Turning Pages
author: Ralph Wileczek
Poignant and moving performed flawlessly by one of the most amazing voices to grace this planet. The stories are gripping and compel me to play this CD over and over again… I will never grow tired of this elixir for my soul. Give it a listen you will thank me for it.
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Talent, enthusiasm and real content make this a welcome album
author: Victory Review (review by Marilyn O'Malley)
Environmental engineer turned songwriter, guitarist and vocalist, McKnight has a refreshing delivery and writing style. Talent, enthusiasm and real content make this a welcome album in a time when so many people out there seem to be mostly fluff and packaging. His subject matter ranges from history and nature to America and the trials of being human. Keith Dill appears here and there with some winsome fiddle and mandolin. Ralph Gordon brings that mellow cello into "Diary" and plays bass on many other tracks. Other musicians include: Robbie Magruder on drums; Jeff Arey on banjo and mandolin; Don Porterfield on fretless bass; harmony singers Terri Allard, Mary Byrd Brown and John Rickard; the spoken word of Chris Chandler and the percussion of Marco Delmar. This album is put together well, with a few surprises like the "bluesy ode to telephone anxiety" in "Bad News," and the rocking drive of "Jesus and the Nighttime Train," amid a repertoire that is mostly folky with a strong Appalachian influence. I especially liked the somber Civil War ballad, "The Road to Appomattox" for its powerful yet agile lyrics, traditional sound, and intense passion.
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a very enjoyable album
author: Rambles (review by Nicky Rossiter)
Andrew McKnight is described as a poet, geographer, historian and naturalist, and the tracks on Turning Pages bear out those claims. From such a polymath we are presented with a varied and wide-ranging selection of tunes. These range from memories of another performer in "Stardust" to a tribute to Hoagy Carmichael in "Bad News."
A personal favourite of mine is "Diary," on which he duets with Mary Byrd Brown. It features Thomas Jefferson speaking to Sally Hemmings and brings history to life in haunting manner.
"Company Town" is one of the staples of such an album, presenting the old tale of the mining industry and its effect on a community. McKnight brings a good performance to the song. History is again evident on the Civil War epoch offering titled "The Road to Appomattox," this time with a folk tempo.
"Jesus and the Nighttime Train" ends with the enigmatic line "whatever comes easy ain't worth the sacrifice," which sums up this lovely song about finding faith in a world dominated by media reports on hopeless events.
There is a track here called "When I Grow Up" and it takes our hopes for growing up that extra step into the future. One expects a tale of the job one wants to do but here McKnight moves it on to enjoying life after the career when he can "retire to the back road, live closer to the land."
The title track, "Turning Pages," appears to be a letter to a partner in a short-lived romance. It has some poetic turns of phrase that lift it to a high level. As with many of the songs, I may be giving a wrong interpretation but that's how I hear it.
Turning Pages is a very enjoyable album, but not everyone will enjoy all the tracks because he uses a variety of styles. I am sure you will like more than you dislike. (Well done also on not only providing the lyrics but also a very important paragraph of explanation.)
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works a wealth of acoustic variety into the contemporary folk mix
author: Richmond Times-Dispatch (review by Bill Craig)
On this third CD, Virginia-based singer-songwriter Andrew McKnight shifts his attention, in his own words, "away from rural characters and their relationship to the land and towards the landscape of the heart and soul."
In addition to some very, very pleasant middle-of-the-road folk-pop tunes ("Western Skies," "Stardust," "When I Grow Up"), McKnight works a wealth of acoustic variety into the contemporary folk mix with the bluegrassy "Nothin' But A Man," the quasi-funky "Riley's Life" and "Bad News," a bluesy tribute to Hoagy Carmichael. The best of the not-ready-for-coffehouse cuts is "Jesus and the Nighttime Train," a dark but hopeful faith statement.
But in sound and in lyric, McKnight finds the comfort zone with the effective melodies and sharp writing of his ballads. Both "Turning Pages" and "22" effectively re-create the rewards and pains of past relationships. And while it may be more historical fiction than historical fact, the Sally Hemings-inspired "Diary" is a pretty gripping five minutes of music.
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