A great live act. Energy and ambience, as in the pocket as you get
author: Ben Cox/Illinois Blues
Microwave Dave Gallaher is a musical veteran who's been plugging away as a slide guitarist since before a lot of the newer guys who are heaping up a lot of success on blues radio were even born. Gallaher is steeped in the traditions of the Deep South and Chicago. He has a laundry list of folks he's had the pleasure of playing with and has the chops to show for it.
Recorded live at the 2nd Street Music Hall in Gadsden, Alabama in April, August, and November 2005, this 12-song set is loud, raucous, great party music that will find you tapping your feet along with the beat. Dave's band, the Nukes are about as in the pocket as you get, and for the power-trio setup, they are about as solid as any big band around. Their style is steeped in the slide guitar work of J.B. Hutto, Elmore James, Hound Dog Taylor and may ring a bit familiar with fans of Lil' Ed and the Blues Imperials. In fact, two Hutto songs appear on this disc--"20% Alcohol" and "Hip Shakin'" which are handled beautifully.
It is also apt that Gallaher tips his hat to the man who gave him his start, Bo Diddley, and the song that got he and the Nukes international notoriety, "Road Runner." At almost seven minutes, the song may get a little repetitive and is actually poorly suited as the introductory track.
Bob Dylan, Duke Robillard and "Hey Little Girl" (a very common jukin' song for the familiar) all make their appearance on the album in fun party fashion. Gallaher also shows some of his horn driven R&B roots when he attacks the Doc Pomus/Duke Robillard "Body and Fender Man."
Overall this record is a fun, evenly paced party band record. Gallaher's gutsy voice is easy on the ears and doesn't grate, his guitar playing refuses to get pigeon-holed into any single style which matches his in-the-pocket rhythm section. Why these guys haven't gotten much national exposure outside their native Alabama is beyond me, but one things for sure, they sound like a great live act. This album exudes an energy and ambience that I don't think would work well in the studio because of the balls-out style of the band. Plus, the studio, to me sounds like it would confine this band's style which they seem to feed off the crowd that you can hear at the end of the tracks. I mean you can almost smell the stale, thick smoke and the beer bred for a down south juke.
If this is a style that you like, which harkens back to the masters of the Mississippi Delta at times and to the Chitlin Circuit at others, you'll like this record.
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Blistering, industrial-strength blues-rock served up with great variety
author: Blues Revue Magazine
Recorded live at the 2nd Street Music Hall in Gadsden, Alabama, in April, August, and November 2005, this 12-song set is an enjoyable slice of what guitarist/vocalist Dave Gallaher, bassist Rick Godfrey, and drummer James Irvin do best: blistering, industrial-strength blues-rock served up with great variety.
For the album's lone original, the swampy instrumental "Ray Brand," Gallaher accompanies his slithery slide guitar with a Lowebow, an instrument that produces twangy bass sounds. Three fan favorites can be traced to Gallaher's debut album: Bo Diddley's bombastic "Road Runner"; Doc Pomus' double-entendre-filled "Body and Fender Man," played here at a breakneck pace; and J.B. Hutto's "20% Alcohol" (the late slide master is also tapped for a bludgeoning "Hip Shakin'").
Elmore James' rollicking "Can't Stop Lovin' My Baby" is no surprise, but the remaining tunes are. The best known of three tracks from the golden age of R&B and soul is Dee Clark's Diddleyesque thumper "Hey Little Girl," a No. 2 R&B hit in 1959. Obie Jessie's frenetic lament "It Don't Happen No More" and Dyke & the Blazers' churning funk tune "Shot Gun Slim" qualify as obscurities. Bob Dylan's "From A Buick 6" recalls the live version recorded by Johnny Winter in the '70s. John Sebastian's jaunty "Got No Automobile" and Los Lobos' lilting "Let's Say Goodnight" provide changes of pace.
Gallaher is a vocalist of limited range, but he can roar and holler with the best. First-generation electric slide masters appear to be his main inspiration, but such leanings combine with rock influences to evoke George Thorogood, Ron Thompson, and Eric Sardinas. DOWN SOUTH NUKIN' will appeal to fans of those venerable blues-rockers.
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A good time was had by all on those four nights down in Gadsden
author: Living Blues Magazine
Gravel-voiced Alabama guitarist Microwave Dave (Gallaher) and his Nukes (bassist Rick Godfrey and drummer James Irvin) were captured live at the 2nd Street Music Hall in Gadsden on four nights in 2005 to assemble the twelve tracks on their latest CD. The only original on offer is the instrumental Ray Brand, on which Dave gets a nasty sound from John Lowe's Lowebow, with the remainder being drawn from the songbooks of Bo Diddley, J.B. Hutto, Elmore James, Dee Clark, and Young Jessie, as well as Bob Dylan, Los Lobos and Jimmy Vivino. There's nothing fancy or subtle here, just power trio blues-rock--it's a pretty safe bet that a good time was had by all on those four nights down in Gadsden.
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An explosive incendiary device...this three piece rocks like crazy.
author: Capital News (Australia)
Down (or up?) in Alabama a bloke called MICROWAVE DAVE has been cranking out some high octane slide guitar and rough hewn vocals for many a year. With stripped down (bass & drums) unit THE NUKES he is as pumped up as he can be on the brand new release Down South Nukin' (Rockin' Camel). In fact the old Bo Diddley opener Road Runner kicks like a camel and at near seven mins long is an explosive incendiary device that the album takes a few tracks to recover from. I would love to see what Dave could do to (for example) a late night Gympie crowd with song such as 20% Alcohol, Shot Gun Slim and Hip Shakin' this three piece rocks like crazy (most) of the night long. Pausing just long enough to salute a lost guitar brother with the instrumental RAY BRAND, Dave tears up the strings and creates hitherto unknown nodules on vocal chords.
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