges of creating both personal and political change. His live shows mix in video and performance art, jumping in crowds with props and instruments.

Maybarduk released his second album "No Hay Pueblo Vencido" ("No Defeated People"), produced by J. Robbins (Jawbox/Channels), on March 19, 2009. Maybarduk and Robbins invested months imagining arrangements and calling in established musicians of the mid-Atlantic indie scene to draw out the character of each song. "Vencido" compels as pop, as art, and as statement on living unique possibilities despite oppression.

Born on July 4, 1979, to an American diplomat and a social worker in Mexico City, Maybarduk has since lived in Nicaragua, Sierra Leone, Cuba and Venezuela and across the United States from rural Maine to Berkeley, California, where he attended law school and fronted indie rock band Last Clear Chance. In 2007, he joined the non-profit advocacy group Essential Action, and now divides his time between music and work in Washington, D.C. and the Global South, helping countries improve access to critical medicines.

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REVIEWS

A little bit of everything
author: Evan Rose
Much like the person who composed and performed this album, this album is a combination of many things. Activism, history, and introspection. Electronic music, acoustic rock, and South American musical influences. It is meticulously melded into a cohesive whole that will make you think, but also make you tap your foot and hum along.
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"A Call to Arms"
author: James Girouard
Listening to Peter Maybarduk's album "No Hay Pueblo Vencido" I could not help myself from being completely blown away on every level of my being. His "Powerhouse" lyrics emphasize a universal call for help towards all the "third world countries" who are struggling and suffering with poverty and disease. He presents himself as just a man, yet one who will not be shut up or locked away by any Naysayer or authority figure, a man who is on a mission for justice, truth and honor. As you follow him along through his songs he also portrays very humane aspects of himself. On his catchy "Hey Washington" he expresses to the listener an almost nostalgic yearning for love and with "Statues of Simon Bolivar" he express a subtle message of conflicting faith. All of his songs are perfectly arranged in composition and melody. Once again he pleases his listeners with eccentric sounds from all over the world, incorporating elements from all different types of genres mainly striking on Indie Rock. A step up from his previous effort "Passengers", No Hay Pueblo Vencido will dazzle your heart and mind. It is definitely one of the best albums of 09'
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