Back To Artist
Michael Fair : How Close Are We?
Log in to add to your wishlist
Picks up where his last one left off, dishing up more fire and more groove while still offering a warm dose of Michael Fair's super-smooth flugelhorn.
Genre: Urban/R&B: Deep Funk
Release Date: 2003
How Close Are We? Record Label: Michael Fair
  • Download Album (MP3) - $9.99
  • Buy CD - $14.99
SPECIAL: 10% discount if you buy more than one copy of it today!
Preview Song Name Time Format Price Select
How Close Are We? 5:23 $0.99
Running Scared 4:41 $0.99
One Last Cry 4:11 $0.99
New Shooz New Attitude 5:04 $0.99
Brazilian Sunrise 5:47 $0.99
Four Chord Pileup 5:11 $0.99
Midnight Groove 5:47 $0.99
Sunday Afternoon Drive 5:21 $0.99
A Fool Again 4:22 $0.99
Beach Front Hideaway 4:40 $0.99
East or West? 6:11 $0.99
Nylon Samba 5:28 $0.99
preview all songs

Album Notes

Multi-Grammy nominated writer/producer Brandon Barnes teams up with Nashville based smooth jazz trumpet/flugelhorn artist Michael Fair for their second offering " How Close Are We?". This eagerly anticipated collaboration arrives two years after this duos highly successful first release "Love Me Like That". " How Close Are We?", picks up where "Love Me Like That" left off, dishing up more fire and more groove while still offering a warm dose of Michael Fair's super-smooth flugelhorn on such tunes as "Midnight Groove" and the Brian McKnight/ Brandon Barnes/Melanie Barnes mega hit "One Last Cry".
Both Brandon and Michael's resumes read like a "Who's Who" in the music business. Brandon has written and produced with such artists as Brian McKnight, Helen Reddy, Claude McKnight of Take 6, Darius Rucker of Hootie and the Blowfish, Tyrese, Phillip Bailey, Brenda Russell, Robbie Nevil, Stephen Bishop, Siedah Garrett, BB Winans, Phil Collins and Boyz to Men, to name a few.
Michael Fair has shared the stage with such notables as Michael McDonald, Larry Carlton, Amy Grant, Oliva Newton-John, Christopher Cross, Claude McKnight, John Wyatt, Sam Moore, Victor Wooten, Donna Summer, T. Graham Brown, Carman and Delbert McClinton.
Michael has parlayed his flugelhorn talents into numerous artistic endeavors. He has most recently been featured as the solo horn in the Latin Jazz ballet "Arriving in Indigo City", a Carolina Ballet Theatre production written and arranged by Russ Corvey and choreographed by Herman Justo. As a tribute to Michael's flugelhorn playing forte the "How Close Are We?" cut "Brazilian Sunrise" was showcased as a ballet musical feature. He has also contributed to major motion picture soundtracks like "The Apostle".
Despite Michael's distinctive resume, his focus is on flugelhorn smooth jazz. " I love the warm sound of the horn because it lends itself well to the smooth jazz genre"-Michael Fair.
Whereas Michael's debut CD " Love Me Like That" features smooth grooves and dark tambers, "How Close Are We?" is a dynamic composition with a variety of radio ready tunes ranging from ballads and R & B grooves to Latin Jazz accents.
"How Close Are We ?" has already received heavy radio rotation in Nashville. All songs were written and produced by Brandon and Michael with the exception of the aforementioned " One Last Cry" which was a huge hit for Brian McKnight on his debut album. There are high energy cuts such as the title cut" How Close Are We?", "New Shooz New Attitude" and "Running Scared". Those who enjoy slow tempo melodic ballads will find " A Fool Again" and
"Midnight Groove" appealing. Two vibrant Latin Jazz cuts
"Nylon Samba" and "Brazilian Sunrise" complete this cross-sectional mix of music. There is certainly something for music lovers of all tastes on "How Close Are We?". Nashville is known for Country and Contemporary Christian music, yet the smooth jazz genre is surging with remarkable players like flugelhorn artist Michael Fair blazing the way.

Read more...

REVIEWS

this is what heaven must sound like
author: rosa siragusa
i was listening to a internet radio station and michael's song midnight groove came on, i immediately went looking for his site and found this one and am going to order this cd as soon as i get done writing this review (i am currently listening to samples of his cd and i can tell you i am in a better mood for having done so!) thank you for your wonderful talent and beautiful music!!
Read more...
Melodies that lodge in your memory
author: Tim Hillhouse-songwriter/composer
Michael's jazz is very melodic, very harmonic, and you come away with melodies that lodge in your memory and repeat themselves later on.
Read more...
Hooked to your music
author: Kevin Henessy
I really enjoyed your CD and I have always loved your horn playing. Your songs are just as good as any I hear on mainstream Jazz radio stations, right there with the successful contemporary artists like Chris Botti.
Read more...
Smooth Jazz Presentation that is creative and well arranged
author: Chuck Mann
Duke Ellington said "It don't mean a thing if it ain't got that swing." This smooth jazz CD does swing. Here is the hook-Michael Fair, on trumpet and flugelhorn, uses melody and improvisation to bring out the chord changes of each song. It's a brilliant presentation on the part of Michael Fair and co-writer Brandon Barnes. Listening to this CD from the chord progression viewpoint opens this recording up to a much broader audience. Michael is brilliant at using the single line notes to highlight the chords that make up each song. It's as if a horn section of a big band is playing in unison to give each song the body of a big band arrangement. This CD moves beyond traditional smooth jazz. You can not only just listen, but you may just want to snap your fingers or tap your feet. "Running Scared" is just one good example. "New Shooz New Attitude" is a a good example of the arranging skills and programming prowess of Brandon Barnes to make a tune swing. One of my favorite creative rhythm arrangements is "East or West?" that has an underlying funky beat that is overlayed with a reggae beat on the verse. "One Last Cry"(written by Brandon Barnes, Melanie Barnes, and Brian McKnight)is tastefully done by starting out with trumpet and guitar. In summary, this is smooth jazz presentation that is creative, very well programmed and arranged, and, well, it swings.
Read more...