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Rick May And Gil Yslas : Kids In A Candy Store
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Irish Traditional Meets American Eclectic: Instrumental Tunes for Fiddle and Guitar
Genre: World: Celtic
Release Date: 2006
Kids In A Candy Store Record Label: Katsu Jin Ken Productions
  • Download Album (MP3) - $9.99
  • Buy CD - $14.98
Preview Song Name Time Format Price Select
The Shores of Lough Gowna/The Humors of Ballyloughlin 3:53 $0.99
Carolan's Favorite 3:19 $0.99
My Love is in America/The Torn Jacket/Jackie Coleman's Reel 3:56 $0.99
Comb your Hair and Curl It/ Elizabeth Kelly's Delight 2:53 $0.99
Father Kelly/Cooley's Reel 3:44 $0.99
The Ookpik Waltz 2:59 $0.99
The Good Natured Man/ The Rights of Man 3:15 $0.99
Apples in Winter/A Fig for a Kiss/ The Swallowtail Jig 3:00 $0.99
The Boyz of Ballycastle 3:23 $0.99
Banish Misfortune 3:09 $0.99
Swinging on a Gate The Golden Keyboard/The Wind that Shakes the 2:54 $0.99
The Lilting Banshee/The Lark in the Morning 3:22 $0.99
Fanny Power/Lord Inchiquin 4:45 $0.99
The High Part of the Road/ Joy of my Life/Do you Want any More/O 3:54 $0.99
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Album Notes

Rick May and Gilbert Yslas have been picking and fiddling
traditional Irish melodies for more than seven years. Over those years they've honed the craft into the self-professed lilting musical lineage that spans their debut CD, "Kids in a Candy Store."
-Bill Mickelson, Staff writer for the Entertainment section, North Kitsap Herald, Poulsbo, WA


Rick May and Gilbert Yslas interpret traditional Celtic music in their own unique way, playing traditional tunes with the drive and spontaneity of rock and jazz.
Rick May began classical violin training at age 11-but he discovered rock music, quit his school orchestra, and never looked back.
Rick has played in a wide variety of situations over the years, including performances at Bumbershoot, the Seattle Center’s Mural Amphitheater, and concerts sponsored by Seattle label Popllama Records. For the past several years, Rick has worked full-time on Irish traditional fiddle tunes, playing at pub sessions and studying with noted fiddler Randal Bays.

Gilbert began to teach himself guitar at an early age, inspired by classic rock and roll. He became a busy session player and performer in the L.A. area, and recorded nine albums on various independent labels. Gil has also recorded soundtracks for network TV movies and daytime dramas.
Gil currently makes his living producing and recording music
in the greater Seattle area. He works out of his own studio,
"Magic Rock Music."

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REVIEWS

Will start your feet taping, your lips whistling, your eyes tearing and your hea
author: Roy Clark
Enjoyed their music live at Tizley’s Europub (in Poulsbo, WA) last June and bought a copy of their “Kids in a Candy Store” CD. It became a favorite of other pilots during the July 2007 Region 8 Soaring (I fly sailplanes for fun) Contest. I would play it with my tow vehicle’s windows open while we were getting our ships ready. My other favorites are Roy Orbison and The Baroque Masters – so they're in good company on my eclectic menu. My daughter began asking for “that great Irish music” during an August visit. (She married a Flaherty.) I was very happy find it available through CD Baby, so I could get a couple of more copies before I hear them live at Tizley's again!
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Great disk for listening or learning
author: Ken Stern
There's something on this one for everybody- jigs reels and aires for celtic music buffs treated in a way that won't make everybody else want to reach for the "next disk" button.
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author: Kathryn L
From the first moment I began to listen I could feel the rolling green hills of Ireland. Their music transports! The Ookpik Waltz (#6) brings tears to the eyes and The Boyz of Ballycastle (#9)steps beyond the traditional to enter a whole new musical scene. These guys don't just play what's been done before. This CD is not to be missed! Kathryn L.
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Pleasantly flowing acoustic Irish music
author: Bill Mickelson, The North Kitsap Herald
A dueling solo segment in the duo's rendition of "Banish Misfortune"--the 10th track on "Kids in a Candy Store" is an interpretive example of their deviation from the note-for-note standards. They step away, but not too far.
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